CCRMA OVERVIEW - CCRMA - Stanford University

8 Publications
The following is a list of publications since 1996 by people from CCRMA. An extensive list of publications
since 1970 is available online at www-ccrma.stanford.edu/Overview/publications.html. A printed list of
CCRMA publications from 1970 - 1995 is available from CCRMA as Stanford University Department
of Music Technical Report STAN-M-103. Stanford University Department of Music Technical Reports
are available from CCRMA. Publications with notated prices are also available from CCRMA.
Berger, J. (1996). Modeling the degree of realized expectation in functional tonal music: A study of
perceptual and cognitive modeling using neural networks. In ICMC (1996).
Berger, J. (1998). Connected to what? Journal of the College Music Society, (1). Plenary address, 1997.
Berger, J. (1999a). The ghost of Johannes brahms. In Proceedings of the TED IX (CD-ROM disk 1),
Monterey, CA.
Berger, J. (19996). Modeling composition, performance and listening. In Music at the Crossroads: Technology
and Composition Pedagogy. Rubin Academy of Music, Jerusalem. Plenary address. Proceedings
published in Art in Time, Vol. 4, Issue 1, pg. 53, 1999.
Berger, J. (2001a). Musical Expectations. Cambridge, MA: MIT Press.
Berger, J. (20016). Virtual Music: Computer Synthesis of Musical Style, chap. Who Cares If It Listens?
Cambridge, MA: MIT Press.
Berger, J., Coifman, R., and Goldberg, M. (1995). Denoising a recording of caruso using local trigonometric
bases with lp entropy as cost function. In Proceedings of the Central Section Meeting of the
American Mathematical Society, Chicago, Illinois. American Mathematical Society. Presentation in
special session Extensions and applications of harmonic analysis: Spaces of homogeneous type and
wavelet analysis.
Berger, J., Coifman, R., and Goldberg, M. (1996). Using adaptive basis selection to separate noise from
music. In Proceedings of the 16th Workshop on Pure Mathematics: Nonlinear Partial Differential
Equations and their Applications, pp. 133-143, Chuncheon, S. Korea. Pure Math. Research Assoc,
and the Korean Academic Council.
Berger, J. and Cook, P. R. (1999). Sonification report: Status of the field and research agenda. Tech.
rep. Prepared for the National Science Foundation by members of the International Community for
Auditory Display (ed. G. Kramer et al.).
Berger, J. and Gang, D. (1997). A neural network model of metric perception and cognition in the
audition of functional tonal music. In ICMC (1997), p. 158. (Also contained in STAN-M-101).
Berger, J. and Gang, D. (1998). A computational model of meter cognition during the audition of
functional tonal music: Modeling a-priori bias in meter cognition. In ICMC (1998), p. 253.
Berger, J. and Gang, D. (1999). A unified neurosymbolic model of the mutual influence of memory,
context and prediction of time ordered sequential events during the audition of tonal music. Tech.
rep., Am. Assoc, of Artificial Intelligence Technical Report SS-99-05.
Berger, J. and Gang, D. (2000). A real time model of the formulation and realization of musical
expectations. Music Perception. Submitted for publication.
Berners, D. (1999). Acoustics and Signal Processing Techniques for Physical Modeling of Brass Instruments.
Ph.D. thesis, Dept. of Electrical Engineering, Stanford University. Available as Stanford
University Department of Music Technical Report STAN-M-105 ($14.00).
Burtner, M. and Serafin, S. (2000). Extended performance techniques for a virtual instrument. In DAFX
(2000).
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