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SESSION ONE - JMap

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Anchor Paper – Part A—Level 6 – A<br />

Anchor Level 6 – A<br />

Quality<br />

Meaning<br />

Development<br />

Organization<br />

Language Use<br />

Conventions<br />

Commentary<br />

The response:<br />

Establishes a controlling idea that reveals an in-depth analysis of both texts, stating that certain<br />

significant places can stir up bittersweet emotions and that memories of such places evoke<br />

feelings of both pain and pleasure. The response makes insightful connections between the<br />

controlling idea and the ideas in Passage I (By the conclusion of the recollection, the reader<br />

recognizes both the pain … and the pleasure … these memories trigger for the narrator) and<br />

Passage II (For the narrator, the pleasure of Blithbury was the appreciation for beauty it<br />

instilled in him; the pain of Blithbury was its impermanence).<br />

Develops ideas clearly and fully, making effective use of a wide range of relevant and specific<br />

evidence from Passage I (College afforded the narrator the daring opportunity to transition<br />

from family farm to city life and He realizes much has changed, but he is accepting of it) and<br />

from Passage II (the narrator shares his fond recollections and he returns us abruptly to the<br />

present, when he reveals that the house has been destroyed). The response uses irony in<br />

Passage I to show the narrator’s attitude toward change and flashback and sensory imagery in<br />

Passage II to show the details of the house which provided comfort to the narrator.<br />

Maintains the focus established by the controlling idea on the emotional impact of childhood<br />

locations. The response exhibits a logical and coherent structure, moving from the initial<br />

emotional reaction of each narrator (initial feelings of discontent and Just a view of the house<br />

… gave him a feeling of security and well-being) to their later reactions (He seems eager to<br />

make his own changes and The last line of Passage II is sadly nostalgic). Appropriate devices<br />

and transitions are skillfully used (Usually, Moreover, Just when).<br />

Is stylistically sophisticated, using language that is precise and engaging (paint word pictures,<br />

shaped by the limitations, lured the reader), with a notable sense of voice and awareness of<br />

audience and purpose. The response varies structure and length of sentences to enhance<br />

meaning (Returning to a place of emotional significance and finding it gone is difficult).<br />

Demonstrates control of the conventions with essentially no errors, even with sophisticated<br />

language.<br />

Conclusion: Overall, the response best fits the criteria for Level 6 in all qualities.<br />

[6]

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