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pirates of the caribbean - Cannes International Film Festival

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Zimmer’s career has been marked by a unique ability to adeptly move between<br />

genres—between smaller films and comedies (such as “Driving Miss Daisy,” “Green<br />

Card,” “True Romance,” “As Good As It Gets,” and “Something’s Gotta Give”) and big<br />

blockbusters (including “Crimson Tide,” “Mission: Impossible 2,” “Hannibal,” “Black<br />

Hawk Down,” “The Last Samurai,” “The Pirates <strong>of</strong> <strong>the</strong> Caribbean Trilogy,” “Batman<br />

Begins” and “The Da Vinci Code”).<br />

In <strong>the</strong> middle <strong>of</strong> Zimmer’s unparalleled pace <strong>of</strong> taking on new projects, his ability to reinvent<br />

genres is what is perhaps most striking. The film scores Zimmer has done this for<br />

speak for <strong>the</strong>mselves, whe<strong>the</strong>r it has been for drama in “Rain Man,” action in Ridley<br />

Scott’s “Black Rain,” historical in “Gladiator,” war in Terrence Malick’s “The Thin Red<br />

Line,” or <strong>the</strong> dark comic book world <strong>of</strong> “The Dark Knight.”<br />

Zimmer has received a total <strong>of</strong> 10 Golden Globe® nominations, 10 Grammy®<br />

nominations and 9 Oscar® nominations, <strong>the</strong> most recent for Christopher Nolan’s<br />

“Inception” His innovative and powerful score has been praised as <strong>the</strong> Best Score <strong>of</strong><br />

2010 by countless critics’ groups and has earned him BAFTA, Golden Globe, Grammy<br />

and Critics Choice Award nominations. His o<strong>the</strong>r Oscar nominations include “Sherlock<br />

Holmes,” “Rain Man,” “Gladiator,” “The Lion King,” “As Good As It Gets,” “The<br />

Preacher’s Wife,” “The Thin Red Line” and “The Prince <strong>of</strong> Egypt.” Zimmer has been<br />

honored with <strong>the</strong> prestigious Lifetime Achievement Award in <strong>Film</strong> Composition from <strong>the</strong><br />

National Board <strong>of</strong> Review. He also received his Star on <strong>the</strong> Hollywood Walk <strong>of</strong> Fame in<br />

December 2010.<br />

Some <strong>of</strong> Zimmer’s o<strong>the</strong>r credits include <strong>the</strong> recent blockbuster “Rango” directed by<br />

Gore Verbinski, “Megamind,” “How Do You Know,” Nancy Meyers’ “It’s Complicated,”<br />

“Kung Fu Panda,” “Madagascar 2,” “Frost / Nixon,” “The Dark Knight” and Ron Howard’s<br />

“Angels & Demons.” Zimmer’s upcoming films include “Kung Fu Panda 2,” Guy Ritchie’s<br />

“Sherlock Holmes: A Game <strong>of</strong> Shadows” (December 2011) and “The Dark Knight Rises”<br />

(July 20, 2012), which will mark Zimmer’s 4 th collaboration with director Christopher<br />

Nolan.<br />

DAVID BRENNER (<strong>Film</strong> Editor) won an Academy Award® for his work on Oliver Stone’s<br />

“Born on <strong>the</strong> Fourth <strong>of</strong> July.” He also edited Stone’s “Talk Radio,” “The Doors,” “Heaven<br />

and Earth,” “World Trade Center” and “Wall Street: Money Never Sleeps.” He began his<br />

career as an assistant and additional film editor on Stone’s “Salvador,” “Platoon” and<br />

“Wall Street.”<br />

Brenner’s o<strong>the</strong>r feature film editing credits include “Night and <strong>the</strong> City,” “The River<br />

Wild,” “Fear,” “Independence Day,” “Lolita,” “What Dreams May Come,” “The Patriot,”<br />

“Identity,” “The Day After Tomorrow,” “Wanted” and “2012.”<br />

WYATT SMITH (<strong>Film</strong> Editor) was nominated for an Emmy Award for his work on Rob<br />

Marshall’s “Tony Bennett: An American Classic.” He also edited Marshall’s feature film<br />

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