It's easy being green in Whitby - Digilog at UOIT and DC - Durham ...
It's easy being green in Whitby - Digilog at UOIT and DC - Durham ...
It's easy being green in Whitby - Digilog at UOIT and DC - Durham ...
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Enterta<strong>in</strong>ment<br />
Miles Faber helps<br />
H.E.R. host workshop<br />
The Chronicle November 29, 2011 39<br />
A hellish new<br />
sequel to an<br />
Kamesha Horne-Simmons<br />
The Chronicle<br />
Everyone ready? One <strong>and</strong> two <strong>and</strong> three <strong>and</strong><br />
four!<br />
H.E.R. hosted a free dance workshop here on<br />
campus Nov. 23 fe<strong>at</strong>ur<strong>in</strong>g special guest Miles Faber!<br />
All <strong>Durham</strong> College <strong>and</strong> <strong>UOIT</strong> students were<br />
welcome to come <strong>and</strong> learn some choreography<br />
from Faber.<br />
Faber was third runner-up on season one of<br />
So You Th<strong>in</strong>k You Can Dance Canada.<br />
He will also be one of the judges <strong>at</strong> OUCH<br />
Nov. 26. “We cover jazz, hip-hop, popp<strong>in</strong>g, b-<br />
boy, funk, soul, a little bit of salsa, all the urban<br />
stuff,” said Faber “We travel all over Canada to<br />
do<strong>in</strong>g dances workshops.”<br />
Alex<strong>and</strong>ra Crenian, Faber’s assistant said,<br />
“With the workshops sometimes we help each<br />
other out if we’re available, <strong>and</strong> it k<strong>in</strong>d of happened<br />
we fell <strong>in</strong>to do<strong>in</strong>g a dual teach<strong>in</strong>g together.”<br />
Wayne Carrasco has known Faber for a couple<br />
years now. He’s met him <strong>at</strong> dance competitions<br />
<strong>and</strong> they have become good friends.<br />
“When I heard th<strong>at</strong> we were host<strong>in</strong>g OUCH<br />
I knew he was the perfect fit, so I was, ‘like we<br />
need to br<strong>in</strong>g him out.’ And for OUCH week I<br />
wanted to do a whole prep th<strong>in</strong>g for OUCH to get<br />
people hyped up, so one of the th<strong>in</strong>gs we decided<br />
Disney Live!<br />
<strong>at</strong> GM Centre<br />
Aust<strong>in</strong> Rogers<br />
The Chronicle<br />
Disney Live! A special stage event fe<strong>at</strong>ur<strong>in</strong>g<br />
three classic Disney fairy tales is com<strong>in</strong>g<br />
to the General Motors Centre on Jan 12.<br />
The event fe<strong>at</strong>ures familiar faces such as<br />
Mickey, M<strong>in</strong>nie, Donald <strong>and</strong> Goofy, Snow<br />
White <strong>and</strong> the Seven Dwarfs, C<strong>in</strong>derella,<br />
Beauty <strong>and</strong> the Beast <strong>and</strong> much more.<br />
The story centres on Mickey <strong>and</strong> the gang<br />
as they br<strong>in</strong>g classic fairy tale adventures to<br />
life through the pages of a magical storybook<br />
they f<strong>in</strong>d <strong>in</strong> Mickey’s <strong>at</strong>tic.<br />
There will be a morn<strong>in</strong>g show <strong>at</strong> 10:30 <strong>and</strong><br />
an even<strong>in</strong>g show <strong>at</strong> 6:30 with tickets rang<strong>in</strong>g<br />
from $27 to $67.<br />
to do was the workshop with Miles.”<br />
The workshop started off with meet<strong>in</strong>g Faber<br />
<strong>and</strong> his assistant Crenian, who was also a So You<br />
Th<strong>in</strong>k You Can Dance Canada contestant for season<br />
three.<br />
He started off with some simple moves to get<br />
the class warmed up <strong>and</strong> a little history lesson on<br />
hip-hop danc<strong>in</strong>g. After 45 m<strong>in</strong>utes, the class was<br />
pumped to start choreography to Neyo’s song,<br />
One <strong>in</strong> a Million.<br />
A lot of the students started to pick up the<br />
choreography fairly quickly <strong>and</strong> the class was<br />
excited <strong>and</strong> eager to cont<strong>in</strong>ue on with the rest of<br />
the rout<strong>in</strong>e.<br />
The class was split up <strong>in</strong>to two groups, <strong>and</strong><br />
dur<strong>in</strong>g the rout<strong>in</strong>e Faber would give out some<br />
po<strong>in</strong>ters.<br />
By the end of the workshop the class was able<br />
to go through the whole rout<strong>in</strong>e with no mistakes.<br />
“I found it really <strong>in</strong>terest<strong>in</strong>g. It was different<br />
for me, out of my element because I’m a b-boy<br />
<strong>and</strong> I didn’t really know much about hip-hop or<br />
choreography <strong>in</strong> general,” said Roberto Lloren, a<br />
dancer from H.E.R.“I’m more of a freestyler but<br />
a few of my friends… conv<strong>in</strong>ced me to go here,<br />
<strong>and</strong> it was really worth it.”<br />
“I thought it was really good, it was really <strong>in</strong>form<strong>at</strong>ive,”<br />
said Christian Julal, executive member<br />
<strong>and</strong> freestyle dancer from H.E.R.<br />
Another<br />
Cirque tour<br />
for a new year<br />
Aust<strong>in</strong> Rogers<br />
The Chronicle<br />
The <strong>in</strong>tern<strong>at</strong>ionally acclaimed Cirque du Soleil<br />
show Quidam is com<strong>in</strong>g to the General Motors<br />
Centre from Jan 4 to 8.<br />
The tour has performed on five different cont<strong>in</strong>ents<br />
s<strong>in</strong>ce it’s debut show <strong>in</strong> Montreal <strong>in</strong> 1996.<br />
The cast, which fe<strong>at</strong>ures 52 musicians, acrob<strong>at</strong>s,<br />
s<strong>in</strong>gers <strong>and</strong> characters, began their North<br />
American tour <strong>in</strong> December 2010.<br />
Adult tickets range from $38-$104.50, child<br />
tickets from $31-$85.50 <strong>and</strong> senior <strong>and</strong> student<br />
tickets from $34.50-89.75.<br />
old nightmare<br />
Cooper’s<br />
19th studio<br />
album<br />
renews the<br />
chills<br />
Tyler Richards<br />
The Chronicle<br />
American rock star Alice<br />
Cooper released his 19th album<br />
<strong>in</strong> October.<br />
Intended to be a sequel to<br />
his first solo album Welcome<br />
to My Nightmare, it’s aptly<br />
titled Welcome 2 my Nightmare.<br />
Despite the<br />
unimag<strong>in</strong><strong>at</strong>ive<br />
title, the<br />
first track, I am<br />
Made of You, is<br />
a haunt<strong>in</strong>gly serene<br />
song th<strong>at</strong><br />
takes the listener<br />
back to Cooper’s<br />
early days, but<br />
adds a modern<br />
flare with vocal<br />
effects <strong>and</strong> synthesizers.<br />
‘<br />
The album <strong>in</strong>corpor<strong>at</strong>es<br />
bits <strong>and</strong> pieces<br />
of Cooper’s different<br />
styles throughout the<br />
years<br />
’<br />
It’s also one of the few<br />
tracks on the album th<strong>at</strong><br />
could be considered a s<strong>in</strong>gle.<br />
One of the more <strong>in</strong>terest<strong>in</strong>g<br />
songs is Wh<strong>at</strong> Baby<br />
Wants, a song th<strong>at</strong> Cooper<br />
recorded with pop artist<br />
Ke$ha. The song has all the<br />
mak<strong>in</strong>gs of a gre<strong>at</strong> dance<br />
track if enhanced more by a<br />
DJ.<br />
Writ<strong>in</strong>g about the macabre<br />
has always been a strong<br />
suit for Cooper <strong>and</strong> Disco<br />
Bloodb<strong>at</strong>h Boogie Fever fits<br />
th<strong>at</strong> theme as probably the<br />
weirdest song on the album.<br />
The lyrics talk about a massacre<br />
<strong>at</strong> a disco club.<br />
The album itself does <strong>in</strong>deed<br />
pick up where the first<br />
album left off.<br />
In Welcome to my nightmare<br />
Cooper tells a story of<br />
a child proceed<strong>in</strong>g through<br />
wh<strong>at</strong> seems like a nightmare.<br />
In Welcome 2 My Nightmare<br />
it is revealed th<strong>at</strong> this<br />
child, now a grown man, is<br />
actually dead <strong>and</strong> <strong>in</strong> hell.<br />
The album <strong>in</strong>corpor<strong>at</strong>es<br />
bits <strong>and</strong> pieces of Cooper’s<br />
different styles throughout<br />
the years.<br />
Songs like I am Made of<br />
You, will rem<strong>in</strong>d you of the<br />
open<strong>in</strong>g track of his first album,<br />
Welcome to my Nightmare.<br />
And songs<br />
like When<br />
Hell Comes<br />
Home are<br />
rem<strong>in</strong>iscent<br />
of his<br />
l<strong>at</strong>e eighties<br />
works such<br />
as Feed my<br />
Frankenste<strong>in</strong><br />
<strong>and</strong> Freedom.<br />
Cooper<br />
ends the album<br />
with an underture, a<br />
skillfully arranged <strong>in</strong>strumental<br />
bit th<strong>at</strong> spans both<br />
the first album <strong>and</strong> the sequel.<br />
For anyone who is an Alice<br />
Cooper fan this album is a<br />
def<strong>in</strong>ite buy, but if you aren’t<br />
used to Cooper’s lyrics <strong>and</strong><br />
his way of play<strong>in</strong>g, you might<br />
consider listen<strong>in</strong>g to some<br />
of his other albums before<br />
weigh<strong>in</strong>g <strong>in</strong> on this one.