Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
Journal of Film Preservation - FIAF
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EYE’s Desmet Collection inscribed on<br />
UNESCO’s Memory <strong>of</strong> the World Register<br />
Sandra Den Hamer<br />
News from the<br />
Affiliates<br />
Amsterdam<br />
Jean Desmet (1875-1956) fut le<br />
premier grand distributeur de films<br />
et propriétaire de salles aux Pays-Bas.<br />
Il possédait aussi une importante<br />
collection d’objets liés au cinéma.<br />
Depuis 1957, celle-ci était conservée au<br />
Nederlands <strong>Film</strong>museum (actuellement<br />
EYE <strong>Film</strong> Institute).<br />
La Collection Desmet compte environ<br />
2.000 affiches et presque 700 photos.<br />
Riche en documents en papier, elle<br />
réunit 933 films, la plupart des années<br />
1907-1916 et souvent des copies<br />
uniques. On y trouve des chefs-d’œuvre<br />
de D.W. Griffith et de Louis Feuillade,<br />
des films avec Asta Nielsen et Lyda<br />
Borelli, ainsi que des productions de<br />
Gaumont, Edison et Pathé.<br />
Dans les années 1980, la collection fut<br />
restaurée. Les films montrés dans des<br />
festivals renouvelèrent et élargirent<br />
nos idées au sujet du cinéma muet.<br />
Notamment, ils témoignent de<br />
l’utilisation de techniques de mise en<br />
scène sophistiquées et de la recherche<br />
de méthodes pour obtenir des images<br />
en couleur.<br />
En mai 2011, la Collection Desmet a été<br />
inscrite dans le Registre de la mémoire<br />
du monde de l’Unesco, qui inclut des<br />
documents culturels dont l’importance<br />
exceptionnelle est reconnue (voir le site<br />
www.unesco.org).<br />
EYE <strong>Film</strong> Institute Netherlands – qui<br />
est en train de s’installer à Overhoeks<br />
(Amsterdam) – est le résultat de la<br />
fusion récente de plusieurs institutions:<br />
<strong>Film</strong>bank, Holland <strong>Film</strong>, Nederlands<br />
Instituut voor <strong>Film</strong>educatie et<br />
<strong>Film</strong>museum.<br />
The Desmet Collection at the EYE <strong>Film</strong> Institute Netherlands has been<br />
inscribed on the UNESCO Memory <strong>of</strong> the World Register. This was<br />
announced on 25 May 2011 by the Director-General <strong>of</strong> UNESCO, Irina<br />
Bokova, in Paris. The entire collection will become part <strong>of</strong> this prestigious<br />
UNESCO programme, which assists countries in safeguarding and sharing<br />
their documentary heritage. The Jean Desmet Collection includes many<br />
films from the early years <strong>of</strong> cinema that were once presumed lost. Beside<br />
its relevance to film history, the collection forms an equally important<br />
cultural and corporate archive. <strong>Film</strong> pioneer Jean Desmet (1875-1956) was<br />
the first major distributor and cinema owner in the Netherlands.<br />
UNESCO’s Memory <strong>of</strong> the World Register, a list <strong>of</strong> documentary history,<br />
honours treasures <strong>of</strong> cultural importance, and includes books, archival<br />
records, and film and sound recordings that are <strong>of</strong> exceptional significance<br />
for the world. The Register includes Anne Frank’s diary, the Magna Carta,<br />
and the Gutenberg Bible.<br />
Now these are joined by the collection <strong>of</strong> Jean Desmet, which has been held by<br />
EYE <strong>Film</strong> Institute Netherlands (formerly the Nederlands <strong>Film</strong>museum) since<br />
1957. The vast collection contains, among many other items, masterpieces<br />
by D.W. Griffith and Louis Feuillade, films with Asta Nielsen and Lyda Borelli,<br />
and productions from the film companies Pathé, Gaumont, and Edison.<br />
The film-historical<br />
significance <strong>of</strong><br />
the Jean Desmet<br />
Collection is<br />
acknowledged<br />
worldwide. A large<br />
number <strong>of</strong> the films<br />
in the collection <strong>of</strong><br />
the Netherlands’<br />
first pr<strong>of</strong>essional<br />
distributor are<br />
unique copies<br />
(i.e., the only copy<br />
preserved in the<br />
world). Among the<br />
more than 900 films<br />
dating from 1907-1916 are masterpieces that had not been seen for<br />
decades. These discoveries have cleared up a number <strong>of</strong> misconceptions,<br />
and the film-historical appreciation <strong>of</strong> historical genres such as Italian diva<br />
films, German melodramas, and French comedies has been changed once<br />
and for all.<br />
In most countries, three-quarters <strong>of</strong> the films produced during the silent<br />
film era have been lost due to neglect. Because Desmet kept almost<br />
43 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 85 / 2011<br />
Jean Desmet’s Nederlandsche Bioscoop-Bond (Netherlands<br />
Cinema League) union membership card, 1934.