CCRMA OVERVIEW - CCRMA - Stanford University

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CENTER FOR COMPUTER RESEARCH IN MUSIC AND ACOUSTICS DEPARTMENT OF MUSIC, STANFORD UNIVERSITY REPORT NO. STAN-M-107 CCRMA OVERVIEW July 2001 EDITED BY CHARLES NICHOLS
Contents 1 General Information 1 2 Roster 3 2.1 Staff and Faculty 3 2.2 Engineering Graduate Students 3 2.3 Music Graduate Students 4 2.4 Undergraduate Students 4 2.5 Visiting Scholars 5 2.6 Collaborators 5 2.7 Industrial Affiliates 5 3 Facilities 7 4 Courses 9 4.1 University Courses at CCRMA 9 4.2 Workshops 12 5 Compositional Activities 15 5.1 Overview 15 5.2 Composers and Works 16 6 Research Activities 29 6.1 Computer Music Hardware and Software 29 6.1.1 grani, a granular synthesis instrument for CLM 29 6.1.2 A Dynamic Spatial Sound Movement Toolkit 29 6.1.3 The Synthesis ToolKit (STK) 30 6.1.4 Common Lisp Music, Snd and Common Music Notation 31 6.1.5 Common Music 31 6.2 Physical Modeling 32 6.2.1 Modeling High Frequency Modes of Complex Resonators Using a Waveguide Mesh 32 6.2.2 Toward High-Quality Singing Synthesis with Varying Sound Qualities 33 6.2.3 Scanned Synthesis 33 6.2.4 Parameter Manipulation for Composing with Physical Models 34 6.2.5 Acoustic Research and Synthesis Models of Woodwind Instruments 36 6.2.6 Realistic and Extended Physical Models of Bowed String Instruments 37 6.2.7 Pattern Recognition Approaches to Invert a Bowed String Physical Model 37 6.2.8 Digital Waveguide Modeling of Acoustic Systems 38 6.2.9 Synthesis of a Neolithic Chinese Flute 39 6.3 Digital Signal Processing 39 6.3.1 Linear Prediction Analysis of Voice Under the Presence of Sinusoidal Interference . 39 i
Page 1: CENTER FOR COMPUTER RESEARCH IN MUS
Page 5 and 6: 1 General Information CENTER FOR CO
Page 7 and 8: 2.3 Music Graduate Students Login c
Page 9 and 10: 3 Facilities CCRMA is located on th
Page 11 and 12: 4 Courses CCRMA is a part of the De
Page 13 and 14: • Music 254. Musical Representati
Page 15 and 16: Hands on participation will use the
Page 17 and 18: 5.2 Composers and Works Recent comp
Page 19 and 20: Strain is based almost entirely upo
Page 21 and 22: • Elegy (2000) for Celletto Elegy
Page 23 and 24: published as an enhanced CD by ears
Page 25 and 26: the composer over the past three ye
Page 27 and 28: The goal of this composition is to
Page 29 and 30: 6 Research Activities Computer musi
Page 31 and 32: For more information about STK, see
Page 33 and 34: goal of the mesh design is to match
Page 35 and 36: A chaotic signal is generated by a
Page 37 and 38: Categorical Perception of Sound Sou
Page 39 and 40: 6.2.9 Synthesis of a Neolithic Chin
Page 41 and 42: identification of any higher-level
Page 43 and 44: 2. The problem of offline detection
Page 45 and 46: 6.4.4 The vBow: Experiments in the
Page 47 and 48: applications we have developed Soun
Page 49 and 50: in a least-squares sense. Overcomin
Page 51 and 52: Lab for Music Notation and Analysis
Page 53 and 54:
Activities The primary ongoing acti
Page 55 and 56:
7 Recordings Recordings of works re
Page 57 and 58:
8 Publications The following is a l
Page 59 and 60:
ICMC (1997). Proceedings of the 199
Page 61 and 62:
Pampin, J. C. (1999). Ats: a lisp e
Page 63 and 64:
Smith, J. O. and Abel, J. S. (1999)
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