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('/;/; F. Kentiedy Center for the Evening Programs John F. Kennedy Center Jor the It^ 5:30-9:00 History in Song: Appalachia, "The Golden Voice of Africa" Mall & Scotland Appalachia, Mali i\ Scotland Peifornung Arts. Milleiiniuni Stage Pertorimng Arts, Millennium Stage Wednesday, June 25 5:30-6:00 Dance Workshop led 6:00-7:00 Galax String Band: by Maria Leask The New Ballard's Branch Bogtrotters Appahttliiii's Harinony Stage 6:00-7:00 The Occasionals: Thursday, July 3 ^« 5:30-6:15 t")ld-Time String Band:The New Scottish Ceilidh Dance from Southern Ramblers (with Ralph BHzard) Edinburgh with host Fiona Ritchie Appalaclna's Harmony Stage with The Green Grass Cloggers 5:15-6:00 Galax String Band: Saturday, June 28 Tlie New Ballard's Branch Bogtrotters 6:15-7:00 Bluegrass:The East Tennessee State Student Bluegrass Band AppaLuhia's Harinony Stage 6:00-9:00 NEA Presents National Heritage Mili'i Timbuktu Static 5:15-6:00 Dance Party with Jake Fellows from Appalacliia: Jean Ritchie. Clyde Davenport, Will Keys and Lee Sexton with and Dara Krack, Lester and Linda Doug Dorschug and Rich Kirby, the 6:30-9:00 Malian Celebration: Neba Solo McCumbers, and Kim Johnson Carcassone Community Dance Group, and and Ensemble Instrumental Scottish ballad singers Stanley Robertson, 6:00-9:00 NEA Presents National Heritage SiCtland'i Ceilidh Stage Fellows from Appalachia: John Dee Holeman Ed Miller, and Karine Polwart Sgf 5:30-7:00 The Occasionals; Linda McCumbers, Kim Johnson, Dwight Nat Reese, Jake and Dara Krack, Lester and Scotland's Feis Stage Scottish Dance Workshop &• Ceiltdh Diller, Ginny H.iwker and Tracy Schwartz Sgf 5:30-7:00 The Occasionals: Scottish Ceilidh John F Kennedy Center Jor the Mali's Timbuktu Stage Dance with Special Guests the Mitchelson Perfontung Arts, Mdlenmum Stage Brothers Sgf 6:00-9:00 M.ilian Music: Ensemble Instrumental, National Traditional Ensemble and 6:00-7:00 Appalachian Bluegrass: John F Kennedy Center for the TheVW Boys Oumou Sangare,"The Queen ot Peiforining Arts, Millennium Stage Wassoiilou" Thursday, June 26 6:00-7:00 Phil & Johnny Cunningham: Scotland's Fcis Stage Virtuoso Scottish Fiddle c5c Accordion, with AppaLuhia's Harmony Stage special guest Scottish singer/songwnter 5:30-7:00 Celebration of the Scottish Fiddle Dougie MacLean It"^ 6:00-9:00 NBA Presents National Heriuge with host Fiona Ritchie Fellows from Appalachia: Old-Time String Friday, July 4 Band: The New Southern Ramblers (with Sunday, June 29 Ralph Bhzard),John Dee Holeman, Wayne Appalaclna's Harmony Stage AppaLuhia's Harmony Stage Henderson. John Cephas and Phil Wiggins Sgf 5:30-9:00 Beautiful Beyond: 5:30-6:15 Contemporary Appalachian Music: Scothind's Fcii Stage C'hristian Songs in Nanve Languages Appalachian Reggae wnth Ras Alan and Brother Bob 5:30-8:00 "Scotland the Real": Concert Monday, June 30 6:15-7:00 Dance Party- with the Carcassone Launch of New <strong>Smithsonian</strong> Folkways John F Kennedy Center for the Community Dance Group from Kentucky Recordings CD with host Fiona Ritchie Peiforining Arts, Millennium Stage and the Lee Sexton Band lolii! F Kennedy Center for the 6:00-7:00 Perfontung Arts, Millenniuiti Stage Voices of Malian Women A/ii//'s' Timbuktu Stage Tuesday, July 1 lt"3 5:30-7:00 M.ili Dance Parry: Dogon Masked 6:00-7:00 History in Song: Dance Group; Neba Solo: BaLiJ'oii Music Appalachia, Mali & Scotland John F Kennedy Centerpr the from Kenedougou; Tartit: Tuareg Music and Friday, June 27 Performing Arts, Millennium Stage Sword Dance; Baba Larab: Takamba Music and Dance of the Sonrai People; Groupe 600-7:00 AppaLuhia's Harmony Stage Brian McNeill and Friends: Sogonikun:Wassoulou Masked Dancers; New Songs of Scotland Tabital Pulaku: Fulani Pastoral Music 5:30-6:00 Appalachian Bluegrass with theVW Boys Wednesday, July 2 Scotland's Feis Stage Appalaclna's Harmony Stage 6:00-9:00 NEA Presents National Heritage 5:30-7:00 The Occasionals: Scottish Ceilidh Fellows from Appalachia: Wayne Henderson, lt>
— Saturday, July 5 Beautiful Beyond: Christian Songs in Native Languages Appalacliiii's Hiumony Stage 5:30-6:00 Songs from the Coal Fields: Elaine Purkey and Carl Rutherford 6:00-9:00 NEA Presents National Heritage Fellows from Appalachia: Ralph Stanley, Still Waters. Hazel Dickens, Jesse McReynolds. the O'Qumn Brothers and the Bluegrass Travelers Mali's Tiiiibukru Stage Mahan Music: Kanaga de Mopti, Mahan National Band, and Ah Sgf 6:00-9:00 Farka Toure, "Africa's Bluesman" Scotland's Feis Stage 5:30-7:00 Scotland since Robert Burns: New Voices/New Songs John F. Keiinaiy CenterJor the Performing Arts, Millennium Stage 6:00-7:00 The B.Utlefield Band Sunday, July 6 Appalachia's Harmony Stage 5:30-6:15 Closing Concert: Bluegrass The O'Quinn Brothers and the Bluegrass Travelers 6:15-7:00 Galax String Band: The New Ballard's Branch Bogtrotters Mali's Timbuktu Stage A CENTRAL PART OF THE MISSION of the National Museum of the American Indian (NMAI) is the preservation, perpetuation, and awareness of Native languages. Language preservation has become an urgent matter in Native communities, especially where the number of elders who grew up with their own language is rapidly diminishing. In some of these communities, the singing of Christian hymns is one ot the tew ways in which the language is still heard on a regular basis. Several years ago NMAI began a project to document the singing of Christian songs m Native languages. To date, more than twenty-five groups in fifteen cormnunities have been recorded, including Mohawk, Cherokee, Navajo, Kiowa, Comanche, Yup'ik, and Hawaiian. In some communities the hymns are translations from English-language hymnals, sung in three- or four-part harmony, while in others the songs are "made" by Native singers and sung in unison. Besides singing in church, the singing groups are in demand for community events, especially funerals and wakes. An anthology will be released around the time of the opening of NMAI's new museum on the National Mall (September 2004). The June 29 evening concert brings together five groups—Navajo, Cherokee (from the Cherokee Nation of Oklahoma and the Eastern Band of North Carohna), Oneida (New York), and Lakota. Their presence at this Festival represents a strong force in Indian communities throughout the continent and demonstrates that among the many tools ot cultural survival the power of language is one of the most important. Howard Bass Public Programs Producer National Museum of the Anwrican Indian 5:30-7:00 Closing Concert: Mali: From Timbuktu to Washington Scotland's Feis Stage Sef 5:30-7:00 Closing Concert: Scotland at the <strong>Smithsonian</strong> *^ 7:00-8:00 Festival Finale Maisie Shenandoah, Joanne Shenandoah, and Liz Robert. Photo © Sliver Wave Records, courtesy the Shenandoah family
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SMITHSONIAN FOLKLIFE FESTIVAL SCOTL
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The annual Smithsonian Folklife Fes
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Table of Contents The Festival: Doi
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The Festival: Doing the Public Good
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— a singular, global, mass coniii
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The 2003 Smithsonian Folklife Festi
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— Appalachia Heritage and Harmony
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Virginia, is one of the best known.
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A mural by Tim White, in Bristol, T
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string bands of note were Charlie P
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Carolina, who learned many of her s
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— 1 riate •KM ''&L'X^'Ttyi«iFi
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- 26 Appalachia, Where Tradition an
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28 and Latin America. They are addi
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Native American Traditions in Appal
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32 OF APPALACHIA of cultural histor
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^, — 34 or "Dive for the Oyster."
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36 Pnolo by Jirri Higgins Library o
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. 2000. . ^^FORMATION Blue Ridge Mu
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Mali From Timbuktu to Washington /.
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universities in the United States,
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A woman [ in Timbuktu. Knotograpn b
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— From Golden Age Empires to Inde
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The French had hardly been welcomed
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\ constitution brought about the Th
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Burkina Faso. It is played on diffe
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Malian crafts are a legacy from the
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the garment, and ornamentation 56 s
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4 *^ '*
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ack into the Sahara and Sahehan zon
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increasing popularity of television
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— Certain dishes are linked to pa
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ft J ncK DjeDje, Jacquehne Cogdell,
Page 70 and 71: I Scotland at the Smithsonian is pr
Page 72 and 73: — John o'Groals OUTER HEBRIDES {W
Page 75 and 76: Scottish History: The Culture and t
Page 77 and 78: Much of contemporary Scottish tradi
Page 79 and 80: — 1 Traditional Song and Music in
Page 81 and 82: . . throughout occasional dance in
Page 83 and 84: j^ ,. V ẏ 7 Traditional Scottish
Page 85 and 86: — Panto in Scotland JOYCE MCMILLA
Page 87 and 88: — 85 The prehistoric Callanish St
Page 89 and 90: The makars ar also pairt o a proces
Page 91 and 92: have a direct connection with worki
Page 93 and 94: (Outer Hebrides) can still visit sn
Page 95 and 96: Moore, Maggie. Scottish Step Dancin
Page 97 and 98: General Festival Information FESTIV
Page 99 and 100: ^^1:30 S^ 3:00 Talking Tree 12;00 Y
Page 101 and 102: Scotland at Smithsonian the 3:00 Sc
Page 103 and 104: Scotland at Smithsonian Feis Stage
Page 105 and 106: Kora players perrorm at 6 p.m. at t
Page 107 and 108: Malian Foodways
Page 109 and 110: Scotland at Smithsonian the Feis St
Page 111 and 112: Dogon dancers at 12:30 p.m. at ttie
Page 113 and 114: Scotland at the Smithsonian Feis St
Page 115 and 116: 2:45 Growing Up m Mali 113 3:30 Bab
Page 117 and 118: Scotland at the Smithsonian Feis St
Page 119: [ ] ) \ I I i ; i 117 NATIONAL MUSE
Page 125 and 126: Festival Participants Laura Boosing
Page 127 and 128: The New Southern Ramblers (with Ral
Page 129 and 130: N'Goussonn, Koulikoro Salif Keita,
Page 131 and 132: Pottery Shoemakiiig TRADITIONAL MED
Page 133 and 134: Fiti Moore, Diitikeld DANCE POETRY/
Page 135 and 136: Tapestry Weaving Dovecot Tapestry W
Page 137 and 138: Special Tixanks Sam Adams. Tiie Mou
Page 139 and 140: staff SMITHSONIAN INSTITUTION Lawre
Page 141 and 142: Tourism Task Force Special thanks t
Page 143 and 144: • III SMITHSONIAN FOLKWAYS RECORD
Page 146: Smithso >lklife Festiv,
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