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Shlomo Sand, The Invention of the Jewish People - Rafapal

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62 THE INVENTION OF THE JEWISH PEOPLE<br />

<strong>the</strong> political map <strong>of</strong> <strong>the</strong> world would have been more monochromatic. 59<br />

<strong>The</strong>se intellectuals had to utilize popular or even tribal dialects, and<br />

sometimes forgotten sacred tongues, and to transform <strong>the</strong>m quickly into new,<br />

modern languages. <strong>The</strong>y produced <strong>the</strong> first dictionaries and wrote <strong>the</strong> novels<br />

and poems that depicted <strong>the</strong> imagined nation and sketched <strong>the</strong> boundaries<br />

<strong>of</strong> its homeland. <strong>The</strong>y painted melancholy landscapes that symbolized <strong>the</strong><br />

nation's soil 60 and invented moving folktales and gigantic historical heroes,<br />

and weaved ancient folklore into a homogeneous whole. 61 Taking events<br />

related to diverse and unconnected political entities, <strong>the</strong>y welded <strong>the</strong>m into<br />

a consecutive, coherent narrative that unified time and space, thus producing<br />

a long national history stretching back to primeval times. Naturally, specific<br />

elements <strong>of</strong> <strong>the</strong> various historical materials played a (passive) part in shaping<br />

<strong>the</strong> modern culture, but it was principally <strong>the</strong> intellectual sculptors who cast<br />

<strong>the</strong> image <strong>of</strong> <strong>the</strong> nation according to <strong>the</strong>ir vision, whose character was formed<br />

mainly by <strong>the</strong> intricate demands <strong>of</strong> <strong>the</strong> present.<br />

Most <strong>of</strong> <strong>the</strong>m did not see <strong>the</strong>mselves as <strong>the</strong> midwives <strong>of</strong> <strong>the</strong> new nation<br />

but as <strong>the</strong> <strong>of</strong>fspring <strong>of</strong> a dormant nation that <strong>the</strong>y were arousing from a long<br />

slumber. None wanted to see <strong>the</strong>mselves as a baby left on a church doorstep<br />

without an identifying note. Nor did <strong>the</strong> image <strong>of</strong> <strong>the</strong> nation as a sort <strong>of</strong><br />

Frankenstein's monster, composed <strong>of</strong> organs from different sources, especially<br />

disturb its devotees. Every nation had to learn who its "ancestors" were, and in<br />

some cases its members searched anxiously for <strong>the</strong> qualities <strong>of</strong> <strong>the</strong> biological<br />

seed that <strong>the</strong>y propagated.<br />

Genealogy gave added value to <strong>the</strong> new identity, and <strong>the</strong> longer <strong>the</strong><br />

perceived past, <strong>the</strong> more <strong>the</strong> future was envisioned as unending. No wonder,<br />

<strong>the</strong>n, that <strong>of</strong> all <strong>the</strong> intellectual disciplines, <strong>the</strong> most nationalistic is that <strong>of</strong> <strong>the</strong><br />

historian.<br />

<strong>The</strong> rupture caused by modernization detached humanity from its recent past.<br />

<strong>The</strong> mobility created by industrialization and urbanization shattered not only<br />

<strong>the</strong> rigid social ladder but also <strong>the</strong> traditional, cyclic continuity between past,<br />

59 On <strong>the</strong> stages in <strong>the</strong> development <strong>of</strong> national minority movements in Eastern and<br />

Central Europe, see <strong>the</strong> important empirical work by <strong>the</strong> Czech scholar Miroslav Hroch,<br />

Social Preconditions <strong>of</strong> National Revival in Europe, New York: Columbia University Press,<br />

2000. <strong>The</strong> author himself attributed <strong>the</strong> book's awkward title and its obsolete terminology to<br />

<strong>the</strong> fact that its first version appeared back in <strong>the</strong> early 1970s.<br />

60 On <strong>the</strong> visual depiction <strong>of</strong> nations, see Anne-Marie Thiesse's excellent, La Création<br />

des identités nationales: Europe XVIIIe-XXe siècle, Paris: Seuil, 1999, 185-224,<br />

61 On why and how national heroes are created, see P. Centlivres, et al. (eds.), La<br />

Fabrique des héros, Paris: Maison des sciences de l'homme, 1998.

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