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TELEVISION NUMBER - AmericanRadioHistory.Com

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www.americanradiohistory.com<br />

Radio News for November, 1928 459<br />

SET BUILDING IN FRANCE<br />

Editor, RADIO NEWS:<br />

Just a few lines of appreciation to yourself and<br />

RADIO NEWS, the current copy of which was a<br />

boon companion to me during an exceedingly violent<br />

electrical storm up here (at Holzleck, in the<br />

Vosges Mountains). I was far too deeply engrossed<br />

in your description of the Screen -Grid Strobodyne<br />

to notice such trifles as storms. I ha n<br />

taken RADIO NEWS since its first edition but, because<br />

of traveling all over the world, I had to<br />

plan with my newsdealer in New York to hold<br />

over my copies until my return. Now that I have<br />

a permanent address in Paris, I have at last become<br />

a subscriber.<br />

Here is something that would be of great assistance<br />

to me and undoubtedly to many other<br />

fans over here, and that is a table comuaring the<br />

relative sizes of wires between the American B & S<br />

gauge and the French gauge which is given in<br />

mils. I desire to build a Strobodyne a l' Americaine,<br />

but cannot do so until I know what size<br />

wire is equivalent to that given. (See below). I<br />

fell down on the construction of the RADIO News<br />

Short -Wave set on this account and am anxious<br />

to complete it and fish for good old \VRXY on<br />

the 30.91 -meter wave.<br />

We have not yet come to the screen -grid tube<br />

in France, but I have found that the "Metal<br />

Radio" factories are putting one on the market<br />

in the near future, and if it has similar characteristics<br />

to the 222, I shall build the Strobodyne<br />

S. G. as described.<br />

I am at present using a Strobodyne built by M.<br />

Chrétien, the originator of the circuit, but the<br />

American hook -up is way ahead of it. My set<br />

has coils for both wavebands (180 to 500 and 500<br />

to 3.000 meters) incorporated, and the change is<br />

made by a commutator on the panel.<br />

By the way, the relay of the Tunney- Ilceney<br />

fight over Daventry and 21.0 was wonderful. I<br />

received it in Paris clear as a bell. Absolutely<br />

no fading right up to R'GY's announcement of<br />

the time signal, when England acknowledged the<br />

defeat of her champion with silence immediate and<br />

profound. But that relay certainly spoke worlds<br />

of the future of radio from an international view -<br />

point; may good old RADIO NEWS stick and grow<br />

with it..<br />

R. W. HuMPHRE.YS,<br />

57 Boulevard Suchet, Paris 16e, France<br />

Metric Measurements of Wire<br />

( Fiere arc the measurements of copper wire -<br />

the metal conductor only -in the metric system: the<br />

diameter in millimeters and the area in square<br />

millimeters. This may be of benefit to some of<br />

our other friends abroad. The gauge is Use familiar<br />

American Brown & Sharpe.- Eotroa.)<br />

Gauge Diam. Area Gauge Diam. Area<br />

14 1.628 2.081 28 0.321 0.081<br />

16 1.291 1.309 30 0.255 0.051<br />

18 1.024 0.823 32 0.202 0.032<br />

20 0.812 0.513 34 0.160 0.020<br />

22 0.644 0.325 36 0.127 0.013<br />

24 0.511 0.205 38 0.101 0.008<br />

26 0.405 0.123 40 0.080 0.005<br />

NO PANCAKES FOR BREAKFAST<br />

Editor, RADIO NEWS:<br />

I attach a snapshot of two speakers made of<br />

scrap paper, a cone and a horn built along the<br />

lines of the model described in Chester Schenck's<br />

article in the June issue of RADIO NEWS. The<br />

horn was built around a form made from an old<br />

orange crate and some stiff cardboard; the forni<br />

Mr. Ste-wart, above, flanked on either side by<br />

a low -cost loud speaker made as described.<br />

It will be bard to lower his record unless you<br />

steal a unit.<br />

being well coated with talcum powder to insure<br />

its easy removal after the horn had thoroughly<br />

dried. For the material, I used all the old magazines,<br />

newspapers, wrapping paper and so forth<br />

that was available, and for paste a mixture of flour<br />

and water. The job was rather tedious; but, as<br />

L am not especially fond of work anyway, it came<br />

in handy to apply a layer or two a day and allow<br />

time for drying. The horn was finally built up to<br />

near / -inch in thickness, but is still too thin. Only<br />

one brace is used, that being made of four pieces<br />

of wood, )1 -inch square and about twelve inches<br />

long, nailed together in the form of a square and<br />

slipped down on the bell as far as it will go and<br />

pasted in position. The tone is as good as that of<br />

several manufactured horns I've heard, and better<br />

than some.<br />

The cotte consists of one layer of heavy brown<br />

wrapping paper with two layers of newspapers<br />

pasted on the outside, three layers in all. A circle<br />

36 inches in diameter was laid off out this and a<br />

V- shaped slice cut out. That gave me a cone 34<br />

inches in diameter and 7 inches deep. A loop of<br />

soft copper wire was pasted on the outer edge and<br />

the string used for mounting the cone in the<br />

square wooden framework was laced back and forth<br />

through the wire and to the frame. A 1 x 2<br />

bolted to the frame, supports a cigar box, which,<br />

in turn. supports the driving unit, one taken from<br />

a Musicone. The main item of expense in this big<br />

cone was five cents for the two bolts in the 1 x 2;<br />

the flour for the paste was stolen from the family<br />

larder, so cost nothing.<br />

The cone is by far the better of the two. Both<br />

reproduce well the bass and middle- register notes;<br />

but we have lots of static down in this hot country<br />

and it is not so objectionable on the cone as on<br />

the horn. The set driving these speakers is home -<br />

built, a Browning -Drake type, with a screen -grid<br />

R.F. stage, 200A detector, Thordarson Autoformer<br />

audio amplifier with a UX -112 in the last socket.<br />

\ olume amt quality de luxe!<br />

GtY STEWART,<br />

U opio, Texas.<br />

A SENSITIVE FOUR -TUBER<br />

Editor, RADIO NED S:<br />

I am sending my four -tube circuit, which was<br />

very much like Mr. McCormick's till the screen -<br />

grid tube came out. I think that the only real<br />

difference was that I changed my antenna coil<br />

by doing away with the fixed condenser and tapping<br />

at the twelfth turn from the filament end. 1<br />

have written Mr. McCormick, advis'ng him to put<br />

a screen -grid tube in his R.F. stage; it requires<br />

only a little changing and it is well worth the<br />

trouble. With his DX record, using a 201A, he<br />

certainly should step out with the screen -grid hookup<br />

for a few more miles.<br />

This circuit is very sensitive and selective with<br />

a short antenna, and the west coast comes in with<br />

plenty of volume.<br />

We have only from 7:30 p. m. until midnight<br />

to do any DXing, on account of the high -power<br />

naval station NSS here, which sends off a heavy<br />

mush or "back- wash "; so you can see ive do not<br />

have a shot at the foreigners. My most distant<br />

stations are California, Mexico, Cuba and Canada;<br />

but remember we have to do this early.<br />

This circuit was originally the "Reactodyne" published<br />

by RADIO NEWS its 1924. I hope you can<br />

interest a few others in this circuit.<br />

FRANCIS E. ENGLE,<br />

14 Cathedral St., Annapolis, .l(d.<br />

A SINGLE- CONTROL SHORT -WAVER<br />

Editor, RADIO NEws:<br />

I am enclosing a diagram of a "one-hand" shortwave<br />

receiver I have been using for about four<br />

months. I use Aero short -wave coils; with this<br />

arrangement I am able to set the feed -back control<br />

condenser for a given coil and sweep th,s whole<br />

range without any other adjustment until the desired<br />

signal is found. Then a little adjustment of<br />

the detector filament and I am all set to listen.<br />

No more "holes," etc.<br />

I am using special R.F. chokes. \\'hile an<br />

Aero No. 10 will work very well, a choke with very<br />

low inductance must be used on S. W. I use No.<br />

36 S.C.C. on a piece of round or square Vs -inch<br />

bakelite, about 6 inches long; start winding otoz<br />

end about 40 turns, space %-inch, then 60 turns,<br />

space 1/s -inch, 80 turns, and so on till the space is<br />

used up. I find the 112A tube the best detector<br />

for this receiver; the rest is standard.<br />

W. E. SMITH,<br />

Oak Forest, Illinois.<br />

MR. LOVELESS IS NOT SOLELY TO BLAME<br />

Editor, RADIO NEWS:<br />

I was interested in finding in the article on the<br />

Loveless aerial the description of a circuit embodying<br />

the principle of my patent No. 1,668,261,<br />

issued to me by the patent office May 1, 1928;<br />

application for the same having been filed Dec. 27,<br />

1923. An examination of this patent will reveal<br />

the validity of my claim; for it will be there seen<br />

that specific claim is there made for aerial circuits<br />

together with a claim embodying the same principle<br />

in radio sets themselves. The discovery of the<br />

principle involved was made by me as far back<br />

as 1920, while engaged as professor of physics its<br />

the University of Santa Clara.<br />

(Rev.) RICHARD H. BELL, S. J.<br />

St. Ignatius College, 2130 Fulton St.,<br />

San Francisco, Calif.<br />

(Continued on page 498)<br />

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Mr. Engle's hook -up differs from the " Reactodyne" in its aerial circuit; the latter was<br />

very loosely coupled in the original. The primaries are wound fumble -fashion and placed<br />

inside the secondaries, which are on 3 -inch tubing. Transformers are 5.31 220s. Ile<br />

suggest a fixed ballast also in the 222's "A-."<br />

Mr. Smith's set is tot a reflex, as first glance might suggest,<br />

but a short -waver with two A.F. amplification stages.<br />

Our readers may test it to see if ease of operation is accompanied<br />

by necessary sensitivity and control.

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