Publications received at the <strong>FIAF</strong> Secretariat, Brussels Publications reçues au Secrétariat, Bruxelles Publicaciones recibidas en el Secretariado, Bruselas Books/Livres/Libros La couleur retrouvée du Voyage dans la Lune / A Trip to the Moon – Back in Color, Groupama Gan Foundation for Cinema and Technicolor Foundation for Cinema Heritage, Paris, 2011, French and English, 194pp., black & white and colour ill. Appunti di regia / A Letter to Elia, Book + DVD, Cineteca di Bologna – Il Cinema Ritrovato, 2011. Contents: Book: Appunti di regia, Italian translation <strong>of</strong> Kazan on Directing, 364 pp., b&w illus. 1-DVD, A Letter to Elia (Martin Scorsese and Kent Jones), 103 min., PAL Region 2, black & white and colour, format 16/9, stereo, English, with Italian subtitles. DVD extras: interviews. DVDs Albert Capellani, Un cinema di grandeur 1905-1911, edited by Mariann Lewisnky, Collection Fondation Jérôme Seydoux-Pathé, Cineteca di Bologna – Il Cinema Ritrovato, 2011, 1-DVD, 150 min., colour and black & white, original format, PAL, stereo, multi-language, subtitles in Italian, French, and English, with 56-page booklet. Cinico TV – Volume primo 1989-1992, edited by Daniele Ciprì and Franco Maresco, Cineteca di Bologna – Il Cinema Ritrovato, 2011, 1-DVD, 236 min., colour and black & white, original format, PAL, mono and stereo, multilanguage, subtitles in Italian and English, with 68-page booklet. C<strong>of</strong>fret Albert Capellani (4 films and 7 short films), Pathé / La Cinémathèque française / Fondation Jérôme Seydoux-Pathé, Paris, 2010. 4-DVD set, 507 min., black & white and tinted, 4:3, with 36-page booklet in French. Treasures 5: The West, 1898-1938, National <strong>Film</strong> <strong>Preservation</strong> Foundation, 2011. 3-DVD box set, NTSC Region 0, 596 min. (10 hours), color and black & white; 40 films, digitally remastered, with audio commentary by 23 experts, newly recorded scores, and interactive information screens; with illustrated 132-page book in English, with programme notes by Scott Simmon and music notes by Martin Marks. ERRATUM: <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> 84, 04/2011, page 15, middle photo: The person in the centre is not Paul Morrissey, but Colin MacCabe. 100 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 85 / 2011
The <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> <strong>of</strong>fers a forum for both general and specialised discussion on all theoretical and technical aspects <strong>of</strong> moving image archival activities.
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Journal of Film Preservation 85 •
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72 London: Saving The Cinema Museum
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formulées) des étudiants de l’U
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amount of treasures were again stol
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non seulement sur leur rapatriement
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fílmicos indígenas de valor cultu
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such images are paying for material
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for images of others that they did
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Les participants souhaitent attirer
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Henri Langlois: Expérimenter, cons
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Paralelamente a los principios de l
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une programmation manifeste. 8 Pour
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Freddy Buache avec Georges-André C
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In 2011 the Cinémathèque Suisse c
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Una giornata particolare à la Cin
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ou commerciales déjà existantes.
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En este año 2011, la Cinemateca su
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cadre des associations fédérées
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Vue aérienne générale de Penthaz
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The Saturn Film Production Company
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A scene from Lebender Marmor (Livin
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41 Journal of Film Preservation / 8
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EYE’s Desmet Collection inscribed
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Jean Desmet (1875-1956), fue el pri
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À l’occasion du 30e anniversaire
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- Page 59 and 60: Konstgjorda Svensson (1929) Konstgj
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- Page 63 and 64: Depuis 1975, le Centro de Capacitac
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- Page 73 and 74: [1] Eine Fahrt durch die Wachau, 19
- Page 75 and 76: Saving The Cinema Museum Deirdre O
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- Page 81 and 82: Modern Screen, April 1951, cover fe
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- Page 85 and 86: Sam Kula (1933-2010) Robert Daudeli
- Page 87 and 88: Thomaz Farkas (1924-2011) José Gui
- Page 89 and 90: Thomaz Farkas, fotógrafo, director
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