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THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

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further subdivide Event 3 into 3 parts, labeled a, b, and c in the spectrograph above. Since<br />

the sound characteristics of Region J are quite different from event to event, I will first<br />

describe the events in order and then provide a chart summarizing their sonic oppositions<br />

and interactions.<br />

Event 1<br />

The first event is somewhat unique in its use of pure sine tones and noise in clear<br />

contrast–the later events will begin to break down this opposition. The soft pitches of<br />

these initial events, which resembled Region G, are cut off by a noisy sound, similarly soft<br />

and contiguously sounding, but clearly much more diffuse. There are, in this noise, a few<br />

prominent partials (those at 746 and 1649 Hz) visible in the spectrograph, but for a short<br />

sound with such closely spaced partials, and in such immediate contrast to the previous<br />

sine tones, this event moves abruptly from pitch to noise.<br />

Event 2<br />

The events which follow begin a series of curious transformations from compact to<br />

diffuse. Event 2 enters at 2'01" with two short noises, followed immediately by a low<br />

pitch based glissando. This event returns to the mid-high-low contour familiar from<br />

earlier–its rhythmic contour, short-short-long, and the presence of a final glissing element<br />

are particularly reminiscent of the first two events of Region D. Simultaneously this event<br />

has more immediate resonances in as it reverses the compact/diffuse profile of Event 1<br />

moving from noise back to pitch; while Event 1's pitches trailed upwards, Event 2 trails<br />

downwards providing registral contrast as well. The final oblique element of Event 2 does<br />

mediate some of the difference between noise and pitch; it has clear partials at<br />

176

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