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TELEVISION NUMBER - AmericanRadioHistory.Com

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www.americanradiohistory.com<br />

Radio News for November, 1928<br />

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The socket- operated electrodynamic speaker<br />

uses a dry -electrolytic rectifier R to convert<br />

the stepped -dawn A.C. current into 6 -volt direct<br />

current for the field winding LI. This arrangement<br />

may he used by the constructor<br />

with a speaker of the D.C. type, or a trickle<br />

charger may be employed.<br />

Radio Apparatus," which was published on<br />

page 1348 of RADIO NEWS for June, 1928.<br />

However, in a great majority of cases it<br />

will be found that the current passing in<br />

the circuit will satisfy the requirements of<br />

the speaker.<br />

Fig. 2 shows the method of connecting<br />

the speaker to a "B" power unit used in<br />

connection with a large set employing a<br />

push -pull amplifier. In this case the total<br />

current consumed by the set is so heavy that<br />

it would be apt to burn out the winding<br />

of the speaker, and, therefore, the plate<br />

current for power tubes is tapped before<br />

it reaches the speaker's field winding, which<br />

is connected as part of the voltage divider.<br />

In this circuit all the wiring and parts on<br />

the left side of the "13 +JIax." wire is standard,<br />

but on the right side of the line several<br />

changes have been made. Part of the voltage<br />

divider must be removed from the circuit<br />

to compensate for the drop in potential<br />

which takes place across the windings<br />

of the loud speaker, and probably the remainder<br />

of the voltage divider will have to<br />

he redesigned to permit a flow of current<br />

sufficient to operate the field winding of the<br />

speaker. For data on redesigning the voltage<br />

divider the reader is again referred to<br />

the article in the June number of RADIO<br />

NEWS. The circuit also shows the method<br />

of connecting the output circuit of the push-.<br />

pull amplifier with the moving coil of the<br />

speaker. L5 is a standard center -tapped<br />

output impedance unit, and T3 is the output<br />

transformer of the speaker. 'l'he condensers<br />

C9 and C10 are not absolutely<br />

necessary, but, if used, -should have a capacity<br />

of 2 to 4 mf. -<br />

With the low -potential electrodynamic<br />

speakers, the field coil is operated usually<br />

by a storage battery- connected to the winding,<br />

but it is also possible to employ A.C.<br />

operation, as shown in Fig. 3. ln this circuit<br />

T1 and R are a step -down transformer<br />

and a full -wave dry -electrolytic rectifier, respectively,<br />

which deliver direct current at<br />

6 volts and / ampere. A standard trickle<br />

charger may be used to supply this current.<br />

WHAT IS A BAFFLE?<br />

The baffle is the next subject for consideration<br />

in connection with the operation<br />

of electrodynamic speakers. The baffle is<br />

a board on which the speaker is mounted;<br />

itit is absolutely essential in order to obtain<br />

good reproduction from electrodynamic<br />

units of the free -edge cone type. In speakers<br />

of this type two distinct sets of sound<br />

waves are set up, one from the front and<br />

one from the rear of the cone. These sound<br />

waves will alternately neutralize and rein-<br />

T2<br />

force each other if the proper precautions<br />

are not taken, and it is the baffle which<br />

prevents such interference. Also, the size<br />

of the baffle determines the lowest frequency<br />

which the speaker will reproduce with full<br />

Baffles are of two general types: the flat<br />

baffle and the box baffle. 'l'he two are<br />

equally effective, but the box -shaped baffle<br />

may be much smaller for equivalent results.<br />

The rule which applies in this case is that<br />

the lowest note which the speaker will reproduce<br />

at full volume is - the one whose<br />

quarter wavelength is less than the distance<br />

from the front to the back of the cone<br />

around the edge of the baffle. Therefore,<br />

the baffle should be as large as conveniently<br />

possible, but considerable latitude is permissible.<br />

To determine the wavelength of a note<br />

it is necessary to divide the speed of sound<br />

in air by the note's frequency. To find<br />

the wavelength of a 100 -cycle note, for instance,<br />

it is necessary to divide 1120 feet<br />

(the speed of sound in air) by 100 cycles,<br />

and the result is 11.2 feet. As it is the<br />

quarter wave which is the important figure,<br />

it is next necessary to divide this figure by<br />

4, and this gives us 2.8 feet, or 33.6 inches<br />

for the quarter wavelength of a 100 -cycle<br />

note.<br />

Provided a baffle is flat, there is no limit<br />

to its desirable size. Speakers have been<br />

inserted in the wall of a room, which is<br />

practically the equivalent of a baffle of infinite<br />

extent, with excellent results. However,<br />

under average conditions a 100 -cycle<br />

baffle is entirely satisfactory, although better<br />

results could be obtained if it were still<br />

larger. A baffle of the flat type having a<br />

100 -cycle cut -off frequency will consist of<br />

a board approximately 35 inches square<br />

with a hole cut in the exact center for the<br />

cone.<br />

BUILDING INTO A CABINET<br />

In general, the box -type baffle is used<br />

more frequently than the flat type because<br />

it is more conservative in space require-<br />

ments. As the effectiveness of a baffle is<br />

determined by the shortest air -wave distance<br />

between the front and back of the<br />

cone, it may be seen that a box baffle is<br />

the approximate equivalent of a flat baffle<br />

of much larger size. Therefore, the lower<br />

compartments of radio console cabinets<br />

often serve as very efficient baffles for electrodynamic<br />

speakers, as indicated in Fig. i.<br />

One objection to the box baffle, however, is<br />

its tendency to resonate or "boom."<br />

the box is shallow from front to back,<br />

though high and wide, this effect is not<br />

noticeable. If the box is deep from front<br />

to back, while small in its other dimensions,<br />

the effect will probably be objectionable.<br />

To overcome this trouble, holes should be<br />

bored in the sides, top or bottom; or the<br />

sides should be lined with felt, or other<br />

sound- absorbing material. In general, with<br />

a box less than 18 inches square and deeper<br />

than one foot from front to back, some<br />

precautions should be taken to prevent<br />

resonance. Any box, the back of which<br />

is not almost entirely open or which lacks<br />

some other outlet of equivalent size for<br />

the sound from the back surface of the cone,<br />

will resonate badly unless a great deal of<br />

felt is used. A grille, covered with a light<br />

cloth, is usually the equivalent of an opening<br />

for the purpose.<br />

The remarks made above regarding the<br />

tendency of box baffles to resonate should<br />

not discourage the set builder from employing<br />

this type of construction. From a<br />

If<br />

4.41<br />

practical viewpoint, the box baffle is much<br />

more satisfactory and, if it is properly designed,<br />

no trouble should be experienced.<br />

The size of the battery compartment of<br />

most radio cabinets is such that satisfactory<br />

results are assured. However, if it is desired<br />

to construct a 100 -cycle box -type<br />

baffle, this should be approximately 16<br />

inches square and 10 inches deep.<br />

In constructing a baffle there are several<br />

things which should always be remembered.<br />

First, it should be made of heavy wood, so<br />

that it will not vibrate excessively on its<br />

own frequency. Secondly, the frame of the<br />

speaker should make an air -tight joint with<br />

the baffle at the opening which is cut for<br />

the cone. Thirdly, no holes should be cut<br />

in the front of the baffle other than the<br />

opening made for the cone. Lastly, the entire<br />

construction should be as rigid as possible.<br />

When the speaker is located in the sanie<br />

cabinet as the receiving tubes, great care<br />

must be taken to prevent its vibrations<br />

from causing the microphonic sounds which<br />

so often ruin reproduction. For this reason,<br />

both the speaker and the receiver should<br />

be mounted on a sound -insulating material,<br />

such as soft rubber. Special brackets are<br />

sold for mounting speakers on a soft rubber<br />

cushion, and rubber pads may be placed<br />

under each corner of the sub -panel of the<br />

set to insulate it mechanically from the<br />

speaker. As an additional precaution, the<br />

sockets used in the set should be of the<br />

cushion type, and the tubes should be fitted<br />

with heavy ballast caps.<br />

Very often, after unsuccessful attempts<br />

to eliminate microphonic noises, it is found<br />

that poorly- constructed apparatus used in<br />

the receiver is responsible. If it is suspected<br />

that the tubes are not the cause<br />

of the trouble the next parts to examine are<br />

the variable condensers. If condensers with<br />

unduly thin plates are used the vibrations<br />

set up in them may sound like tube noises<br />

in the speaker.<br />

Fig. 7<br />

.4 convenient method of mounting an electrodynamic<br />

speaker in a console cabinet is shown<br />

here. The lower part of the cabinet is thus<br />

converted into a baffle box, and the speaker<br />

should be so mounted that it comes in the<br />

exact center of its compartment. It should be<br />

provided with rubber feet to avoid vibration of<br />

the shelf on tchich the set rests.

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