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s black/white,<br />
.bility.) When<br />
st set or a set<br />
We pay more<br />
perties.<br />
iold between<br />
I (e.g./Llrze =<br />
), but we tend<br />
ense. In some<br />
loby default<br />
re 6.2. In this<br />
antonym pairs<br />
arise through<br />
ating prefi xes<br />
ent, unhappy,<br />
ise in cases in<br />
) the larger set<br />
t with angry,<br />
happy/sad as<br />
mt to contrast<br />
:hi raises the<br />
gre)', <strong>and</strong> why<br />
r that black is<br />
re)' i , but that<br />
since sad <strong>and</strong><br />
ut how similar<br />
t/cool because<br />
; en es of hot<br />
rre all relevant<br />
s i to say that<br />
Lexical <strong>and</strong> semantic <strong>relations</strong> 119<br />
the meanings of antonyms are minimally different (Clark 1970). Hotlcold fits<br />
this definition better than hot/cool, since hot <strong>and</strong> cold have in cornrnon that they<br />
are both perception of temperature, <strong>and</strong> both are extremes on the temperature<br />
scale. They are different in that they are on oppo ite ends of the temperature<br />
scale. Hot <strong>and</strong> cool are both temperatures, but differ in both which side of the<br />
temperarure cale they are on <strong>and</strong> whether or not they are extreme. A the basie<br />
componential analysi in (IS) how, hot <strong>and</strong> cool are less similar to each other<br />
than hot <strong>and</strong> cold are.<br />
(15) hot cold cool<br />
+ temperature]<br />
+ high<br />
[<br />
+ extreme<br />
+ temperature]<br />
- high<br />
[<br />
+ extreme<br />
+ temperature]<br />
- high<br />
[<br />
- extreme<br />
Similarly, white <strong>and</strong> black are antonyms because they are alike in that they denote<br />
extremes in the range of achromatic colors, but different in that they are at the<br />
opposite extremities of the color range, while grey is both a different color from<br />
white <strong>and</strong> black <strong>and</strong> not at an extreme point on the scale. And while happy<br />
contrasts with sad <strong>and</strong> angry <strong>and</strong> surprised <strong>and</strong> afraid, it seems to have the most<br />
in cornmon with sad, since (arnong other reasons) happy <strong>and</strong> sad reftect states<br />
with reversed facial expressions (smile/frown) <strong>and</strong> postu res (up/down). While<br />
these facial exp re ion <strong>and</strong> postures are different, since they are reversals of<br />
each other, they are similar (as opposed to expressions of anger <strong>and</strong> surprise,<br />
which are much more different expressions). In all these cases the principIe of<br />
rninimal difference allows for binary antonym pairs within a larger contrast set<br />
when two members within the et are perceived to be more similar to one another<br />
than to other members of the set.<br />
Types of antonyms<br />
There are several subtypes of antonyrn relation:<br />
Contrary antonyms are th ose, like short/tall <strong>and</strong> old/young, in which the<br />
assertion of one entails the negation of the other, but the negation of one does not<br />
entail the as ertion of the other. as illustrated in (16):<br />
(16) a. Gladys is tall. ~ Gladys is not short.<br />
b. Gordon is not tall. -+> Gordon is short.<br />
Not talf does not entaiI short because tall <strong>and</strong> short do not describe all the heights<br />
that a thing or person could be. We can say that these contraryantonym are seaIar<br />
in that they describe the two extremes of a cale, as illustrated in figure 6.3.<br />
(A more ophisticated ver ion of thi cale is presented in the di cussion of<br />
adjectives in chapter ll.) Each point on the line designates a height, which can<br />
be measured (e.g, l centimeter, 2 cm, 3 cm, ... ). The left <strong>and</strong> right extremes<br />
of the scale include short <strong>and</strong> tall height , but the middle area includes height<br />
mea urements that are neither tall nor short. So, Gordon is not tall does not entaii