pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
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“So when I was asked about ‘Pirates,’ <strong>the</strong> first thing that came to my mind was, ‘What a<br />
great opportunity it would be to be able to work with Johnny.’ Johnny is this<br />
extraordinary person because not only is he a genius and a creative force, but he is also<br />
such a kind, thoughtful and elegant man.<br />
“I really feel that he’s a throwback to ano<strong>the</strong>r time. The man comes on set and shakes<br />
hands with everyone. He takes <strong>the</strong> time to<br />
make sure that everybody on set is happy,”<br />
Marshall adds. “He has a strong work ethic,<br />
but he’s also so much fun; he’s hilarious and<br />
we laughed all <strong>the</strong> time. You know, it’s a<br />
grueling schedule we’re on; we were moving<br />
quickly and we had an enormous amount to<br />
accomplish with huge set-ups, but it was so<br />
joyous because <strong>of</strong> him, I have to say.”<br />
“Right <strong>of</strong>f <strong>the</strong> bat Rob knew how to keep it lean,” notes Johnny Depp. “I knew what he<br />
would use and what he wouldn’t. He’s incredibly efficient, saying ‘Let’s stay to <strong>the</strong> heart<br />
<strong>of</strong> <strong>the</strong> story and have fun while we’re doing it.’”<br />
~ 5 ~<br />
“Johnny and Rob got along instantly and<br />
<strong>the</strong> relationship only got better through<br />
<strong>the</strong> course <strong>of</strong> <strong>the</strong> film,” observes<br />
Executive Producer John DeLuca. “They<br />
were both always happy to be in each<br />
o<strong>the</strong>r’s company on set; <strong>the</strong>y found that<br />
kindred spirit in each o<strong>the</strong>r.”<br />
Ted Elliott and Terry Rossio, <strong>the</strong><br />
acclaimed team, which even previous to<br />
<strong>the</strong> first “Pirates <strong>of</strong> <strong>the</strong> Caribbean” film<br />
had already written such contemporary classics as “Aladdin” and “Shrek,” dug ever<br />
deeper into <strong>the</strong> treasure chest <strong>of</strong> pirate and seagoing history, lore and mythology for<br />
“On Stranger Tides” with <strong>the</strong> assistance <strong>of</strong> <strong>the</strong> much-admired novel <strong>of</strong> <strong>the</strong> same title by<br />
Tim Powers, from which suggestions for <strong>the</strong> story arose. “The main guideline was to<br />
create a stand-alone story ra<strong>the</strong>r than a continuation <strong>of</strong> <strong>the</strong> trilogy, or <strong>the</strong> start <strong>of</strong> a new<br />
one,” notes Rossio. “And <strong>the</strong>n <strong>of</strong> course <strong>the</strong> Tim Powers book, ‘On Stranger Tides,’ was a<br />
huge inspiration for characters, <strong>the</strong>me, settings, and basic storyline.”<br />
In writing <strong>the</strong> screenplay for “On Stranger Tides,” Elliott and Rossio relied on <strong>the</strong>ir own<br />
instincts first and foremost, but were also careful to consider <strong>the</strong> first three films’ huge<br />
worldwide audience as well. Rossio in particular is noted for engaging in online dialogue