<strong>Smithsonian</strong> Support for the Festival
Special Tixanks Sam Adams. Tiie Mountain Ea^lc: Bill Aldacushaon; Peggy Bagget.Virgima Commission for Arts; Debra Basham, West Virginia Division of Culture and Histor\'; Howard Bass, National Museum of the American Indian; David Bearinger, Virginia Foundation for Humanities; Ed Benson, Country Music Association; Berea College; Barry Bergey, National Endowment for the Arts; Brent Bjorkman, Kentucky Folldife Program; Matt Bolas, Bristol Tennessee/ Virginia Chamber of Commerce; Freddie Boyd, Bryant Label Co.; Jim Brackens, Sprint; Toby Bradley, Mayor, Jonesborough, Tennessee; AUen Brown, RCA-NashviUe; Richard Burgess; Leslie Burrell; Guy and Candie Carawan, Highlander Center; Bob Carhn; Frank Carmack, Birthplace of Country Music AUiance;The Carter Family Fold;Janette Carter, Carter Family Memorial Music Center; Joe Carter; Ruby CaudiU; Center for Interdisciplinary Studies atVirgimaTech University; Lois Clarke, Umted Companies; Lori Cogan, Target Marketmg; Roby Cogswell, Tennessee Arts Commission; John Cohen; Joel Cordle; Jennifer Core, Tennessee Arts Commission; Judy Donaghy; Mary Doornbas,John C. Campbell Folk School; Howard Dorgan, Appalachian State University; Barbara Duncan, Museum of the Cherokee Indian; East Tennessee State University, Storytelling Department; Beulah Ferguson, First Tennessee Development District; Rita Forrester; Carlynne Foster, Tennessee Department ofTourism Development; Jerry Fouse; Sue Fulmer; Steve Galyean; Bob Gates, Kentucky Folklife Program; Agnes Gorham, Tennessee Department ofTourism Development; Peter Gott; Alan Govenar, Documentary Arts; Troy Gowen, East Tennessee State University; Judith Gray, American Folklife Center, Library of Congress; Rebecca Grindstaff, East Tennessee State University; Bill Hall; Leton Harding, Birthplace of Country Music .Alliance; James Harman, Radford Umversity; Amy Henderson; Jon Henrikson; Ed Hicks, West Virgima State Archives; George Holt, North Carolina Museum of Art; Meredith Hubel, <strong>Smithsonian</strong> <strong>Institution</strong> Horticulture Services Dmsion; Dale Jett; Richard Jett; Loyal Jones, Berea College; Rosa Lee Jude; Ajay Kalra, East Tennessse State Umversiry. Center for Appalachian Studies; Michael Keller; Brent Kennedy, Umversity of Virginia at Wise; Kevin Lamb, peermusic Nash\-ille; Land Air Transportation; Ray Lawson;Vicki Ledford, Qualla Arts and Crafts Mutual, Inc.; Laura Lee; Phil Leonard; Maya Lerman;John Lilly, Goldenseal Magazine; Jon Lohman, Virginia Folklife Program; John Loyd, Loyd Artists; Joe Macioni; Lou Maiuri; Cheryl Marshall, WMMT FM/Appalshop; Wayne Martin, North Carolina Arts Council; Harriet Masters; Rita McClenney, Virginia Tourism Corporanon; Glen McCollough, Tennessee Valley Authority; Tom McGowan, Appalachian State Umversity; Raymond McLain, East Tennessee State University; Media General; Ceni Miles, National Museum of the American Indian; Gerry Milnes, Augusta Heritage Center; Paul Montgomery, Eastman Chemical Company; Claudia Moody, Northeast Tennessee Tourism Association; Charles Moore, East Tennessee State University; Rose Morgan, National Endowment for the Arts; Museum of the Cherokee Indian; Norma Myers, East Tennessee State Universit>', Archives of Appalachia; Dr. Patrick Napier; Wade Nichols; Scott Niswonger; Niswonger Foundation; Scott Odell;Brenda Otterson;JiU Oxendine, East Tennessee State University; LesUe Pauhn, RCA-Nash\ille; Gloria Pender; Nick Pender; Judy Petroski, <strong>Smithsonian</strong> Travel Services OfEce; Jenmce W. Powers; Clay Prewntt, Target Marketing; Mary Jane Queen; Don Raines; Susan Reid, First Tennessee Development District; S. Clay Rogers; Michael Schewel, Secretary of Commerce & Trade, State ofVirginia; Rob Schneider; Dan Sheehy; Jim Sledge, East Tennessee State Umversiry Photo Lab; Da\nd Snuth;Jearae Smith; Kirby Smith; Stephame Smith; Bill Snodgrass; Beth Stockner, Bristol Tennessee/Virginia Chamber of Commerce; Lisa Suthpin; Leesa Sutton; JeffTodd Titon, Brown University; Nicole Vachon; Virginia Tech, Center for Interdisciphnary Studies; Commissioner John Wade, Tennessee Department ofTourism Development; Trac>' Walraven;WCYB TV; West Virginia Department of Cultural Heritage; BiUy Edd Wheeler; CharUe Whitaker; Betsy White. WiUiam King Regional Arts Center; Chris Williams, National Council for the Traditional Arts; Joe Wilson, National Council for the Traditional Arts;WMMT radio; Mike Woodruff, East Tennessee State Umversity; Hancel Woods, Birthplace of Country Music Alliance; Charlene Woyan- Palos; Harris Wray; Deborah Wylde, Norfolk Southern Foundation; GlenYelton Advisory Council: Senator George Allen, Congressman Rick Boucher, Janette Carter, John Cephas. Congressman Howard Coble. 'Litde"Jimmie Dickens, Senator John Edwards, Senator Bill Frist, Larry Groce, Tom T. & Dixie Hall, Senator Jesse Helms, Congressman Bill Jenkins, Senator Mitch McConnell, Senator Zell Miller, Patsy Stoneman Murphy, DoUy Parton, Mike Seeger, Ricky Skaggs, Dr. Joseph C. Smiddy, Dr. Paul Stanton, Dr. Ralph Stanley, Marry- & Connie Stuart, Senator Fred Thompson, Senator John Warner, Doc Watson, Phil Wiggins. Joe Wilson. Mac Wiseman Appalachian Regional Commission: John Cartwnght, MoUy Demarcellus, Tom Hunter. Dan Neff. Anne Pope, Jesse White Appalachian Regional Commission Tourism Council: Ahsa Bailey, Linda Basye, Mark Berson. Betty Carver. Patricia DnscoU, Amy Duffy', Rick Dunlap, Sandy FauUc. Ann Latta. Lynn Minges. Claudia Moody. Cameron Reeder. Chers'l Smith. Carole Summers Birthplace of Country Music Alliance Board of Directors: Shirley Adair. Kitty Barker, Matt Bolas, James Bryant, Frank Carmack, Dave Carter, Wade Clark, Bill Clifton. Merle Dickert, Beulah Ferguson, Margaret Fierabend, Rita Forrester, Joe Gregory, Christine Gross, Leton Harding, John Hardy, Jean Haskell, John Huron, John Maeder.Jody McCall, Fred McClellan, Geneva O'Quinn, Bud PhiUips, Patt Phipps, Anne Pope, Daveena Sexton, Gail Shazor, Phil Shiplett.Terrie Smith, Ed Snodderly, Tim Stafford, Paige Terry, Jack Totde, Greg Wallace, Tim White, David Winship In-Kind Support Atlantic Transportation Equipment Fairfax County Public Schools, Office ofTransportation Services Lamar Advertising
- Page 1:
SMITHSONIAN FOLKLIFE FESTIVAL SCOTL
- Page 4 and 5:
The annual Smithsonian Folklife Fes
- Page 7 and 8:
Table of Contents The Festival: Doi
- Page 9:
The Festival: Doing the Public Good
- Page 12 and 13:
— a singular, global, mass coniii
- Page 14 and 15:
The 2003 Smithsonian Folklife Festi
- Page 16 and 17:
— Appalachia Heritage and Harmony
- Page 18 and 19:
Virginia, is one of the best known.
- Page 20 and 21:
A mural by Tim White, in Bristol, T
- Page 22 and 23:
string bands of note were Charlie P
- Page 24 and 25:
Carolina, who learned many of her s
- Page 26 and 27:
— 1 riate •KM ''&L'X^'Ttyi«iFi
- Page 28 and 29:
- 26 Appalachia, Where Tradition an
- Page 30 and 31:
28 and Latin America. They are addi
- Page 32 and 33:
Native American Traditions in Appal
- Page 34 and 35:
32 OF APPALACHIA of cultural histor
- Page 36 and 37:
^, — 34 or "Dive for the Oyster."
- Page 38 and 39:
36 Pnolo by Jirri Higgins Library o
- Page 40 and 41:
. 2000. . ^^FORMATION Blue Ridge Mu
- Page 42 and 43:
Mali From Timbuktu to Washington /.
- Page 44 and 45:
universities in the United States,
- Page 46 and 47:
A woman [ in Timbuktu. Knotograpn b
- Page 48 and 49:
— From Golden Age Empires to Inde
- Page 50 and 51:
The French had hardly been welcomed
- Page 52 and 53:
\ constitution brought about the Th
- Page 54 and 55:
Burkina Faso. It is played on diffe
- Page 56 and 57:
Malian crafts are a legacy from the
- Page 58 and 59:
the garment, and ornamentation 56 s
- Page 60 and 61:
4 *^ '*
- Page 62 and 63:
ack into the Sahara and Sahehan zon
- Page 64 and 65:
increasing popularity of television
- Page 66 and 67:
— Certain dishes are linked to pa
- Page 68 and 69:
ft J ncK DjeDje, Jacquehne Cogdell,
- Page 70 and 71:
I Scotland at the Smithsonian is pr
- Page 72 and 73:
— John o'Groals OUTER HEBRIDES {W
- Page 75 and 76:
Scottish History: The Culture and t
- Page 77 and 78:
Much of contemporary Scottish tradi
- Page 79 and 80:
— 1 Traditional Song and Music in
- Page 81 and 82:
. . throughout occasional dance in
- Page 83 and 84:
j^ ,. V ẏ 7 Traditional Scottish
- Page 85 and 86: — Panto in Scotland JOYCE MCMILLA
- Page 87 and 88: — 85 The prehistoric Callanish St
- Page 89 and 90: The makars ar also pairt o a proces
- Page 91 and 92: have a direct connection with worki
- Page 93 and 94: (Outer Hebrides) can still visit sn
- Page 95 and 96: Moore, Maggie. Scottish Step Dancin
- Page 97 and 98: General Festival Information FESTIV
- Page 99 and 100: ^^1:30 S^ 3:00 Talking Tree 12;00 Y
- Page 101 and 102: Scotland at Smithsonian the 3:00 Sc
- Page 103 and 104: Scotland at Smithsonian Feis Stage
- Page 105 and 106: Kora players perrorm at 6 p.m. at t
- Page 107 and 108: Malian Foodways
- Page 109 and 110: Scotland at Smithsonian the Feis St
- Page 111 and 112: Dogon dancers at 12:30 p.m. at ttie
- Page 113 and 114: Scotland at the Smithsonian Feis St
- Page 115 and 116: 2:45 Growing Up m Mali 113 3:30 Bab
- Page 117 and 118: Scotland at the Smithsonian Feis St
- Page 119: [ ] ) \ I I i ; i 117 NATIONAL MUSE
- Page 123 and 124: — Saturday, July 5 Beautiful Beyo
- Page 125 and 126: Festival Participants Laura Boosing
- Page 127 and 128: The New Southern Ramblers (with Ral
- Page 129 and 130: N'Goussonn, Koulikoro Salif Keita,
- Page 131 and 132: Pottery Shoemakiiig TRADITIONAL MED
- Page 133 and 134: Fiti Moore, Diitikeld DANCE POETRY/
- Page 135: Tapestry Weaving Dovecot Tapestry W
- Page 139 and 140: staff SMITHSONIAN INSTITUTION Lawre
- Page 141 and 142: Tourism Task Force Special thanks t
- Page 143 and 144: • III SMITHSONIAN FOLKWAYS RECORD
- Page 146: Smithso >lklife Festiv,