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CCRMA OVERVIEW - CCRMA - Stanford University

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ICMC (1997). Proceedings of the 1997 International Computer Music Conference, Thessaloniki, Greece.<br />

International Computer Music Association.<br />

ICMC (1998). Proceedings of the 1998 International Computer Music Conference, Michigan, USA.<br />

International Computer Music Association.<br />

ICMC (1999). Proceedings of the 1999 International Computer Music Conference, Beijing, China. International<br />

Computer Music Association.<br />

ICMC (2000a). Proceedings of the 2000 International Computer Music Conference, Berlin, Germany.<br />

International Computer Music Association.<br />

ICMC (20006). Proceedings of the 2000 International Computer Music Conference, Berlin, Germany.<br />

International Computer Music Association.<br />

Igoudin, A. and Smith, J. O., editors (1996). <strong>CCRMA</strong> Report, May 1996, <strong>Stanford</strong> <strong>University</strong> Department<br />

of Music Technical Report STAN-M-98. ($6.00).<br />

Igoudin, A. L. (1997a). Impact of MIDI on Electroacoustic Art Music. Ph.D. thesis, Dept. of Music,<br />

<strong>Stanford</strong> <strong>University</strong>. Available as <strong>Stanford</strong> <strong>University</strong> Department of Music Technical Report STAN-<br />

M-102 ($14.00).<br />

Igoudin, A. L. (19976). Impact of MIDI on electroacoustic art music. In ICMC (1997). (Also contained<br />

in STAN-M-101).<br />

Kim, Y., Franco, H., and Neumeyer, L. (1997). Automatic pronunciation scoring of specific phone<br />

segments for language instruction. In Proceedings of EUROSPEECH '97.<br />

Kim, Y. and Smith, J. 0. (1999). A speech feature based on Bark frequency warping - the Nonuniform<br />

Linear Prediction cepstrum. In Proceedings of the IEEE Workshop on Applications of Signal Processing<br />

to Audio and Acoustics, New Paltz, NY.<br />

Kunze, T. and Taube, H. (1996). SEE - a structured event editor: Visualizing compositional data in<br />

Common Music. In ICMC (1996). (Also contained in STAN-M-99).<br />

Lakatos, S., Cook, P. R., and Scavone, G. (2000). Selective attention to the parameters of a physically<br />

informed sonic model. Journal of the Acoustical Society of America, 107(5):L31-L36.<br />

Leistikow, R. and Scavone, G., editors (2000). <strong>CCRMA</strong> Overview, April 2000, <strong>Stanford</strong> <strong>University</strong><br />

Department of Music Technical Report STAN-M-106. ($6.00).<br />

Levine, S. (1996a). Critically sampled third octave filter banks. In ICMC (1996). (Also contained in<br />

STAN-M-99).<br />

Levine, S. (19966). Effects processing on audio subband data. In ICMC (1996). (Also contained in<br />

STAN-M-99).<br />

Levine, S. N. and Smith, J. 0. (1998). A sines-ftransients+noise audio representation<br />

for data compression and time/pitch-scale modifications. Audio Engineering Society<br />

Convention, (Session on Analysis and Sythesis of Sound). available online at<br />

http://www-ccrma.stanford.edu/~scottl/papers/papers3.html.<br />

Levine, S. N., Verma, T. S., and Smith, J. O. (1998). Multiresolution sinusoidal modeling for<br />

wideband audio with modifications. In Proceedings of the International Conference On Acoustics,<br />

Speech, and Signal Processing, Seattle, Washington, New York. IEEE Press, available online at<br />

http://www-ccrma.stanford.edu/~scottl/papers/papers3.html.<br />

Levitin, D. J. (1999a). Absolute pitch: Self-reference and human memory. International Journal of<br />

Computing Anticipatory Systems.<br />

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