Phoenix Journal 208 - Four Winds 10
Phoenix Journal 208 - Four Winds 10
Phoenix Journal 208 - Four Winds 10
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notes in a musical scale, developing a scheme of divine musical harmony which he published as Harmonices<br />
Mundi (Harmonies of the World) in 1619" (The Illustrated Encyclopedia of Astronomy And<br />
Space, Ian Ridpath, p. <strong>10</strong>4, emphasis mine). Everything in the universe is in octaves and harmonics of<br />
octaves.<br />
What are the frequencies of the music scale? This question is not as simple as it seems. A musical scale<br />
that has the greatest possible number of harmonizing intervals is called the just, or true, diatonic scale.<br />
Here it is for the key of C:<br />
key of c music chart<br />
This scale cannot by used for musical instruments, such as a piano or organ, because the frequencies listed<br />
above for the key of C would not be in the correct ratios to each other for music played in any other key.<br />
So what is used now is called a tempered scale, in which the octave is divided into twelve semitones, each<br />
of which is 1.0595 times that of the next lower semitone. The A above middle C is assigned the frequency<br />
of 440.00 Hz. In this scale the frequencies are:<br />
middle C 261.62 Hz<br />
C-Sharp 277.18<br />
D 293.67<br />
D-sharp 311.13<br />
E 329.23<br />
F 349.23<br />
F-sharp 369.99<br />
G 392.00<br />
G-sharp 415.30<br />
A 440.00<br />
A-sharp 466.16<br />
B 493.88<br />
C’ 523.25<br />
The fundamental frequency of a vibrating string is inversely proportional to its length, or directly proportional<br />
to the reciprocal of its length.<br />
The tuning scale has been changed and some opera houses use various tunings. They tune their scales<br />
based on the pitch of A and a few years ago Vienna was at A-450. Some opera houses have A-452, La<br />
Scala is at A-442, Florence is at A-448.<br />
It has been determined that there are six species of the human singing voice: bass, baritone, tenor, contralto,<br />
alto, and soprano. At proper tunings, the voice fits harmoniously and easily with the physics of<br />
sound. But if the tuning is wrong, the singer has to sing out of his natural scale to complete the octave. The<br />
magazine Fidelio says that there is a conspiracy to destroy the science of musical composition, and since<br />
this is true in so many other areas—the powers that be keep changing the yardsticks and moving the<br />
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