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I 2003 SMITHSONIAN FOLKLIFE FESTIVAL ON THE NATIONAL MALL, WASHINGTON, D.C. 116 ^ -f^ fTTTrfnil' ' Ill inn— NATIONAL MUSEUM OF AMERICAN HISTORY fi-. ID Marketplace Sales Hall ^ Tounsm Tent ^ •— To Washington Monument MADISON DRIVE North Sea Oiln to/Basketry D , ^^ Narrative Stage SilverQ InstrumentsD '""'^"^' LordlyonQ Harris Tweed Q Ness yoa! m T; Tapestry [J ^P"D '''""'^'^""D Administration Compound Participant Hospitality Jon ^ "ion Knitting[ Kill I ) ( Beverages Tartan Weaving! ] GolfQ o Goll ® <strong>SCOTLAND</strong> Ceilidh Stage <strong>Smithsonian</strong> (Mall exit): mMf® Harmony Stage JEFFERSON DRIVE (¥) First Aid Q) Performance Venue @ Lost and Found & Metro CD information (® Food Concession ® Press (J) Audio Loops ^ Volunteers (Q) Fruit Vendor =?^ Handicapped @ Sign Language Access and Seating Interpretation Information FREER AND SACKLER GALLERIES
[ ] ) \ I I i ; i 117 NATIONAL MUSEUM OF NATURAL HISTORY To U.S. Capitol ^Appalachian Annskrhian . Kitchen ural Treasure i— Reward '— Railroad Workers Picking Area ® family Activity Tent ( Beverages D Weaving | Damask D ^ Blacksmith Korite {— Ijewelfyf Traditional ; Hedicmen IncenseH "^^ZZ^ PotleryQ ^ | EmbroiderQ Talking TreeQ IndigoIN./ leatherQ [Puppets) ^ojolt ^
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SMITHSONIAN FOLKLIFE FESTIVAL SCOTL
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The annual Smithsonian Folklife Fes
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Table of Contents The Festival: Doi
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The Festival: Doing the Public Good
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— a singular, global, mass coniii
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The 2003 Smithsonian Folklife Festi
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— Appalachia Heritage and Harmony
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Virginia, is one of the best known.
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A mural by Tim White, in Bristol, T
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string bands of note were Charlie P
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Carolina, who learned many of her s
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— 1 riate •KM ''&L'X^'Ttyi«iFi
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- 26 Appalachia, Where Tradition an
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28 and Latin America. They are addi
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Native American Traditions in Appal
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32 OF APPALACHIA of cultural histor
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^, — 34 or "Dive for the Oyster."
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36 Pnolo by Jirri Higgins Library o
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. 2000. . ^^FORMATION Blue Ridge Mu
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Mali From Timbuktu to Washington /.
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universities in the United States,
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A woman [ in Timbuktu. Knotograpn b
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— From Golden Age Empires to Inde
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The French had hardly been welcomed
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\ constitution brought about the Th
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Burkina Faso. It is played on diffe
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Malian crafts are a legacy from the
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the garment, and ornamentation 56 s
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4 *^ '*
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ack into the Sahara and Sahehan zon
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increasing popularity of television
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— Certain dishes are linked to pa
Page 68 and 69: ft J ncK DjeDje, Jacquehne Cogdell,
Page 70 and 71: I Scotland at the Smithsonian is pr
Page 72 and 73: — John o'Groals OUTER HEBRIDES {W
Page 75 and 76: Scottish History: The Culture and t
Page 77 and 78: Much of contemporary Scottish tradi
Page 79 and 80: — 1 Traditional Song and Music in
Page 81 and 82: . . throughout occasional dance in
Page 83 and 84: j^ ,. V ẏ 7 Traditional Scottish
Page 85 and 86: — Panto in Scotland JOYCE MCMILLA
Page 87 and 88: — 85 The prehistoric Callanish St
Page 89 and 90: The makars ar also pairt o a proces
Page 91 and 92: have a direct connection with worki
Page 93 and 94: (Outer Hebrides) can still visit sn
Page 95 and 96: Moore, Maggie. Scottish Step Dancin
Page 97 and 98: General Festival Information FESTIV
Page 99 and 100: ^^1:30 S^ 3:00 Talking Tree 12;00 Y
Page 101 and 102: Scotland at Smithsonian the 3:00 Sc
Page 103 and 104: Scotland at Smithsonian Feis Stage
Page 105 and 106: Kora players perrorm at 6 p.m. at t
Page 107 and 108: Malian Foodways
Page 109 and 110: Scotland at Smithsonian the Feis St
Page 111 and 112: Dogon dancers at 12:30 p.m. at ttie
Page 113 and 114: Scotland at the Smithsonian Feis St
Page 115 and 116: 2:45 Growing Up m Mali 113 3:30 Bab
Page 117: Scotland at the Smithsonian Feis St
Page 123 and 124: — Saturday, July 5 Beautiful Beyo
Page 125 and 126: Festival Participants Laura Boosing
Page 127 and 128: The New Southern Ramblers (with Ral
Page 129 and 130: N'Goussonn, Koulikoro Salif Keita,
Page 131 and 132: Pottery Shoemakiiig TRADITIONAL MED
Page 133 and 134: Fiti Moore, Diitikeld DANCE POETRY/
Page 135 and 136: Tapestry Weaving Dovecot Tapestry W
Page 137 and 138: Special Tixanks Sam Adams. Tiie Mou
Page 139 and 140: staff SMITHSONIAN INSTITUTION Lawre
Page 141 and 142: Tourism Task Force Special thanks t
Page 143 and 144: • III SMITHSONIAN FOLKWAYS RECORD
Page 146: Smithso >lklife Festiv,
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