CCRMA OVERVIEW - CCRMA - Stanford University

6.3.2 An efficient and fast octave-band filter bank for audio signal processing of a lowpower
wireless device 39
6.3.3 FFT-Based DSP and Spectral Modeling Synthesis 40
6.3.4 The Bayesian Approach to Segmentation and Rhythm Tracking 40
6.3.5 Integrated Online-Offline Methods for Audio Segmentation 42
6.3.6 Rhythm Tracking and Segmentation with Priors: A Unified Approach 42
6.3.7 Identification of a Time-Varying Sinusoidal Model 43
6.4 Controllers and Musical Instruments 44
6.4.1 The Metasaxophone Project 44
6.4.2 TouchSound: Haptics in Sound Editing 44
6.4.3 The Accordiatron: A New Gestural MIDI Controller 44
6.4.4 The vBow: Experiments in the Haptic Feedback and Physical Model Sound Synthesis
of a Virtual Violin 45
6.4.5 Alternative Controllers for Physical Model Development (and Fun!) 45
6.4.6 Designing Controllers: The evolution of our Computer-Human Interaction Technology
Course 46
6.5 Audification of Data 46
6.5.1 Auditory Representation of Complex Data 46
6.5.2 Sound Waves on the Internet from Real-time Echoes 46
6.6 Psychoacoustics and Cognitive Psychology 47
6.6.1 Evaluation of Masking Models 47
6.6.2 The State of the Art and Future Directions in Sound Source Separation 47
6.6.3 Categorical Perception of Sound Sources 47
6.6.4 Potential Applications of Linguistic Theory to Music Theory 48
6.7 Machine Recognition in Music 48
6.7.1 Estimation of Sinusoids in Audio Signals Using an Analysis-By-Synthesis Neural
Network 48
6.7.2 Visualizations of Tonality 49
6.7.3 Audio Content-Based Retrieval Methods and Automatic Style Classification .... 49
6.8 Historical Aspects of Computer Music 49
6.9 49
6.9.1 New Realizations of Electroacoustic Works 49
6.10 Computer Assisted Music and Acoustics Research 50
6.10.1 The Center for Computer Assisted Research in the Humanities (CCARH) 50
6.10.2 The Musical Acoustics Research Library 52
6.10.3 Web-Based Infrastructure for Research and Teaching 53
7 Recordings 55
8 Publications 57
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