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INDUSTRY BRIEFS<br />
Lucasfilm Ltd. and Twentieth Century<br />
Fox announced that the 3D theatrical<br />
rerelease of Star Wars: Episode I The<br />
Phantom Menace will open on February<br />
10, 2012. The Naboo invasion, the Tatooine<br />
Podraces and the climactic light saber<br />
battle between Darth Maul and the Jedi<br />
will be some of the visual highlights of the<br />
3D conversion, which is being supervised<br />
by Industrial Light & Magic. “Getting good<br />
results on a stereo conversion is a matter<br />
of taking the time and getting it right,”<br />
said John Knoll, visual effects supervisor<br />
for Industrial Light & Magic. “It takes a<br />
critical and artistic eye along with an incredible<br />
attention to detail to be successful.<br />
It is not something that you can rush if<br />
you want good results. For Star Wars, we<br />
will take our time, applying everything we<br />
know both aesthetically and technically to<br />
bring audiences a fantastic new Star Wars<br />
experience.”<br />
Technicolor announced it has signed an<br />
agreement with CINE PROJECT, a distributor<br />
and installer of analog and digital cinema<br />
equipment, to bring Technicolor 3D to<br />
Germany, Austria and Switzerland.<br />
“We’re excited to launch Technicolor 3D<br />
in these new markets,” said Joe Berchtold,<br />
president of Technicolor’s Creative Services<br />
division. “We have a very affordable<br />
technology solution that helps to solve the<br />
current shortage of digital 3D screens, and<br />
bring 3D to audiences in international markets<br />
of all sizes.” To date, Technicolor 3D<br />
has installed more than 500 screens internationally<br />
and released 15 titles from major<br />
studios. Studios supporting the Technicolor<br />
3D format include Paramount, Warner Bros,<br />
DreamWorks Animation, Universal, The<br />
Weinstein Company, Lionsgate Films, Summit<br />
and Relativity Media.<br />
Cineplex Entertainment debuted a worldfirst<br />
showing of a movie in 4K DLP at Galaxy<br />
Cinemas Waterloo using the new Christie<br />
CP4200 platform. “This will mark the first<br />
time anywhere that moviegoers will be able<br />
to see what’s possible on the big screen<br />
with a superior 4K DLP cinema projection<br />
solution. Cinema fans are going to enjoy<br />
the depth and extreme quality of the visuals<br />
this new projection technology delivers,”<br />
said Craig Sholder, vice president, Entertainment<br />
Solutions, Christie.<br />
Cineplex Entertainment also promoted<br />
Sarah Lewthwaite to vice president of<br />
marketing. Previously, Lewthwaite was the<br />
Toronto-based chain’s executive director<br />
of marketing. Cineplex is the largest motion<br />
picture exhibitor in Canada and owns,<br />
leases or has a joint-venture interest in 132<br />
theaters with 1,366 screens serving approximately<br />
70 million guests annually.<br />
Harkness Screens is investing $5 million<br />
to expand operations in Canada, China and<br />
France. The investment will almost double<br />
their capacity to make Spectral 3D and<br />
Perlux high gain screens. Canada is fully<br />
operational and the expansions in France<br />
and China are expected to be operational<br />
by mid-<strong>2011</strong>. The plant increases will allow<br />
Harkness Screens to serve local demand<br />
worldwide with shorter lead times for customers<br />
in all geographies as well as lower<br />
the cost of shipping screens from factory to<br />
final location. “With the explosion of the 3D<br />
films arriving in cinemas worldwide, orders<br />
for our custom frames and screens have<br />
risen significantly,” said Andrew Robinson,<br />
Harkness Screens, managing director. “In<br />
order to meet that demand and speed customer<br />
deliveries, we made the strategic decision<br />
to open new facilities in Canada and<br />
China, and expand operations in France.”<br />
Harkness Screens also announced that<br />
its Digital Screen Selector application has<br />
passed the 500 user threshold. Launched at<br />
ShoWest last year, the Digital Screen Selector<br />
is intended to be a guide for theater<br />
operators when consulting with projector,<br />
lamp and 3D technology providers for both<br />
2D and 3D. “We are delighted that our<br />
Digital Screen Selector has become such<br />
a popular aid to customers since its debut<br />
last year,” said Robinson. In addition to its<br />
500 registered users, the Selector has had<br />
over 2,000 non-registered visitors use the<br />
application.<br />
MOC Insurance Services has promoted<br />
Carmina Angka to Senior Vice President<br />
and Paul Perlite to Vice President. Angka<br />
joined MOC in 1995 and oversees all<br />
services provided by the workers compensation<br />
team at MOC, and is a leader<br />
in MOC’s executive group. Perlite joined<br />
MOC’s real estate team in 2004 and was<br />
elevated to manager in 2007. Prior to joining<br />
MOC, he was a claims manager at Nationwide<br />
Insurance. “Carmina Angka and<br />
Paul Perlite represent MOC as individuals<br />
who consistently deliver the highest level<br />
of professional and personal service to our<br />
clients,” said Van Maroevich, president<br />
and CEO.<br />
Universal Pictures International opened<br />
a new screening room for their London<br />
office and has selected an Alcons Audio<br />
system. With a huge variety of films passing<br />
through the facility, finding a system that<br />
could cope equally well with every one was<br />
a challenge for audio consultant Laurence<br />
Claydon of Cinefilm Ltd. “UPI deals with<br />
many foreign language dubs. Being able to<br />
determine if, for example, a dialogue insert<br />
or edit is acceptable is difficult on all but<br />
the best systems—sometimes the only clue<br />
is a slight shift in background reverb on the<br />
track,” he said. “So often with audio, you<br />
only know you are doing things right if you<br />
don’t get complaints. But this system has<br />
been such a success that we have received<br />
very positive comments from everyone.”<br />
QSC has promoted Danny Pickett to cinema<br />
sales manager, giving him responsibility<br />
for QSC’s global cinema sales efforts.<br />
For the past five years Pickett served as<br />
QSC’s key accounts manager, helping to<br />
build the Cinema dealer network in Europe.<br />
Prior to joining QSC, Pickett served as<br />
the Manager of DVD Audio at Twentieth<br />
Century Fox. His 20-year career has also<br />
included stints managing the audio department<br />
at Lucasfilm’s THX Digital Mastering<br />
<strong>Pro</strong>gram, and technical positions with AMC<br />
Theatres. “With the tremendous success<br />
Danny achieved in Europe, I feel confident<br />
that he will do a great job in his new global<br />
position and I look forward to working with<br />
him as he takes on this new challenge,”<br />
said Barry Ferrell, Sr. Director of Cinema<br />
Solutions. QSC also appointed 30-year<br />
cinema veteran Ron Lutsock as cinema account<br />
manager. Reporting to Danny Pickett,<br />
Lutsock will supervise internal sales, managing<br />
existing orders and well as focusing on<br />
new business development from small to<br />
medium regional cinema circuits. Lutsock<br />
will be interfacing directly with QSC’s domestic<br />
accounts, a task that will be aided by<br />
the setting up of a dedicated training facility<br />
for dealers and installers at QSC’s Costa<br />
Mesa HQ.<br />
The Scotts Valley Cinema in Scotts Valley,<br />
California is under construction and will<br />
expand. Construction is slated to be completed<br />
in November, <strong>2011</strong>. The new and expanded<br />
theater is a high end concept from<br />
CineLux Theatres, a San Jose-based motion<br />
picture theater company, and will feature<br />
ten new auditoriums with stadium seating,<br />
digital projection and curved screens.<br />
Six stadium auditoriums are expected to<br />
launch in June in time for summer. A key<br />
part of the expansion will be the introduction<br />
of VIP auditoriums where moviegoers<br />
can select an auditorium with oversized<br />
VIP seats and reserved seating. Adjacent<br />
to the VIP auditoriums are a wine bar and<br />
lounge where movie goers can relax before<br />
or after their film and enjoy local wines and<br />
gourmet treats. This expansion is targeted<br />
(continued on page 6)<br />
4 BOXOFFICE PRO APRIL <strong>2011</strong>