universit ä tbochum seminarinternes vorlesungsverzeichnis ba-st

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write novels, especially good ones. – It is not fair’. This course examines both these strings to Scott’s bow, focusing upon The Lady of the Lake and Waverley, which include settings not far from our <strong>ba</strong>se in Stirling. Over the two weeks, we will be inquiring if poetry and prose exert different claims upon his narratives, whether romance and history have a competing or complementary character in his work, and whether Scott is predominantly romantic or satirical. To take part in this course, you should have purchased and read Waverley (Penguin edition) and The Lady of the Lake (preferably the edition published by the Association for Scottish Literary Studies, edited by Thomas Crawford) before the course begins. Supplementary material: Scott, Selected Poems (Carcanet); Scott, Chronicles of the Canongate (Penguin). 050 639 McColl The Gothic, 1760-1820, 4 CP 2 st. di 12-14 GB 5/37 Nord This course looks at the inception and development of the Gothic as a genre, beginning with Horace Walpole’s influential The Castle of Otranto (1764), centring on representative novels of Radcliffe and Matthew 'Monk' Lewis, and culminating in Walter Scott’s brooding The Bride of Lammermoor, which, in blending the Gothic with the historical novel, describes the popular shift toward the latter, and the surcease of the Gothic first wave. Often considered formulaic, employing stock characters and stagey locations, we examine the genre's odd collusion of nature and artifice, while, in Coleridge's Christabel and Austen's Northanger Abbey, looking at Gothic versatility, in poetry and parody respectively. To reduce the amount of term-time reading, students are advised to read at least the first two volumes of Ann Radcliffe's The Mysteries of Udolpho (Penguin edition) before the course begins. The course grade will be determined by one oral exposition and one essay (Hausarbeit).
050 640 Versteegen The Translation of Literature, 4 CP 2 st. do 12-14 GB 5/37 Nord In this course we will be focusing on three different aspects of literary translation: translation practice, translation theory and translation critique. That means: we will try our own hand at translating literature, then we will study various theories of literary translation, from the eighteenth century until today, and, lastly, we will also analyse and compare existing translations of famous – ‘literary’ – works (from Shakespeare’s sonnets to Donald Duck cartoons). It is hoped that the course will help you to improve not only your translation skills but also your understanding of literature. 050 641 Wagner Poetry of the First World War, 4 CP 2 st. do 10-12 GB 5/39 Nord In this seminar we will read such well-known soldier-poets as Wilfred Owen, Siegfried Sassoon, Charles Hamilton Sorley, Isaac Rosenberg, and Robert Graves. Apart from exploring the poetic techniques employed to convey the horror of trench warfare, we will consider the poems in the wider context of the contemporary representation of war. Credit Requirements: If you take the course as a seminar (4 CP): 10-page paper If you take the course as an Übung (3 CP): 5-page paper. 050 642 Wagner
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universit ä tbochum seminarinternes vorlesungsverzeichnis ba-st

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