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It's easy being green in Whitby - Digilog at UOIT and DC - Durham ...

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Enterta<strong>in</strong>ment<br />

Miles Faber helps<br />

H.E.R. host workshop<br />

The Chronicle November 29, 2011 39<br />

A hellish new<br />

sequel to an<br />

Kamesha Horne-Simmons<br />

The Chronicle<br />

Everyone ready? One <strong>and</strong> two <strong>and</strong> three <strong>and</strong><br />

four!<br />

H.E.R. hosted a free dance workshop here on<br />

campus Nov. 23 fe<strong>at</strong>ur<strong>in</strong>g special guest Miles Faber!<br />

All <strong>Durham</strong> College <strong>and</strong> <strong>UOIT</strong> students were<br />

welcome to come <strong>and</strong> learn some choreography<br />

from Faber.<br />

Faber was third runner-up on season one of<br />

So You Th<strong>in</strong>k You Can Dance Canada.<br />

He will also be one of the judges <strong>at</strong> OUCH<br />

Nov. 26. “We cover jazz, hip-hop, popp<strong>in</strong>g, b-<br />

boy, funk, soul, a little bit of salsa, all the urban<br />

stuff,” said Faber “We travel all over Canada to<br />

do<strong>in</strong>g dances workshops.”<br />

Alex<strong>and</strong>ra Crenian, Faber’s assistant said,<br />

“With the workshops sometimes we help each<br />

other out if we’re available, <strong>and</strong> it k<strong>in</strong>d of happened<br />

we fell <strong>in</strong>to do<strong>in</strong>g a dual teach<strong>in</strong>g together.”<br />

Wayne Carrasco has known Faber for a couple<br />

years now. He’s met him <strong>at</strong> dance competitions<br />

<strong>and</strong> they have become good friends.<br />

“When I heard th<strong>at</strong> we were host<strong>in</strong>g OUCH<br />

I knew he was the perfect fit, so I was, ‘like we<br />

need to br<strong>in</strong>g him out.’ And for OUCH week I<br />

wanted to do a whole prep th<strong>in</strong>g for OUCH to get<br />

people hyped up, so one of the th<strong>in</strong>gs we decided<br />

Disney Live!<br />

<strong>at</strong> GM Centre<br />

Aust<strong>in</strong> Rogers<br />

The Chronicle<br />

Disney Live! A special stage event fe<strong>at</strong>ur<strong>in</strong>g<br />

three classic Disney fairy tales is com<strong>in</strong>g<br />

to the General Motors Centre on Jan 12.<br />

The event fe<strong>at</strong>ures familiar faces such as<br />

Mickey, M<strong>in</strong>nie, Donald <strong>and</strong> Goofy, Snow<br />

White <strong>and</strong> the Seven Dwarfs, C<strong>in</strong>derella,<br />

Beauty <strong>and</strong> the Beast <strong>and</strong> much more.<br />

The story centres on Mickey <strong>and</strong> the gang<br />

as they br<strong>in</strong>g classic fairy tale adventures to<br />

life through the pages of a magical storybook<br />

they f<strong>in</strong>d <strong>in</strong> Mickey’s <strong>at</strong>tic.<br />

There will be a morn<strong>in</strong>g show <strong>at</strong> 10:30 <strong>and</strong><br />

an even<strong>in</strong>g show <strong>at</strong> 6:30 with tickets rang<strong>in</strong>g<br />

from $27 to $67.<br />

to do was the workshop with Miles.”<br />

The workshop started off with meet<strong>in</strong>g Faber<br />

<strong>and</strong> his assistant Crenian, who was also a So You<br />

Th<strong>in</strong>k You Can Dance Canada contestant for season<br />

three.<br />

He started off with some simple moves to get<br />

the class warmed up <strong>and</strong> a little history lesson on<br />

hip-hop danc<strong>in</strong>g. After 45 m<strong>in</strong>utes, the class was<br />

pumped to start choreography to Neyo’s song,<br />

One <strong>in</strong> a Million.<br />

A lot of the students started to pick up the<br />

choreography fairly quickly <strong>and</strong> the class was<br />

excited <strong>and</strong> eager to cont<strong>in</strong>ue on with the rest of<br />

the rout<strong>in</strong>e.<br />

The class was split up <strong>in</strong>to two groups, <strong>and</strong><br />

dur<strong>in</strong>g the rout<strong>in</strong>e Faber would give out some<br />

po<strong>in</strong>ters.<br />

By the end of the workshop the class was able<br />

to go through the whole rout<strong>in</strong>e with no mistakes.<br />

“I found it really <strong>in</strong>terest<strong>in</strong>g. It was different<br />

for me, out of my element because I’m a b-boy<br />

<strong>and</strong> I didn’t really know much about hip-hop or<br />

choreography <strong>in</strong> general,” said Roberto Lloren, a<br />

dancer from H.E.R.“I’m more of a freestyler but<br />

a few of my friends… conv<strong>in</strong>ced me to go here,<br />

<strong>and</strong> it was really worth it.”<br />

“I thought it was really good, it was really <strong>in</strong>form<strong>at</strong>ive,”<br />

said Christian Julal, executive member<br />

<strong>and</strong> freestyle dancer from H.E.R.<br />

Another<br />

Cirque tour<br />

for a new year<br />

Aust<strong>in</strong> Rogers<br />

The Chronicle<br />

The <strong>in</strong>tern<strong>at</strong>ionally acclaimed Cirque du Soleil<br />

show Quidam is com<strong>in</strong>g to the General Motors<br />

Centre from Jan 4 to 8.<br />

The tour has performed on five different cont<strong>in</strong>ents<br />

s<strong>in</strong>ce it’s debut show <strong>in</strong> Montreal <strong>in</strong> 1996.<br />

The cast, which fe<strong>at</strong>ures 52 musicians, acrob<strong>at</strong>s,<br />

s<strong>in</strong>gers <strong>and</strong> characters, began their North<br />

American tour <strong>in</strong> December 2010.<br />

Adult tickets range from $38-$104.50, child<br />

tickets from $31-$85.50 <strong>and</strong> senior <strong>and</strong> student<br />

tickets from $34.50-89.75.<br />

old nightmare<br />

Cooper’s<br />

19th studio<br />

album<br />

renews the<br />

chills<br />

Tyler Richards<br />

The Chronicle<br />

American rock star Alice<br />

Cooper released his 19th album<br />

<strong>in</strong> October.<br />

Intended to be a sequel to<br />

his first solo album Welcome<br />

to My Nightmare, it’s aptly<br />

titled Welcome 2 my Nightmare.<br />

Despite the<br />

unimag<strong>in</strong><strong>at</strong>ive<br />

title, the<br />

first track, I am<br />

Made of You, is<br />

a haunt<strong>in</strong>gly serene<br />

song th<strong>at</strong><br />

takes the listener<br />

back to Cooper’s<br />

early days, but<br />

adds a modern<br />

flare with vocal<br />

effects <strong>and</strong> synthesizers.<br />

‘<br />

The album <strong>in</strong>corpor<strong>at</strong>es<br />

bits <strong>and</strong> pieces<br />

of Cooper’s different<br />

styles throughout the<br />

years<br />

’<br />

It’s also one of the few<br />

tracks on the album th<strong>at</strong><br />

could be considered a s<strong>in</strong>gle.<br />

One of the more <strong>in</strong>terest<strong>in</strong>g<br />

songs is Wh<strong>at</strong> Baby<br />

Wants, a song th<strong>at</strong> Cooper<br />

recorded with pop artist<br />

Ke$ha. The song has all the<br />

mak<strong>in</strong>gs of a gre<strong>at</strong> dance<br />

track if enhanced more by a<br />

DJ.<br />

Writ<strong>in</strong>g about the macabre<br />

has always been a strong<br />

suit for Cooper <strong>and</strong> Disco<br />

Bloodb<strong>at</strong>h Boogie Fever fits<br />

th<strong>at</strong> theme as probably the<br />

weirdest song on the album.<br />

The lyrics talk about a massacre<br />

<strong>at</strong> a disco club.<br />

The album itself does <strong>in</strong>deed<br />

pick up where the first<br />

album left off.<br />

In Welcome to my nightmare<br />

Cooper tells a story of<br />

a child proceed<strong>in</strong>g through<br />

wh<strong>at</strong> seems like a nightmare.<br />

In Welcome 2 My Nightmare<br />

it is revealed th<strong>at</strong> this<br />

child, now a grown man, is<br />

actually dead <strong>and</strong> <strong>in</strong> hell.<br />

The album <strong>in</strong>corpor<strong>at</strong>es<br />

bits <strong>and</strong> pieces of Cooper’s<br />

different styles throughout<br />

the years.<br />

Songs like I am Made of<br />

You, will rem<strong>in</strong>d you of the<br />

open<strong>in</strong>g track of his first album,<br />

Welcome to my Nightmare.<br />

And songs<br />

like When<br />

Hell Comes<br />

Home are<br />

rem<strong>in</strong>iscent<br />

of his<br />

l<strong>at</strong>e eighties<br />

works such<br />

as Feed my<br />

Frankenste<strong>in</strong><br />

<strong>and</strong> Freedom.<br />

Cooper<br />

ends the album<br />

with an underture, a<br />

skillfully arranged <strong>in</strong>strumental<br />

bit th<strong>at</strong> spans both<br />

the first album <strong>and</strong> the sequel.<br />

For anyone who is an Alice<br />

Cooper fan this album is a<br />

def<strong>in</strong>ite buy, but if you aren’t<br />

used to Cooper’s lyrics <strong>and</strong><br />

his way of play<strong>in</strong>g, you might<br />

consider listen<strong>in</strong>g to some<br />

of his other albums before<br />

weigh<strong>in</strong>g <strong>in</strong> on this one.

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