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Journal of Film Preservation - FIAF

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EYE’s Desmet Collection inscribed on<br />

UNESCO’s Memory <strong>of</strong> the World Register<br />

Sandra Den Hamer<br />

News from the<br />

Affiliates<br />

Amsterdam<br />

Jean Desmet (1875-1956) fut le<br />

premier grand distributeur de films<br />

et propriétaire de salles aux Pays-Bas.<br />

Il possédait aussi une importante<br />

collection d’objets liés au cinéma.<br />

Depuis 1957, celle-ci était conservée au<br />

Nederlands <strong>Film</strong>museum (actuellement<br />

EYE <strong>Film</strong> Institute).<br />

La Collection Desmet compte environ<br />

2.000 affiches et presque 700 photos.<br />

Riche en documents en papier, elle<br />

réunit 933 films, la plupart des années<br />

1907-1916 et souvent des copies<br />

uniques. On y trouve des chefs-d’œuvre<br />

de D.W. Griffith et de Louis Feuillade,<br />

des films avec Asta Nielsen et Lyda<br />

Borelli, ainsi que des productions de<br />

Gaumont, Edison et Pathé.<br />

Dans les années 1980, la collection fut<br />

restaurée. Les films montrés dans des<br />

festivals renouvelèrent et élargirent<br />

nos idées au sujet du cinéma muet.<br />

Notamment, ils témoignent de<br />

l’utilisation de techniques de mise en<br />

scène sophistiquées et de la recherche<br />

de méthodes pour obtenir des images<br />

en couleur.<br />

En mai 2011, la Collection Desmet a été<br />

inscrite dans le Registre de la mémoire<br />

du monde de l’Unesco, qui inclut des<br />

documents culturels dont l’importance<br />

exceptionnelle est reconnue (voir le site<br />

www.unesco.org).<br />

EYE <strong>Film</strong> Institute Netherlands – qui<br />

est en train de s’installer à Overhoeks<br />

(Amsterdam) – est le résultat de la<br />

fusion récente de plusieurs institutions:<br />

<strong>Film</strong>bank, Holland <strong>Film</strong>, Nederlands<br />

Instituut voor <strong>Film</strong>educatie et<br />

<strong>Film</strong>museum.<br />

The Desmet Collection at the EYE <strong>Film</strong> Institute Netherlands has been<br />

inscribed on the UNESCO Memory <strong>of</strong> the World Register. This was<br />

announced on 25 May 2011 by the Director-General <strong>of</strong> UNESCO, Irina<br />

Bokova, in Paris. The entire collection will become part <strong>of</strong> this prestigious<br />

UNESCO programme, which assists countries in safeguarding and sharing<br />

their documentary heritage. The Jean Desmet Collection includes many<br />

films from the early years <strong>of</strong> cinema that were once presumed lost. Beside<br />

its relevance to film history, the collection forms an equally important<br />

cultural and corporate archive. <strong>Film</strong> pioneer Jean Desmet (1875-1956) was<br />

the first major distributor and cinema owner in the Netherlands.<br />

UNESCO’s Memory <strong>of</strong> the World Register, a list <strong>of</strong> documentary history,<br />

honours treasures <strong>of</strong> cultural importance, and includes books, archival<br />

records, and film and sound recordings that are <strong>of</strong> exceptional significance<br />

for the world. The Register includes Anne Frank’s diary, the Magna Carta,<br />

and the Gutenberg Bible.<br />

Now these are joined by the collection <strong>of</strong> Jean Desmet, which has been held by<br />

EYE <strong>Film</strong> Institute Netherlands (formerly the Nederlands <strong>Film</strong>museum) since<br />

1957. The vast collection contains, among many other items, masterpieces<br />

by D.W. Griffith and Louis Feuillade, films with Asta Nielsen and Lyda Borelli,<br />

and productions from the film companies Pathé, Gaumont, and Edison.<br />

The film-historical<br />

significance <strong>of</strong><br />

the Jean Desmet<br />

Collection is<br />

acknowledged<br />

worldwide. A large<br />

number <strong>of</strong> the films<br />

in the collection <strong>of</strong><br />

the Netherlands’<br />

first pr<strong>of</strong>essional<br />

distributor are<br />

unique copies<br />

(i.e., the only copy<br />

preserved in the<br />

world). Among the<br />

more than 900 films<br />

dating from 1907-1916 are masterpieces that had not been seen for<br />

decades. These discoveries have cleared up a number <strong>of</strong> misconceptions,<br />

and the film-historical appreciation <strong>of</strong> historical genres such as Italian diva<br />

films, German melodramas, and French comedies has been changed once<br />

and for all.<br />

In most countries, three-quarters <strong>of</strong> the films produced during the silent<br />

film era have been lost due to neglect. Because Desmet kept almost<br />

43 <strong>Journal</strong> <strong>of</strong> <strong>Film</strong> <strong>Preservation</strong> / 85 / 2011<br />

Jean Desmet’s Nederlandsche Bioscoop-Bond (Netherlands<br />

Cinema League) union membership card, 1934.

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