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{MUSICVILLA}<br />
jumped back into the business<br />
in the late ’90s.<br />
“Back then, we had a paper<br />
file box on the counter where<br />
someone would always be looking<br />
for a drummer or guitar player,”<br />
Decker said. “It was like a<br />
little musicians’ filing cabinet.<br />
That was our community directory.<br />
People also were always<br />
calling me looking for a band<br />
for a wedding or other event.”<br />
He built montanabands.com<br />
as a Rolodex to free himself<br />
up from all those phone calls;<br />
montanamusicians.com soon<br />
followed as a statewide effort<br />
to connect musicians. Both have<br />
developed into Facebook-meets-<br />
Craigslist hybrids where bands<br />
can upload information with<br />
links to their websites or demos,<br />
and people looking to hire bands<br />
48 I MUSIC INC. I JULY 2012<br />
for events can search by genre.<br />
“We’ve tried to bring the Montana<br />
scene together,” he said.<br />
“[The sites] are great resources.”<br />
Though <strong>Music</strong> Villa is starting<br />
to see the fruits of its online<br />
efforts — nearly a quarter of the<br />
store’s high-end acoustic sales are<br />
now shipped orders — Decker<br />
said he’s been criticized over the<br />
years for his less sales-oriented<br />
projects, including the networking<br />
sites and “The <strong>Music</strong> Store”<br />
Web series, which features short<br />
webisodes chronicling life at<br />
<strong>Music</strong> Villa in the vein of such<br />
shows as “Pawn Stars.”<br />
“A lot of music stores are<br />
always chasing the dollar and<br />
always following the money,”<br />
he said. “For a lot of the Web<br />
stuff we’ve been doing over the<br />
years, I’ve gotten asked many<br />
times, ‘Well, how much money<br />
is it making you?’<br />
“After a couple of years, I’m<br />
seeing the store is packed every<br />
day. A lot of people comment<br />
about [‘The <strong>Music</strong> Store’] and<br />
call us to ask when we’re going to<br />
do more episodes. We had to quit<br />
in January because we have to<br />
sell guitars. But hopefully, we’re<br />
able to go back and make a few<br />
more episodes because it seems<br />
like people really want them.”<br />
Decker added that “The<br />
<strong>Music</strong> Store” and social networking<br />
sites can break up the<br />
atmosphere of constant selling<br />
that consumers get bombarded<br />
with daily.<br />
“People want quality information<br />
they can use,” he said.<br />
“How many e-mails are you<br />
signed up for where after awhile<br />
you just can’t take it anymore?<br />
I don’t care what they’re selling<br />
— I don’t even want to hear<br />
about it, you know? I get an<br />
e-mail every day from Guitar<br />
Center and <strong>Music</strong>ian’s Friend<br />
for an extra 15-percent off —<br />
every single day. After awhile,<br />
people get sick of it, and then<br />
they’re just used to it. Then if<br />
you don’t sell it for that, you’re<br />
in trouble. Every day is a sale.<br />
“We’re not trying to sell<br />
people anything [with these<br />
projects]. We want the sites to<br />
help people and bring musicians<br />
together. It’s good for everybody.<br />
How can it not be good for a<br />
music store in the long run? It<br />
has nothing to do with trying to<br />
sell them everything. It’s about<br />
keeping a good vibe and community<br />
thriving.” MI