Prospectus Master's in Photographic Studies 2009-2010 Leiden 2009
Prospectus Master's in Photographic Studies 2009-2010 Leiden 2009
Prospectus Master's in Photographic Studies 2009-2010 Leiden 2009
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For a comprehensive description of the <strong>in</strong>tern’s responsibilities and upcom<strong>in</strong>g projects,<br />
contact Freek Baars (chief curator of the collections): +31 (0)23 518 51 54, e-mail:<br />
fbaars@spaarnestadphoto.nl .<br />
In the past <strong>in</strong>ternships have also taken place at: National Museum of Ethnology <strong>in</strong> <strong>Leiden</strong><br />
(contact: L<strong>in</strong>da Roodenburg, L<strong>in</strong>da@volkenkunde.nl); Stedelijk Museum Amsterdam<br />
(contact: Hripsimé Visser, telephone: +31 (0)20 573 29 11, e-mail: h.visser@stedelijk.nl);<br />
FOAM Amsterdam; Noor Images (contact Claudia H<strong>in</strong>terseer, telephone +31 (0)20 616<br />
4040, e-mail: claudia@noorimages.com); Victoria & Albert Museum, London; Fotomuseum<br />
W<strong>in</strong>terthur; and International Centre of Photography, New York. Other possibilities are:<br />
Fotomuseum Antwerp, World Press Photo and Paradox <strong>in</strong> Edam (production, research;<br />
contact: Bas Vroege, e-mail: bv@paradox.nl). Susan Meiselas also offers consecutive<br />
<strong>in</strong>ternships <strong>in</strong> the USA (<strong>in</strong>formation: susan@susanmeiselas.com).<br />
5.3 Other activities<br />
Over the course of the academic year some extra time is scheduled for meet<strong>in</strong>gs and<br />
excursions alongside the regular programme. These are important for students <strong>in</strong><br />
provid<strong>in</strong>g them with an orientation to the research and writ<strong>in</strong>g of the thesis and to<br />
professional practice. Students do not receive credits for this component.<br />
Activities may <strong>in</strong>clude<br />
- Visits to important photography <strong>in</strong>stitutions such as museums, collections and libraries.<br />
- One or two meet<strong>in</strong>g to discuss the research and writ<strong>in</strong>g of the thesis.<br />
- One or two meet<strong>in</strong>gs <strong>in</strong> which students will be asked to present their ideas for the thesis<br />
and their prelim<strong>in</strong>ary research and f<strong>in</strong>d<strong>in</strong>gs.<br />
5.4 The Master’s thesis<br />
The subject of the Master’s thesis is chosen <strong>in</strong> consultation with one of the supervis<strong>in</strong>g<br />
<strong>in</strong>structors. It is a test of the student’s ability to carry out <strong>in</strong>dependent academic research,<br />
under the guidance of an <strong>in</strong>structor. It is advised that you beg<strong>in</strong> to th<strong>in</strong>k about a subject<br />
from the very beg<strong>in</strong>n<strong>in</strong>g of the Master’s programme.<br />
Orientation<br />
For the Master’s thesis it is expected that the student will undertake the research <strong>in</strong> a<br />
manner as autonomous as possible. Efficient <strong>in</strong>dependent work also means that the<br />
<strong>in</strong>formation and expertise available <strong>in</strong> the research field will be well used, and that the<br />
experience of writ<strong>in</strong>g the thesis will encourage the student’s maximum development.<br />
The Master’s thesis<br />
Because academic position<strong>in</strong>g requires cont<strong>in</strong>uous dialogue with artistic practice, the<br />
student has a choice between a textual or a visual thesis. Select a topic which can be<br />
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