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NOW! 12-13 - Telos

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OMNIA | FM-STEREO TRANSMISSION | TECHNOLOGY ARTICLE<br />

52<br />

SSBSC<br />

FM-STEREO TRANSMISSION USING SINGLE<br />

SIDEBAND SUPPRESSED CARRIER (SSBSC) MODULATION<br />

ABSTRACT<br />

FM-Stereo transmission, employed in worldwide broadcasting,<br />

has been in place since 1961. The system uses double sideband<br />

suppressed carrier (DSBSC), within the multiplex baseband sig-<br />

nal, as means to transport the stereo sound ield to the receiver.<br />

This method, while robust and reliable, is prone to the effects<br />

of multipath. This paper will discuss an optional method utiliz-<br />

ing single sideband suppressed carrier (SSBSC) modulation as<br />

an alternative for broadcasters. SSBSC is backward compatible<br />

with existing radio receivers. Beneits which are perceptible to<br />

a listener include: a reduction in multipath induced distortion,<br />

additional protection to spectrum used for RBDS, SCA, and HD<br />

Radio ® signals. There is an additional, separate beneit in the re-<br />

ceiver which improves the signal-to-noise ratio when SSBSC is<br />

transmitted and the receiver is designed to capture the SSBSC<br />

signal. SSBSC for FM-Stereo has been deployed recently, under<br />

experimental authorization from the FCC, with ongoing testing in<br />

the lab, and in the ield.<br />

COMPETING FOR EVERY POSSIBLE LISTENER<br />

FM radio has a good ight on its hands. As a media transom to the<br />

public, it battles a multitude of additional delivery services like<br />

never before. Until recently, the competition was from television,<br />

phonograph records, compact discs, or tape. Actually FM-Stereo<br />

has outlived numerous media forms such as the long playing re-<br />

cord (LP), cassette and 8-track tape, mini-disc, soon the compact<br />

disc (CD), as well as a few others. Now, with the advent of good<br />

quality portable audio playback devices, and wireless streaming,<br />

there are many additional franchises available to steal the listen-<br />

er away from radio. What can FM radio do, technically, to improve<br />

sonic performance so a listener has less reason to abandon it as<br />

an outlet?<br />

HD Radio ® was introduced to the marketplace within the last<br />

ten years, and it’s still trying to make an impact on the casual<br />

listener. What’s needed, in the meantime, is an improvement to<br />

the existing infrastructure, which does not require any change or<br />

added expense to the listener. Within present day radio listening,<br />

FM is still the preferred choice. Recent technical research and de-<br />

velopment unveiled a unique way to improve the performance of<br />

FM-Stereo. What follows is the result of those efforts, along with<br />

a recommendation for FM broadcasting.<br />

SILVER ANNIVERSARY OF FM-STEREO<br />

In April of 2011, it marked 50 years since the Federal Communica-<br />

tions Commission (FCC) approved FM stereophonic transmission<br />

in the United States. The Commission, after evaluating fourteen<br />

proposals, decided upon a system that was of similar design from<br />

both Zenith and General Electric.<br />

The rules governing stereophonic performance have not been al-<br />

tered since the mid 1980’s (in the USA) when they were modiied<br />

to allow an additional 0.5% total modulation (maximum of 110%<br />

total), for every 1% of SCA modulation, when an SCA was being<br />

utilized. The rules governing the requirements of the FM-Stereo<br />

baseband signal are quite explicit, and leave little room for im-<br />

provement of the stereo transmission system.<br />

A quick refresher course on FM-Stereo transmission, courtesy of<br />

subpart 73, of the FCC Rules and Regulations:<br />

§ 73.322 FM stereophonic sound transmission standards.<br />

a. An FM broadcast station shall not use 19kHz +/-20Hz, ex-<br />

cept as the stereophonic pilot frequency in a transmission<br />

system meeting the following parameters:<br />

1. The modulating signal for the main channel consists of<br />

the sum of the right and left signals.<br />

2. The pilot subcarrier at 19kHz +/-2Hz, must frequency<br />

modulate the main carrier between the limits of 8 and<br />

10 percent.<br />

3. One stereophonic subcarrier must be the second har-<br />

monic of the pilot subcarrier (i.e., 38kHz) and must cross<br />

the time axis with a positive slope simultaneously with<br />

each crossing of the time axis by the pilot subcarrier. Ad-<br />

ditional stereophonic subcarriers are not precluded.<br />

4. Double sideband, suppressed-carrier, amplitude modula-<br />

tion of the stereophonic subcarrier at 38kHz must be used.<br />

5. The stereophonic subcarrier at 38kHz must be suppressed<br />

to a level less than 1% modulation of the main carrier.<br />

6. The modulating signal for the required stereophonic<br />

subcarrier must be equal to the difference of the left and<br />

right signals.<br />

7. The following modulation levels apply:<br />

i. When a signal exists in only one channel of a two<br />

channel (biphonic) sound transmission, modulation<br />

of the carrier by audio components within the base-<br />

band range of 50Hz to 15kHz shall not exceed 45%<br />

and modulation of the carrier by the sum of the am-<br />

plitude modulated subcarrier in the baseband range<br />

of 23kHz to 53kHz shall not exceed 45%.

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