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The Chemistry of Powder and Explosives - Sciencemadness Dot Org

The Chemistry of Powder and Explosives - Sciencemadness Dot Org

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CHAPTER III<br />

PYROTECHNICS<br />

<strong>The</strong> early history <strong>of</strong> pyrotechnics <strong>and</strong> the early history <strong>of</strong> black<br />

powder are the same narrative. Incendiary compositions containing<br />

saltpeter, <strong>and</strong> generally sulfur, mixed with combustible<br />

materials were used both for amusement <strong>and</strong> for purposes <strong>of</strong> war*<br />

<strong>The</strong>y developed on the one h<strong>and</strong> into black powder, first used in<br />

crackers for making a noise <strong>and</strong> later in guns for throwing &<br />

projectile, <strong>and</strong> on the other into pyrotechnic devices. <strong>The</strong> available<br />

evidence indicates that fireworks probably developed first in<br />

the Far East, possibly in India earlier than in China, <strong>and</strong> that<br />

they were based upon various compositions <strong>of</strong> potassium nitrate^<br />

sulfur, <strong>and</strong> charcoal, with the addition <strong>of</strong> iron filings, coarse charcoal,<br />

<strong>and</strong> realgar (As2S2) to produce different visual effects. <strong>The</strong><br />

nature <strong>of</strong> the composition <strong>and</strong> the state <strong>of</strong> subdivision <strong>of</strong> its ingredients<br />

, determine the rate <strong>of</strong> burning <strong>and</strong> the appearance <strong>of</strong><br />

the flame. In Chinese fire, coarse particles <strong>of</strong> hard-wood charcoal<br />

produce s<strong>of</strong>t <strong>and</strong> lasting sparks; filings <strong>of</strong> cast iron produce<br />

bright <strong>and</strong> scintillating ones. <strong>The</strong> original Bengal lights were<br />

probably made more brilliant by the addition <strong>of</strong> realgar.<br />

<strong>The</strong> manufacture <strong>of</strong> pyrotechnics from the Renaissance onward<br />

has been conducted, <strong>and</strong> still is practiced in certain places, as a<br />

household art or familiar craft. <strong>The</strong> artificer 1 needs patience <strong>and</strong><br />

skill <strong>and</strong> ingenuity for his work. For large-scale factory production,<br />

the pyrotechnist has few problems in chemical engineering<br />

but many in the control <strong>of</strong> craftsmanship. His work, like that <strong>of</strong><br />

the wood-carver or bookbinder, requires manual dexterity but<br />

transcends artistry <strong>and</strong> becomes art by.the free play <strong>of</strong> the imagination<br />

for the production <strong>of</strong> beauty. He knows the kinds <strong>of</strong><br />

effects, audible <strong>and</strong> visible, which he can get from his materials.<br />

He knows this as the graphic artist knows the appearance <strong>of</strong> his<br />

1 In the French language the word artificier means fireworks maker, <strong>and</strong><br />

artifice means a pyrotechnic device.<br />

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