South African Choral Music (Amakwaya): Song, Contest and the ...
South African Choral Music (Amakwaya): Song, Contest and the ...
South African Choral Music (Amakwaya): Song, Contest and the ...
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7.2 <strong>Choral</strong> <strong>Music</strong>, Perfonnance, Discipline <strong>and</strong> <strong>the</strong> Role of Singing 189<br />
VI.<br />
VII.<br />
VIII.<br />
IX.<br />
X.<br />
XI.<br />
XII.<br />
XIII.<br />
XIV.<br />
xv.<br />
XVI.<br />
Punctuality during choir activities has to be observed by all members of <strong>the</strong> choir. Such activities<br />
include but are not limited to: rehearsals, performances, meetings & functions.<br />
The attendance at activities suggested in point 6 is compulsory. A valid reason will have to be<br />
advanced in circumstances where a chorister fails to avail himself<br />
A member may not take an extended break from choir activities without a valid explanation.<br />
Management reserves <strong>the</strong> right to bar a chorister from participating in any of <strong>the</strong> choir activities.<br />
In fur<strong>the</strong>rance of point 8, every chorister will have a ftle (kept by Admin. dept.) where any misconduct<br />
or misbehaviour will be recorded.<br />
Misconduct <strong>and</strong> misbehaviour that has a potential to bring <strong>the</strong> name of <strong>the</strong> choir into disrepute<br />
or impact negatively <strong>the</strong> activities of <strong>the</strong> choir will be a punishable offence. Such misbehaviour or<br />
misconduct includes but is not limited to: talking <strong>and</strong> playing during rehearsals, speaking ill<br />
of o<strong>the</strong>rs, threatening violence against fellow choristers, failure to obey reasonable instructions.<br />
Punishment for <strong>the</strong> above mentioned forms of misbehaviour or misconduct will be determined<br />
by <strong>the</strong> Disciplinary Committee.<br />
No chorister will be elected into <strong>the</strong> committee or any structure warranting responsibility/<br />
accountability if his record of behaviour <strong>and</strong> conduct is questionable.<br />
No chorister may hold office in <strong>the</strong> DSCS if he is not a paid up member. This does not include<br />
persons (non-chorister) who may be contracted to do certain jobs for <strong>the</strong> choir.<br />
An office bearer of <strong>the</strong> structures suggested in point 13 would have to give a report at <strong>the</strong> end<br />
of <strong>the</strong> term of office. It is compulsory for committee members to give <strong>the</strong>se reports annually<br />
during <strong>the</strong> choir AGM's whilst members in structures warranting responsibility <strong>and</strong> accountability<br />
may do so <strong>the</strong> executive committee of <strong>the</strong> choir.<br />
The choir can have recourse to a vote of no confidence in instances where an official is abusing<br />
or over stepping his line of authority.<br />
General recommendations<br />
• Compulsory end of year functions where good behaviour will be rewarded.<br />
• Asset register be established.<br />
• Choir uniform be kept in one place.<br />
• Funeral scheme.<br />
• Birthday celebrations.<br />
• Financial reports every three (3) months.<br />
It is striking that <strong>the</strong> choristers <strong>the</strong>mselves should agree to this code of conduct <strong>and</strong> perceive<br />
such strict regulations as necessary for successful cooperation <strong>and</strong> for providing a well-defined <strong>and</strong><br />
safe space. Discipline is, however, only one of <strong>the</strong> features that make amakwqya groups so different<br />
from o<strong>the</strong>r forms of ensemble music making. Linked to <strong>the</strong> issue of discipline is that of respectability,<br />
as Jane Motlhabane emphasises in describing her motivation to join <strong>the</strong> Bloemfontein Serenade<br />
Choir. She says,<br />
when I'm coming from work, I'm just coming to make food for my husb<strong>and</strong> <strong>and</strong> my child <strong>and</strong> <strong>the</strong>n I run<br />
to <strong>the</strong> practice <strong>and</strong> <strong>the</strong>n after that I'm tired, I am going to rest. You can't find me in <strong>the</strong> taverns <strong>and</strong> so<br />
on. To keep myself out of <strong>the</strong> many things that can keep me. You know <strong>the</strong>re are o<strong>the</strong>r women that sit<br />
at home after this <strong>and</strong> we gossip <strong>and</strong> we drink <strong>and</strong> <strong>the</strong>n I am out.76<br />
76 Jane Motlhabane, Bloemfontein Serenade Choir (Free State), questionnaire Cape Town NCF, December 02, 2000.