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Three i - ViceVersaMag

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Terîa infirma<br />

William Ame/mi is an old spirit from the hills of Umbria<br />

transplanted on Ottawa's Hill. He is spreading his creativity on generations of students in an Italian<br />

Department, writing and surfing the Net.<br />

On the reason for leaving things<br />

untouched<br />

Suitcases do not necessarily belong<br />

to an owner. They exist on their<br />

own, with their fill of letters and<br />

magazines and suits and dresses,<br />

found or again lost cases of identity. It's the<br />

spoils of travel, of having to live in a world<br />

enamoured by motion, false movements,<br />

speed. Perhaps, the exact moves we fake to<br />

spell history on our past so as to proclaim<br />

an absolute moment, this moment, this<br />

present.<br />

A suitcase stranded by the side of a<br />

train. It's early spring, drizzle and fog by<br />

eleven thirty-seven pm. That brown rectangle<br />

in the distance is a message, enigmatic<br />

however, unquantifiable as of yet.<br />

Take it, make it yours as you descend the<br />

stairs, not a soul around since you fell<br />

asleep. Carry it with you to your destination<br />

and you will take with you another, a<br />

possible companion, a mate in a game of<br />

chance.<br />

This is how it starts, with a curious<br />

theft, perhaps a gesture of good will. After<br />

all, in the great hall where heads are nodding<br />

and words are orders of a pleasant<br />

future, an office might be waiting. The officer<br />

seated behind the desk, with a book of<br />

model trains in his hands and blood-shot<br />

eyes knows your name.<br />

Hey you, where you going with such a<br />

bitter load?<br />

Nah, not so heavy, just a couple of<br />

suits and some magazines. That's not quite<br />

right. You should have said,<br />

I found these vestiges of life. To whom<br />

do they belong?<br />

But, it is late. The taxi awaits. You<br />

whistle and smell exhaust from structures<br />

of survival. Hop in, where are you going?<br />

I am going here. The map you unfold<br />

smells of tobacco, the red X is drawn quite<br />

resolutely.<br />

Photographs: Giovanni Facchin<br />

On the reasons for touching<br />

someone<br />

Just came back?<br />

No.<br />

Long trip?<br />

No.<br />

Tired?<br />

Yes!<br />

Most definitely you could have said<br />

without drawing blood. But, your right<br />

hand twitches. The suitcase was bitter after<br />

all. Yet, you cannot wait in this, your holy<br />

silence.<br />

Smoking is permitted. Inhale and<br />

exhale, so as to add a certain taste to this<br />

trip. Somewhere else, quite far from here,<br />

another seventy-three children are dying of<br />

hunger, two hundred and four are killed in<br />

traffic accidents, a thousand and one are<br />

blasted into bits from land-mines, and one<br />

dies while gurgling water and tooth-paste;<br />

this will pass off as a suicide. Had you had<br />

a chance to know these facts, you would<br />

have stopped in that bathroom and interviewed<br />

the killer.<br />

"Why did you kill yourself this way?"<br />

you would have said in a tone reminiscent<br />

of this little death, this english farce. The<br />

answer would have numbed your wrists,<br />

because I was never quite co-ordinated. I<br />

happened to swallow die pasty water, and<br />

coughed and coughed. I live alone. 1 suffocate.<br />

1 die.<br />

No. You are tired. And you imagine<br />

god knows what treasure in the suitcase.<br />

Perhaps, another life. It would be quite<br />

simple. Fit into the clothes, move on,<br />

check mate. Forevermore.<br />

It sounds so cocksure, such an impossible<br />

adverb. It sounds like a preying bird,<br />

swooping down from the cliff, nipping<br />

away at the liver every hour, on the hour.<br />

You are half-asleep. Be quiet! Be quiet all<br />

of you! you tell the world, be quiet hunger!<br />

and be quiet diirst! be quiet moon behind<br />

the pale! be quiet! be quiet! be quiet!<br />

You are asleep by the time you fall into<br />

die door. Be quiet! someone yells from<br />

down below.<br />

On discovering that you are free<br />

Waking up is hard to do. This<br />

sounds like a song from the<br />

sixties. No matter, breakfast<br />

awaits. Cereals and milk,<br />

the morning news. You have kept count of<br />

all the people killed so far, in movies and in<br />

plays, in cities and in countries. You add up<br />

the score, the favourite passing time.<br />

Finally, voilà.<br />

VICE VERSA 52 37

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