CCRMA OVERVIEW - CCRMA - Stanford University

Contents
1 General Information 1
2 Roster 3
2.1 Staff and Faculty 3
2.2 Engineering Graduate Students 3
2.3 Music Graduate Students 4
2.4 Undergraduate Students 4
2.5 Visiting Scholars 5
2.6 Collaborators 5
2.7 Industrial Affiliates 5
3 Facilities 7
4 Courses 9
4.1 University Courses at CCRMA 9
4.2 Workshops 12
5 Compositional Activities 15
5.1 Overview 15
5.2 Composers and Works 16
6 Research Activities 29
6.1 Computer Music Hardware and Software 29
6.1.1 grani, a granular synthesis instrument for CLM 29
6.1.2 A Dynamic Spatial Sound Movement Toolkit 29
6.1.3 The Synthesis ToolKit (STK) 30
6.1.4 Common Lisp Music, Snd and Common Music Notation 31
6.1.5 Common Music 31
6.2 Physical Modeling 32
6.2.1 Modeling High Frequency Modes of Complex Resonators Using a Waveguide Mesh 32
6.2.2 Toward High-Quality Singing Synthesis with Varying Sound Qualities 33
6.2.3 Scanned Synthesis 33
6.2.4 Parameter Manipulation for Composing with Physical Models 34
6.2.5 Acoustic Research and Synthesis Models of Woodwind Instruments 36
6.2.6 Realistic and Extended Physical Models of Bowed String Instruments 37
6.2.7 Pattern Recognition Approaches to Invert a Bowed String Physical Model 37
6.2.8 Digital Waveguide Modeling of Acoustic Systems 38
6.2.9 Synthesis of a Neolithic Chinese Flute 39
6.3 Digital Signal Processing 39
6.3.1 Linear Prediction Analysis of Voice Under the Presence of Sinusoidal Interference . 39
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