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THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

THE ELECTRONIC WORKS OF GYÖRGY LIGETI AND THEIR ...

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Region H<br />

Region H, General Features<br />

As the piece continues to increase the amount of overlapping between regions, it<br />

does so on a larger scale. The events of Region H enter in the right channel at about<br />

1'42", taking immediate advantage of the space left by the channel transfer of Region G.<br />

Region H is another long (30 second) stretch of relatively consistent sonic character, and<br />

includes two large events which overlap with Region G for a span of over 10 seconds<br />

from 1'42"-1'53"; this length and consistency is really required to balance the weight of<br />

Region G and is necessary for Region H to operate as an equal partner in the newly<br />

emerging polyphony. After the weakening of the power of channel separation to define<br />

regions, Region H’s events must be consistent to each other and maximally contrasting<br />

with continuation of Region G to establish a new region rather than a return of Region G’s<br />

material to its original channel. These events are largely impulses, containing a mixture of<br />

pitch and noise and moving in clouds of rapid succession over a wide register from 65 to<br />

4810 Hz, though the loudest impulses seldom occur above 3,000 Hz. Region G’s spectra<br />

concurrently range up to 6,000 Hz, with much stronger elements situated higher in the<br />

spectrum. They are, also, in contrast to Region G, generally soft and without<br />

reverberation. Furthermore while the sustained sounds of Region G allow for dynamic<br />

gestures and glissandi, the elements of Region H are short, never longer than about .6<br />

seconds and clipped.<br />

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