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THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

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in detail in Figure 3.18. At the end of Event 6, there are lingering pitches which are not<br />

part of any coordinated spectra. It is as if the individual formant strands have become<br />

separated from the group, now with individual attacks. While these descend by over an<br />

octave in register, from 10,642 to 5,188 Hz, the individual strands still occupy a wide<br />

range with similar material, nevertheless, the “bell-tone” effects, as well as the dramatic<br />

crescendi and decrescendi heard earlier in the region require more coordinated attacks,<br />

and thus the lack of coordination heard here is quite noticeable.<br />

Event 7 occupies the same range as the end of Event 6, but returns to the familiar,<br />

more coordinated, attacks and thus highlights the contrast between it at the first event of<br />

Region H (discussed below). This contrast continues through Event 8 which is longer and<br />

has three separate coordinated attacks from 1'47" to 1'53" before trailing off into softer<br />

uncoordinated attacks for the last 7 seconds of the region. This dissolution happens, then,<br />

in stages first the end of Event 6 trails off, with a few lingering pitches, an adumbration,<br />

but hardly extraordinary on their own, especially following the dramatic channel transfer<br />

with which the bulk of Event 6 is occupied. Event 7 then returns to the more<br />

characteristic attacks, as does the beginning of Event 8. Event 8's continuation, however,<br />

is much more extended than the lingering pitches ending Event 6, and begins to push apart<br />

as the beginning of something new–preparation of Region J and Phase 2 of the Transition.<br />

167

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