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THE MEMORIAL BOOK OF PÁPA JEWRY - JewishGen

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clothes ready. But you Dad, on the other hand, cut out with the saw yourself the gepelach and<br />

kneaded the clay for the sharbelach.<br />

Our burial rite includes a simple, rough wooden coffin, white funeral clothes without<br />

pockets, a two-pronged, fork-like piece of wood to place in the hand of the deceased (called<br />

gepelach because it is like a fork), and shards (popularly called sharbelach) for the mouth and the<br />

eyes.<br />

While he was cutting with the saw, drawing and creating, his hand and his vision were<br />

driven by the fever of his illness and his inspiration, his heartbeat was throbbing in the lifeless<br />

wood. He was contemplating death; it was painful for his soul to leave his spouse and four young<br />

children. His piety breathed the letters on the carved, smoothly polished forks:<br />

שובי נפשי למנוחיכי כי ה'‏ גמל עליכי<br />

Return, my soul, to your restfulness, for<br />

Adonay has rewarded you bountifully. (Psalm<br />

116:7)<br />

Only pure belief in God could radiate<br />

towards him the words that he drew on the other<br />

piece of wood:<br />

אני מאמין באמונה שלמה שתהי ה תחיית המתים<br />

I fully believe in the resurrection of the dead!<br />

What self-control, artistic inspiration, holy<br />

feeling came over the man at the zenith of his life,<br />

kneading the clay, shaping it nice and round, and<br />

painting the holiest confession on the clay for<br />

closing the eye:<br />

שמע ישראל ה'‏ אלהנו ה'‏ אחד<br />

So that when the lips cannot move anymore<br />

to praise the glory of God, even then he would have<br />

the crop he had made himself over the lips,<br />

proclaiming: "Blessed is the Name of His glorious<br />

kingdom for all eternity"…<br />

Let us return to funeral rituals. Eulogies were<br />

rarely given in Pápa; there were no burial chants or<br />

wreaths on the coffin. There were eulogies only for<br />

outstanding persons. However, when 90 year-old,<br />

bent uncle Marton toured the town with the<br />

collection box, he was reciting tzedoko tatzil<br />

mimoves in such a harrowing voice that it, in fact,<br />

substituted for the eulogy, because no eye stayed dry<br />

at the sound of the trembling words from the lips of<br />

the old man, tzedoko tatzil mimoves…<br />

“Two wooden forks for the time of the resurrection,<br />

to make it easier to rise to the last trumpet.”<br />

“Clay on the eyes, what he saw, he shouldn’t.<br />

Close his lips – the seal of silence”<br />

46

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