pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
pirates of the caribbean - Cannes International Film Festival
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has designed costumes for three <strong>of</strong> his o<strong>the</strong>r films: “The Road to Wellville,” “Pink Floyd:<br />
The Wall” and “The Commitments.”<br />
Rose’s additional credits include “The Sleeping Dictionary,” Neil Jordan’s “The Good<br />
Thief,” “Just Visiting,” “Entrapment” and Disney’s hit remake <strong>of</strong> “The Parent Trap,”<br />
directed by Nancy Meyers, and Gore Verbinski’s “The Wea<strong>the</strong>r Man.” Earlier in her<br />
career, she designed costumes for Brian De Palma’s “Mission: Impossible” and has twice<br />
worked with Academy Award ® –winning director Lord Richard Attenborough on<br />
“Shadowlands” and “In Love and War.” Her resume also includes Christopher Hampton’s<br />
“Carrington,” Vincent Ward’s “Map <strong>of</strong> <strong>the</strong> Human Heart,” Bill Forsyth’s “Local Hero, Pat<br />
O’Connor’s “Cal,” Marek Kanievska’s “Ano<strong>the</strong>r Country” and Jean-Jacques Annaud’s<br />
“Quest for Fire.” Recently, Rose designed <strong>the</strong> costumes for <strong>the</strong> Walt Disney Pictures<br />
comedy “Wild Hogs,” starring Tim Allen, Martin Lawrence and John Travolta,” “St<br />
Trinians,” starring Gemma Arterton, “Made <strong>of</strong> Honor,” <strong>the</strong> heralded HBO miniseries<br />
“The Pacific,” which garnered her an Emmy Award nomination, and Tony Scott’s<br />
“Unstoppable.”<br />
Rose was trained in West End <strong>the</strong>ater and began her career <strong>the</strong>re and also in television,<br />
designing for commercials where she first met such directors as Alan Parker, Adrian<br />
Lyne, Ridley and Tony Scott and Hugh Hudson. She was born and raised in Britain and is<br />
fluent in French and Italian.<br />
HANS ZIMMER (Composer) has scored over 100 films and been honored with an<br />
Academy Award®, two Golden Globes® and four Grammys®. In 2003, ASCAP presented<br />
him <strong>the</strong> prestigious Henry Mancini award for Lifetime Achievement for his impressive<br />
and influential body <strong>of</strong> work.<br />
Zimmer’s interest in music began early, and after a move from Germany to <strong>the</strong> U.K.,<br />
would lead to playing with and producing various bands, including The Buggles, whose<br />
“Video Killed <strong>the</strong> Radio Star” was <strong>the</strong> first music video to ever appear on MTV. But <strong>the</strong><br />
world <strong>of</strong> film music was what Zimmer really wanted to be involved with. Not long after<br />
meeting established film composer Stanley Myers, <strong>the</strong> two founded <strong>the</strong> London-based<br />
Lillie Yard Recording Studios toge<strong>the</strong>r, collaborating on such films as “My Beautiful<br />
Laundrette.”<br />
It was Zimmer’s solo work in 1988’s “A World Apart,” however, that gained <strong>the</strong><br />
attention <strong>of</strong> director Barry Levinson, who <strong>the</strong>n asked him to score “Rain Man,” Zimmer’s<br />
first American film. Levinson’s instinct was right—<strong>the</strong> score’s Oscar® nomination that<br />
followed would be <strong>the</strong> first <strong>of</strong> nine.<br />
With Zimmer’s subsequent move to Hollywood, he expanded <strong>the</strong> range <strong>of</strong> genres he<br />
explored, and his first venture into <strong>the</strong> world <strong>of</strong> animation, 1994’s “The Lion King,”<br />
brought Zimmer <strong>the</strong> Oscar®.<br />
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