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THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

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the heels of Region A, and has an introductory quality–emphasizing the differences in<br />

spatial location and in sonic material (sine tones rather than impulses, and a return to low<br />

register, and heavy reverberation) between Regions A and B. After these faster initial<br />

elements, there is a long decay and rest taking up the last half of the first event, and it is<br />

from this point that the parallelisms between the two regions become more clear.<br />

Register<br />

The fundamentals of Region B’s more compact events are solidly rooted between<br />

65 and 209 Hz., and are more understated when compared to Region A’s registral motion,<br />

nevertheless, the region itself does expand, and furthermore, each of the subsections<br />

shows an upward tendency. Event 1 has a number of distinct attacks beginning at 65 Hz<br />

and ending at closer to 194 Hz. The fact that these events are all more compact than<br />

those of Region A makes even a slight variation in pitch height more notable and this<br />

rising contour here is clear. The two pitches of Event 2 begin at 149 Hz and 204 Hz;<br />

moreover, both gliss slightly upwards, so that Event 2 contains an upwards direction both<br />

across the two notes and within each note. The rapid attacks of Event 3 also end higher<br />

than they begin, moving from 75 Hz, to leave the last pitches of 184 and 161 Hz<br />

reverberating near the peak of the passage. In general, this region does not use register as<br />

dramatically as Region A–the more precisely defined, compact nature of the pitches it<br />

employs make it possible to suggest a predominantly upward expansion more subtly, and<br />

the parallelism with Region A is carried out more fully in other dimensions.<br />

131

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