SESSION ONE - JMap
SESSION ONE - JMap
SESSION ONE - JMap
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Anchor Paper – Part A—Level 6 – A<br />
Anchor Level 6 – A<br />
Quality<br />
Meaning<br />
Development<br />
Organization<br />
Language Use<br />
Conventions<br />
Commentary<br />
The response:<br />
Establishes a controlling idea that reveals an in-depth analysis of both texts, stating that certain<br />
significant places can stir up bittersweet emotions and that memories of such places evoke<br />
feelings of both pain and pleasure. The response makes insightful connections between the<br />
controlling idea and the ideas in Passage I (By the conclusion of the recollection, the reader<br />
recognizes both the pain … and the pleasure … these memories trigger for the narrator) and<br />
Passage II (For the narrator, the pleasure of Blithbury was the appreciation for beauty it<br />
instilled in him; the pain of Blithbury was its impermanence).<br />
Develops ideas clearly and fully, making effective use of a wide range of relevant and specific<br />
evidence from Passage I (College afforded the narrator the daring opportunity to transition<br />
from family farm to city life and He realizes much has changed, but he is accepting of it) and<br />
from Passage II (the narrator shares his fond recollections and he returns us abruptly to the<br />
present, when he reveals that the house has been destroyed). The response uses irony in<br />
Passage I to show the narrator’s attitude toward change and flashback and sensory imagery in<br />
Passage II to show the details of the house which provided comfort to the narrator.<br />
Maintains the focus established by the controlling idea on the emotional impact of childhood<br />
locations. The response exhibits a logical and coherent structure, moving from the initial<br />
emotional reaction of each narrator (initial feelings of discontent and Just a view of the house<br />
… gave him a feeling of security and well-being) to their later reactions (He seems eager to<br />
make his own changes and The last line of Passage II is sadly nostalgic). Appropriate devices<br />
and transitions are skillfully used (Usually, Moreover, Just when).<br />
Is stylistically sophisticated, using language that is precise and engaging (paint word pictures,<br />
shaped by the limitations, lured the reader), with a notable sense of voice and awareness of<br />
audience and purpose. The response varies structure and length of sentences to enhance<br />
meaning (Returning to a place of emotional significance and finding it gone is difficult).<br />
Demonstrates control of the conventions with essentially no errors, even with sophisticated<br />
language.<br />
Conclusion: Overall, the response best fits the criteria for Level 6 in all qualities.<br />
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