NOW! 12-13 - Telos

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LINEAR ACOUSTIC | UPMIXING | TRANSCODING <strong>12</strong>0 UPMAX 5.1 CHANNEL UPMIXER UPMAX ® delivers smooth transitions. Listening viewers are aware of programming changes, especially when the image shifts due to cases where stereo programs can only be reproduced from the Left and Right channels of a 5.1 channel pro- gram. This is commonly found in situations where it is not pos- sible to switch the Dolby ® Digital (AC-3) encoder. UPMAX is the simple, well-proven, cost-effective solution. Based on the original UPMAX 2251, the 1RU UPMAX offers the most stable and trusted algorithm in use today for both production and unattended upmixing. Output is completely downmix compatible and the downmixed result is nearly indistin- guishable from the original two channel input. The resulting “Surroundield” can be ininitely adjusted via the Center Channel Width control and the Surround Depth control. This allows programming ranging from simple stereo to LtRt to be appropriately reproduced from a 5.1-channel playback system. An optional bass enhancement signal for the LFE channel is de- rived from the Left, Center, and Right channels allowing quick creation of a subwoofer channel without compromising the downmix. Factory presets are included for typical applications such as music and commercials. Further adjustment is simple and new results can be stored as user-deined presets. UPMAX includes a utility encoder which accepts 5.1 channels and produces a two channel LoRo or LtRt output. This encoder can be independent or it can be fed by the same channels applied to the upmixer. UPMAX is rugged and perfect for remote OB trucks, post production facilities, network operation centers, local station production, virtually anywhere upmixing is used. Upmixing can be controlled via the front panel, GPI inputs, or metadata from serial or VANC (SDI) sources applied to the unit. Smooth bypass of 5.1 channel signals is accomplished auto- matically via the AutoMAX-II algorithm. A bright LED display, rotary encoder, and four control keys provide straightforward menu navigation and function adjustment. Dual, redundant, auto-ranging power supplies are standard to allow for world-wide operation. Bypass relays are provided for trouble-free operation in transmission critical environments.
TECHTALK BLOG TELOSALLIANCE.COM/BLOG BROCHURES LINEARACOUSTIC.COM/BROCHURES LA-5269 DOLBY ® DIGITAL / PLUS TRANSCODER Encode, decode, and transcode the most popular multi-channel audio formats used in television broadcasting in one feature-rich, modular package: Right out of the box, the LA-5269 can: Encode to Dolby Digital (AC-3) from PCM, Encode to Dolby Digital Plus (E-AC-3) from PCM or transcode from Dolby Digital (AC-3), Encode to Dolby Pulse from PCM or transcode from Dolby E. Optionally, it can: Decode Dolby E and transcode to Dolby Dig- ital (AC-3), Dolby Digital Plus (E-AC-3), or Dolby Pulse. Encode to Dolby Pulse (AAC and HE AAC V1 and V2). All coding is provided by a Dolby-manufactured encoder mod- ule featuring the latest versions of each codec for superior sound quality. Because features and codecs can be updated at any time via software, broadcasters pay for only what they need at the WHITE PAPERS LINEARACOUSTIC.COM/WHITEPAPERS time, knowing that they can always update the unit as their needs change. Metadata is supported via a serial RS-485 connection and can be extracted from the VANC space of an applied HD-SDI signal per SMPTE 2020. Metadata input is frame synchronized and error-corrected to prevent audible disturbances to the encoded bitstreams. External transcoder input is also frame synchronized, allowing Dolby Digital splicing and smooth transitions without the need for external AC-3 frame synchronizers. A bright LED display and rotary encoder with four control keys provide easy menu navigation. Dual redundant power supplies, GPI/O, and a hard relay bypass are standard, while SNMP monitoring is offered as an option. FIND A DEALER LINEARACOUSTIC.COM/DEALERS DTV AUDIO PERFECTION FROM PRODUCTION TO TRANSMISSION LINEARACOUSTIC.COM <strong>12</strong>1
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TELOS ALLIANCE | COMPANY HISTORY 2
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TELOS ALLIANCE | TABLE OF CONTENTS
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TECHTALK BLOG TELOSALLIANCE.COM/BLO
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TELOS | BROADCAST PHONE SYSTEMS 14
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TELOS | BROADCAST PHONE SYSTEMS 16
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OMNIA | RADIO PROCESSING 38 OMNIA.1
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OMNIA | RADIO PROCESSING 40 OMNIA.9
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OMNIA | RADIO PROCESSING 42 ONE FM
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OMNIA | RADIO PROCESSING | APPLICAT
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OMNIA | CODED AUDIO 46 OMNIA A/XE T
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OMNIA | CODED AUDIO 48 OMNIA.8x EIG
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OMNIA | CODED AUDIO | APPLICATION A
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OMNIA | FM-STEREO TRANSMISSION | TE
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+ 4-Fader modules accommodate any s
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NOW! 12-13 - Telos

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