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BoxOffice® Pro - April 2011

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INDUSTRY BRIEFS<br />

Lucasfilm Ltd. and Twentieth Century<br />

Fox announced that the 3D theatrical<br />

rerelease of Star Wars: Episode I The<br />

Phantom Menace will open on February<br />

10, 2012. The Naboo invasion, the Tatooine<br />

Podraces and the climactic light saber<br />

battle between Darth Maul and the Jedi<br />

will be some of the visual highlights of the<br />

3D conversion, which is being supervised<br />

by Industrial Light & Magic. “Getting good<br />

results on a stereo conversion is a matter<br />

of taking the time and getting it right,”<br />

said John Knoll, visual effects supervisor<br />

for Industrial Light & Magic. “It takes a<br />

critical and artistic eye along with an incredible<br />

attention to detail to be successful.<br />

It is not something that you can rush if<br />

you want good results. For Star Wars, we<br />

will take our time, applying everything we<br />

know both aesthetically and technically to<br />

bring audiences a fantastic new Star Wars<br />

experience.”<br />

Technicolor announced it has signed an<br />

agreement with CINE PROJECT, a distributor<br />

and installer of analog and digital cinema<br />

equipment, to bring Technicolor 3D to<br />

Germany, Austria and Switzerland.<br />

“We’re excited to launch Technicolor 3D<br />

in these new markets,” said Joe Berchtold,<br />

president of Technicolor’s Creative Services<br />

division. “We have a very affordable<br />

technology solution that helps to solve the<br />

current shortage of digital 3D screens, and<br />

bring 3D to audiences in international markets<br />

of all sizes.” To date, Technicolor 3D<br />

has installed more than 500 screens internationally<br />

and released 15 titles from major<br />

studios. Studios supporting the Technicolor<br />

3D format include Paramount, Warner Bros,<br />

DreamWorks Animation, Universal, The<br />

Weinstein Company, Lionsgate Films, Summit<br />

and Relativity Media.<br />

Cineplex Entertainment debuted a worldfirst<br />

showing of a movie in 4K DLP at Galaxy<br />

Cinemas Waterloo using the new Christie<br />

CP4200 platform. “This will mark the first<br />

time anywhere that moviegoers will be able<br />

to see what’s possible on the big screen<br />

with a superior 4K DLP cinema projection<br />

solution. Cinema fans are going to enjoy<br />

the depth and extreme quality of the visuals<br />

this new projection technology delivers,”<br />

said Craig Sholder, vice president, Entertainment<br />

Solutions, Christie.<br />

Cineplex Entertainment also promoted<br />

Sarah Lewthwaite to vice president of<br />

marketing. Previously, Lewthwaite was the<br />

Toronto-based chain’s executive director<br />

of marketing. Cineplex is the largest motion<br />

picture exhibitor in Canada and owns,<br />

leases or has a joint-venture interest in 132<br />

theaters with 1,366 screens serving approximately<br />

70 million guests annually.<br />

Harkness Screens is investing $5 million<br />

to expand operations in Canada, China and<br />

France. The investment will almost double<br />

their capacity to make Spectral 3D and<br />

Perlux high gain screens. Canada is fully<br />

operational and the expansions in France<br />

and China are expected to be operational<br />

by mid-<strong>2011</strong>. The plant increases will allow<br />

Harkness Screens to serve local demand<br />

worldwide with shorter lead times for customers<br />

in all geographies as well as lower<br />

the cost of shipping screens from factory to<br />

final location. “With the explosion of the 3D<br />

films arriving in cinemas worldwide, orders<br />

for our custom frames and screens have<br />

risen significantly,” said Andrew Robinson,<br />

Harkness Screens, managing director. “In<br />

order to meet that demand and speed customer<br />

deliveries, we made the strategic decision<br />

to open new facilities in Canada and<br />

China, and expand operations in France.”<br />

Harkness Screens also announced that<br />

its Digital Screen Selector application has<br />

passed the 500 user threshold. Launched at<br />

ShoWest last year, the Digital Screen Selector<br />

is intended to be a guide for theater<br />

operators when consulting with projector,<br />

lamp and 3D technology providers for both<br />

2D and 3D. “We are delighted that our<br />

Digital Screen Selector has become such<br />

a popular aid to customers since its debut<br />

last year,” said Robinson. In addition to its<br />

500 registered users, the Selector has had<br />

over 2,000 non-registered visitors use the<br />

application.<br />

MOC Insurance Services has promoted<br />

Carmina Angka to Senior Vice President<br />

and Paul Perlite to Vice President. Angka<br />

joined MOC in 1995 and oversees all<br />

services provided by the workers compensation<br />

team at MOC, and is a leader<br />

in MOC’s executive group. Perlite joined<br />

MOC’s real estate team in 2004 and was<br />

elevated to manager in 2007. Prior to joining<br />

MOC, he was a claims manager at Nationwide<br />

Insurance. “Carmina Angka and<br />

Paul Perlite represent MOC as individuals<br />

who consistently deliver the highest level<br />

of professional and personal service to our<br />

clients,” said Van Maroevich, president<br />

and CEO.<br />

Universal Pictures International opened<br />

a new screening room for their London<br />

office and has selected an Alcons Audio<br />

system. With a huge variety of films passing<br />

through the facility, finding a system that<br />

could cope equally well with every one was<br />

a challenge for audio consultant Laurence<br />

Claydon of Cinefilm Ltd. “UPI deals with<br />

many foreign language dubs. Being able to<br />

determine if, for example, a dialogue insert<br />

or edit is acceptable is difficult on all but<br />

the best systems—sometimes the only clue<br />

is a slight shift in background reverb on the<br />

track,” he said. “So often with audio, you<br />

only know you are doing things right if you<br />

don’t get complaints. But this system has<br />

been such a success that we have received<br />

very positive comments from everyone.”<br />

QSC has promoted Danny Pickett to cinema<br />

sales manager, giving him responsibility<br />

for QSC’s global cinema sales efforts.<br />

For the past five years Pickett served as<br />

QSC’s key accounts manager, helping to<br />

build the Cinema dealer network in Europe.<br />

Prior to joining QSC, Pickett served as<br />

the Manager of DVD Audio at Twentieth<br />

Century Fox. His 20-year career has also<br />

included stints managing the audio department<br />

at Lucasfilm’s THX Digital Mastering<br />

<strong>Pro</strong>gram, and technical positions with AMC<br />

Theatres. “With the tremendous success<br />

Danny achieved in Europe, I feel confident<br />

that he will do a great job in his new global<br />

position and I look forward to working with<br />

him as he takes on this new challenge,”<br />

said Barry Ferrell, Sr. Director of Cinema<br />

Solutions. QSC also appointed 30-year<br />

cinema veteran Ron Lutsock as cinema account<br />

manager. Reporting to Danny Pickett,<br />

Lutsock will supervise internal sales, managing<br />

existing orders and well as focusing on<br />

new business development from small to<br />

medium regional cinema circuits. Lutsock<br />

will be interfacing directly with QSC’s domestic<br />

accounts, a task that will be aided by<br />

the setting up of a dedicated training facility<br />

for dealers and installers at QSC’s Costa<br />

Mesa HQ.<br />

The Scotts Valley Cinema in Scotts Valley,<br />

California is under construction and will<br />

expand. Construction is slated to be completed<br />

in November, <strong>2011</strong>. The new and expanded<br />

theater is a high end concept from<br />

CineLux Theatres, a San Jose-based motion<br />

picture theater company, and will feature<br />

ten new auditoriums with stadium seating,<br />

digital projection and curved screens.<br />

Six stadium auditoriums are expected to<br />

launch in June in time for summer. A key<br />

part of the expansion will be the introduction<br />

of VIP auditoriums where moviegoers<br />

can select an auditorium with oversized<br />

VIP seats and reserved seating. Adjacent<br />

to the VIP auditoriums are a wine bar and<br />

lounge where movie goers can relax before<br />

or after their film and enjoy local wines and<br />

gourmet treats. This expansion is targeted<br />

(continued on page 6)<br />

4 BOXOFFICE PRO APRIL <strong>2011</strong>

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