in the Poetry of Silver Age

Francisco Javier
de la multitud (and the stupidities of the multitude!" And further on:
"soportas elogios, memorias, discursos, (you put up with praises,
memories, speeches) I resistes certámenes, tarjetas, concursos,
(you endure competitions, cards, contests I y, teniendo a Orfeo,
tienes a orfeón (and, having Orpheus, you have a fan club!)".
Rubén, undoubtedly prefers a mythical Don Quixote,
comparable to Roldán, shrouded in the fantasy as the names of
Clavileño and Pegasus suggest. Although he also introduces a
social and ethical angle in keeping with the Dacio of those years,
who literally preaches when he assures that his litanies "hechas
con las cosas de todos los días / y con otras que en lo misterioso vi.
(are made with everyday things I and others that 1 saw in
mysteries"
Prom the sixth stanza onwards Rubén adopts the tone
appropriate for a litany. He places sixth, seventh and eighth stanzas
on the anaphoric base of the traditional "pray for us", that
altemates with the Latín version "Pro nobis ora", in the middle of
the seventh, to draw up the image of the worshippers on the basis
of consecutive metaphors to defend himself against enemies ("que
ridiculizan el ser de la Mancha, / el ser generoso y el ser español!
(who ridicule the man of La Mancha, the generous one, the
Spanish being"). The three stanzas naturally glamourise the
mythical representation of the character, now evoked between two
great myths: "j Tiembla la floresta de laurel del mundo, (The bay
wood of the world trembles I y antes que tu hermano vago,
Segismundo, (and before your errant brother Segismundo I el
pálido Hamlet te ofrece una flor (the pale Hamlet offers you a
flower)!". Ending with an concluding list of grievances, in an
imaginative flourish of the best of Ruben of those years: "pues casi
ya estamos sin savia, sin brote, (as we are already without sap and
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