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ABSTRACTS - oia - Portland State University

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ASPAC Conference 2010<br />

June 18 – 20, 2010 | <strong>Portland</strong>, OR<br />

Erin Watters<br />

The Global Citizen Workshop – US/Pakistan: A virtual exchange between American and Pakistani students<br />

The Study: In 2009, Minnehaha Elementary participated in a discovery of Pakistan with a group of students in<br />

Quetta. Even though due to regional armed conflicts in Pakistan it was impossible to complete the actual<br />

exchange with the group in Pakistan, the students in Vancouver, WA, were able to discover many things<br />

about Pakistani students that they had not heard on the news. The experience was a positive one for the<br />

students and we look forward to making more progress in exchanges with Pakistani students and other<br />

regions of the world.<br />

The Context: The Global Citizen Workshop is a month-long series of ½ hour lessons that include a<br />

virtual exchange between groups of youth from different regions of the globe. This exchange gives each<br />

youth an opportunity to build relationships and learn about a new culture. Participants develop a better<br />

understanding about their exchange partners and learn more than they could know of each other through the<br />

media or books. This workshop is developed with the intent to expand a culture of peace encouraging a<br />

continued exchange between participants, respect and hopefully lifelong friendships. This project also<br />

provided opportunities for college students to participate as mentors or facilitators for the youth, providing<br />

practice in facilitation, peace education and educational methods related to technology and linguistics.<br />

~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />

Peipei Wei<br />

Finding Her "Mi" Hiding behind Fans and Screens--Through Textual Study of Kagero Nikki by Michitsuna's Mother<br />

In retrospect of literary history in Japan there are scattered periods where women's voices came to the<br />

forefront. Aristocratic women's nikki or diary writing practices in the tenth century of Heian Japan are among<br />

one of these periods. Heian nikki writers were already in a well-off social position or mi. However, the<br />

examination of the diary form reveals that high social status does not guarantee feelings of social and<br />

emotional security. This diary genre provides a legitimate medium for us to explore their hidden concerns and<br />

insecurities in a time when social norms prevented them from expressing these concerns publicly. By citing<br />

textual evidences from Kagero nikki written by Michitsuna's mother from three perspectives: self-awareness of<br />

her unsecure mi as well as aspiration to security; vulnerability of her mi; and the attempt of securing her mi<br />

through securing her position in marriage, I conclude that her mi concealed underneath layers of clothing,<br />

covering of fans and screens is actually an insecure one. Although the diary was full of her turmoil and her<br />

insecurities, voicing these concerns actually provided her with some validation and possibility of augmented<br />

her sense of security.<br />

~ ~ ~ ~ ~ ~ ~ ~ ~ ~<br />

Albert Welter<br />

Chan Yulu (Zen Goroku) as a Means of Integration Across Culture: Reflections on the Fictional Background to<br />

Chan/Zen’s Encounter Dialogues<br />

Yulu/goroku (Dialogue Records or Records of Sayings), constitute one of Chan/Zen Buddhism’s original<br />

contributions to East Asian literature. The rise of Chan from an obscure movement to an officially<br />

recognized and dominant form of Buddhism in China provided the foundation for the dispersion of Chan<br />

throughout East Asia, Sŏn in Korea, Thiên in Vietnam, and Zen in Japan. As a result, the yulu literary style<br />

became an integrating component of East Asian Buddhist literature, and it became a normative practice to<br />

compile yulu collections of Chan masters in China, Korea, Vietnam, and Japan. The present study is<br />

concerned with exploring the origins of the yulu genre, particularly as it relates to the employment of fictional<br />

and fictionalized elements in the creation of Chan identity. Important in this regard was the formation of<br />

encounter dialogues, the records of dharma-battles between and among Chan masters and monks over the<br />

true nature of spiritual awakening. Presented as eye witness accounts of the existential revelations of the<br />

mind-nature, these encounters were actually highly contrived and structured literary artifices parading as<br />

actual historical events, filtered through the skilful interpretation of sympathetic literati. Compilers of yulu did<br />

43

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