universit ä tbochum seminarinternes vorlesungsverzeichnis ba-st
universit ä tbochum seminarinternes vorlesungsverzeichnis ba-st
universit ä tbochum seminarinternes vorlesungsverzeichnis ba-st
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ENGLISCHE LITERATUR VON 1700 BIS ZUR GEGENWART<br />
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Vorlesung<br />
050 635 Freed<br />
Hi<strong>st</strong>ory of Literary and Cultural Theory, 2/2,5 CP<br />
2 <strong>st</strong>. mi 14-16 HGB 20<br />
In one sense, everyone knows what literature is and how to read it. But then again,<br />
what is “literature”? How exactly does it differ from other kinds of writing in ways that<br />
makes it “literature”? And why do we read “literature” differently than, say, an<br />
in<strong>st</strong>ruction manual or telephone book? How and why have the academic practices of<br />
reading changed through time? To ask and explore these and related que<strong>st</strong>ions is to<br />
engage in the theory of literature.<br />
This series of lectures will introduce <strong>st</strong>udents to significant contributions to and<br />
developments in the theory of literature since the time English Literature became an<br />
academic discipline. The course is organized around the in<strong>st</strong>itutional hi<strong>st</strong>ory of<br />
literature <strong>st</strong>udies in Britain and the US. Included are examinations of hermeneutics,<br />
Arnoldean humanism, New Critical formalism, phenomenology and reader response<br />
criticism, <strong>st</strong>ructuralism, New Hi<strong>st</strong>oricism and Cultural Materialism, versions of<br />
feminism, and po<strong>st</strong><strong>st</strong>ructuralism and decon<strong>st</strong>ruction.<br />
Seminare<br />
050 638 McColl<br />
Poetry and Prose of Sir Walter Scott, 4 CP<br />
Bochum Summer School, Stirling<br />
Generally credited with the invention of the hi<strong>st</strong>orical novel, Walter Scott was feted<br />
across Europe as both poet and noveli<strong>st</strong>. Indeed, he is the only major Romantic<br />
writer to succeed popularly and critically in both disciplines, so that while Byron<br />
prote<strong>st</strong>s, repeatedly, that his poetry could not imitate the ‘inimitable’ Scott - the<br />
‘monarch of our Parnassus’ - Jane Au<strong>st</strong>en laments: ‘Walter Scott has no business to