Three i - ViceVersaMag
Three i - ViceVersaMag
Three i - ViceVersaMag
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Le Festival du Nouveau Cinéma is in New York!<br />
CLAUDE C H A M B E R L A N<br />
THE RINGMASTER<br />
OF OUR CINEMA<br />
Vice Versa interviews the director<br />
of the Festival du Nouveau Cinéma<br />
Vice Versa: Claude, what brings you<br />
and the Festival du Nouveau Cinéma to<br />
New York City?<br />
Claude Chamberlan: This is just a<br />
beginning. In the past, I've organized many<br />
events between Montreal and New York. I<br />
know lots of "cultural workers" there.<br />
Finally, three years ago Jerry Sherlock, the<br />
director of the New York Film Academy<br />
came to our festival and he literally<br />
"flipped". Jerry said he'd love to have such<br />
a festival in New York because it corresponded<br />
to the craziness of New York. Of<br />
course, I was very interested. Tilings finally<br />
worked out this year.<br />
V.V.: Is it this sort of "craziness" that<br />
links our cities?<br />
C.C.: There are film and painting<br />
retrospectives; one-shot deals. You have a<br />
Canadian cinema festival, then you don't<br />
hear anything about it for ten years. What<br />
I'm interested in is creating a permanent<br />
link, and not only for the festival! 1 also<br />
mean all the special events... this is only a<br />
beginning.<br />
1 want to bring some people there from<br />
Montreal. I want to mix the crowds of<br />
Montreal and New York... in terms of programming,<br />
of different projects — that can<br />
be done, because the New York site, the<br />
building is wonderful. It's cinema, video,<br />
new technology. But it's also culture at<br />
large. Of course, the name of the game is<br />
sponsorship — financial backing. That's<br />
what 1 am working on.<br />
Now, as far as marketing Canadian<br />
cinema... it is also a chance to give more<br />
exposure to Quebec and Canadian independent<br />
productions. Of course, quality<br />
and originality is the name of the game.<br />
I've announced that a portion of our program<br />
would be Canadian, but it's basically an<br />
international film program. I am also trying<br />
to create all kinds of possible exchanges<br />
and special projects.<br />
V.V.: How is Montreal perceived in<br />
New York, other than by cinema specialists?<br />
C.C.: Let's say their attitude is<br />
relaxed. They see us as seducers perhaps on<br />
account of our wonderful hospitality!<br />
V.V.: Do you describe yourself as a<br />
Montrealer?<br />
C.C.: I feel close to the native<br />
Indians. My heart is in many breeds... and<br />
for filmmakers who have something in<br />
their guts to express.<br />
V.V.: What do you feel about Toronto?<br />
C.C.: You know, I am more interested<br />
in relationships between people...<br />
V.V.: To you, is there such a thing as<br />
Canadian film?<br />
C.C.: It's the soul of film that counts...<br />
V.V.: So you want to bring together<br />
cultural creativity here with cultural creativity<br />
there?<br />
C.C.: It's to extend a "love affair"...<br />
discovering a pleasure in working together.<br />
V.V.: Are you looking for a reaction<br />
vis-à-vis cultural nationalism?<br />
C.C.: Let me tell you that last year, I<br />
met Louise Beaudouin (the Quebec Minister<br />
of Cultural Affairs). She has always been<br />
very supportive of the festival. Mrs. Beaudoin<br />
told me I should be going to Paris with die<br />
Festival to expand the "francophonie"<br />
VICE VERSA 52 5