pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
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“I remembered Kostnice, <strong>the</strong> famous ‘Church <strong>of</strong> Bones’ in Kutna Hora, Czech Republic.<br />
It’s this amazing church which is literally decorated with bones. They made garlands out<br />
<strong>of</strong> spines and pyramids out <strong>of</strong> skulls. And I thought wow, instead <strong>of</strong> doing all this<br />
intricately carved molding details, what if we just used <strong>the</strong> bones <strong>of</strong> Blackbeard’s victims<br />
in <strong>the</strong> design <strong>of</strong> <strong>the</strong> ‘Queen Anne’s Revenge’? So we made moldings <strong>of</strong> leg and arm<br />
bones and teeth, and walls out <strong>of</strong> skulls, with <strong>the</strong> idea that Blackbeard actually burned<br />
his victims in a giant, flaming lantern on <strong>the</strong> stern <strong>of</strong> <strong>the</strong> ship.”<br />
The figurehead <strong>of</strong> <strong>the</strong> “Queen Anne’s Revenge” was based on Blackbeard’s real flag,<br />
which was a great horned skeleton holding a goblet <strong>of</strong> wine in one hand and a spear in<br />
<strong>the</strong> o<strong>the</strong>r, as if he’s toasting his victims. “I always loved that,” says Myhre, “and thought<br />
that for <strong>the</strong> figurehead, we would do something similar. And one <strong>of</strong> <strong>the</strong> legends <strong>of</strong><br />
Blackbeard is that going into battle, he would light fuses embedded in his beard, so he<br />
was always fiery and smoky. I thought it would be cool to transfer this idea to <strong>the</strong> ship<br />
itself, for it to be scary, devilish, fiery and smoky. So for <strong>the</strong> skeleton figurehead, we<br />
have fire coming out <strong>of</strong> <strong>the</strong> rib cage, eyes and goblet, and that casts a smoky haze<br />
around <strong>the</strong> entire ship. And <strong>the</strong> huge lantern in <strong>the</strong> back is sending <strong>of</strong>f trails <strong>of</strong> smoke<br />
from <strong>the</strong> bow.”<br />
“We thought it would be great fun if Blackbeard has a huge<br />
stained glass window in <strong>the</strong> back <strong>of</strong> his cabin at <strong>the</strong> rear <strong>of</strong><br />
<strong>the</strong> ship,” adds Myhre, “which was illuminated by <strong>the</strong> giant<br />
fire lantern just outside. To me, it was about <strong>the</strong> light<br />
creating <strong>the</strong> atmosphere in <strong>the</strong> cabin, with <strong>the</strong> angry,<br />
billowing flame moving through <strong>the</strong> window.”<br />
The interior <strong>of</strong> Blackbeard’s cabin was actually later built on<br />
B Stage at Pinewood Studios, and included a large section<br />
<strong>of</strong> <strong>the</strong> huge stained glass window. “We had a good time<br />
dressing <strong>the</strong> set,” says Myhre, “because in our incarnation<br />
<strong>of</strong> Blackbeard he has supernatural powers, so we have<br />
many objects <strong>of</strong> <strong>the</strong> occult spread about, as well as more typical seafaring charts and<br />
navigational equipment. You have all his power and wealth and loot, but also a fantastic<br />
layer <strong>of</strong> magic and alchemy.”<br />
Since Myhre had already appropriated <strong>the</strong> skeleton from Blackbeard’s real, historically<br />
correct flag for <strong>the</strong> “Queen Anne’s Revenge” figurehead, a new design was needed for<br />
<strong>the</strong> pirate’s flag in “On Stranger Tides,” and ultimately contributed by Hea<strong>the</strong>r<br />
Pollington. What resulted was a fiery banner which wouldn’t look out <strong>of</strong> place on <strong>the</strong><br />
back <strong>of</strong> a motorcycle gang jacket, fitting right in with <strong>the</strong> overall concept <strong>of</strong> Blackbeard<br />
as a “biker pirate,” as costume designer Penny Rose puts it.<br />
The “Queen Anne’s Revenge” was not only <strong>the</strong> setting for numerous scenes <strong>of</strong> action<br />
and supernatural mayhem, but also for a moonlit dance <strong>of</strong> romance, deception and<br />
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