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INDUSTRY BRIEFS<br />
to be a key entertainment element for King’s<br />
Village Shopping Center as well as the future<br />
planned Scotts Valley Town Center.<br />
For the first time ever, the Wimbledon finals<br />
will be captured in 3D and screened live to<br />
3D-capable cinemas around the world. The<br />
live 3D production, in partnership with the<br />
BBC, will also be offered to interested global<br />
broadcasters. Sony and The All England Lawn<br />
Tennis Club (AELTC) have announced their<br />
multi-year partnership to bring Wimbledon<br />
in 3D to suitably equipped cinemas around<br />
the world. Sony will work with SuperVision<br />
Media, their theatrical distribution partner, to<br />
bring the excitement of tennis to 3D cinemas<br />
worldwide. Said Fujio Nishida, president of<br />
Sony Europe, “Watching tennis in High Definition<br />
3D is a stunning experience, bringing<br />
the speed of the action and the emotions of<br />
the occasion to life; it is as close to the atmosphere<br />
and excitement of Centre Court as actually<br />
being there. With the Live 3D Wimbledon<br />
experience available in hundreds of 3D<br />
cinemas across the world, many more people<br />
will be able to enjoy one of the world’s most<br />
iconic sporting events as though they were<br />
actually at Wimbledon.”<br />
AnyClip Ltd. has signed the company’s<br />
first studio film licensing deal with Universal<br />
Partnerships & Licensing. This unique<br />
licensing agreement allows AnyClip Ltd. to<br />
offer consumers the ability to access their<br />
favorite movie moments from Universal Pictures’<br />
library of feature films. AnyClip allows<br />
for searching and browsing movies associatively<br />
by characters, actors, scene details,<br />
behavioral information, quotes, objects,<br />
shooting characteristics and more. Through<br />
AnyClip.com or via third-party distribution<br />
partners, AnyClip Ltd. now offers movie<br />
clips from Universal Pictures’ library of feature<br />
films, including classic Universal Motion<br />
pictures, the Back to the Future and The<br />
Fast and Furious series and clips from new<br />
releases. “This licensing agreement with<br />
Universal Partnerships & Licensing leads<br />
the way in changing how businesses and<br />
consumers will interact with film content,”<br />
said Oren Nauman, CEO of AnyClip.” We<br />
allow viewers to access any moment of a<br />
film at any time and to share it with anyone.<br />
Our goal is to provide a new promotional<br />
service for our studio partners.”<br />
DreamWorks Animation SKG has announced<br />
its feature film release slate<br />
through 2014. The company’s plan of six<br />
original films and three sequels is as follows:<br />
Kung Fu Panda 2 for May 26, <strong>2011</strong><br />
and Puss In Boots for November 4, <strong>2011</strong>;<br />
Madagascar 3 for June 8, 2012 and Rise<br />
of the Guardians for November 21, 2012;<br />
The Croods for March 1, 2013, Turbo for<br />
June 7, 2013 and Me and My Shadow for<br />
November 8, 2013; Mr. Peabody & Sherman<br />
for March 21, 2014 and How to Train<br />
Your Dragon 2 for June 20, 2014. “At<br />
DreamWorks Animation, our creative ambition<br />
has never been greater and the release<br />
schedule we’re unveiling today is designed<br />
to give our movies the time and resources<br />
they need to realize their full potential so<br />
each one can become a true event for our<br />
audiences,” said Jeffrey Katzenberg, CEO<br />
of DreamWorks Animation.<br />
IMAX Corp. has promoted David Keighley<br />
to the newly created role of Chief Quality Officer.<br />
In this role, Keighley will be responsible<br />
for ensuring that every IMAX release meets<br />
the company’s criteria and is an enhanced<br />
version of the original. “While many organizations<br />
today are preoccupied with finding ways<br />
to do things cheaper, IMAX is focused on<br />
maintaining the highest quality of presentation<br />
and continuing to improve all aspects<br />
of the cinematic experience, said IMAX CEO<br />
Richard L. Gelfond. “David Keighley has been<br />
the driving force behind that approach at<br />
IMAX for many years. By operating this way,<br />
we are able to deliver exceptional value to<br />
our audiences, partners and shareholders.”<br />
Keighley has been involved in the postproduction<br />
of more than 265 IMAX films and<br />
will continue as president of IMAX’s postproduction<br />
image and quality control subsidiary,<br />
DKP 70MM Inc., co-founded with his wife<br />
and business partner, Patricia, in 1972 and<br />
acquired by IMAX in February 1988. Keighley<br />
was appointed Executive Vice President of<br />
IMAX in July 2007 and previous to that had<br />
been Senior Vice President since July 1997.<br />
Inception filmmakers Christopher Nolan and<br />
Emma Thomas responded, “We were thrilled<br />
to hear of David’s promotion. His attention to<br />
detail, extraordinary technical knowledge and<br />
dedication to the highest standards of motion<br />
picture image quality have been essential to<br />
the IMAX presentations of our films.”<br />
Columbia Pictures has promoted Sam<br />
Dickerman to executive vice president of<br />
production. Dickerman served as senior vice<br />
president of production since 2005 and has<br />
overseen a series of hits including Click, You<br />
Don’t Mess with the Zohan, Paul Blart: Mall<br />
Cop, Salt, Grown Ups and Just Go With It.<br />
“Sam’s contributions to our success the last<br />
several years have been exceptional and this<br />
promotion is richly deserved,” said Columbia<br />
President Doug Belgrad.<br />
The Collective, a full-service entertainment<br />
management and content company,<br />
along with AMC Theatres and horror website<br />
BloodyDisgusting.com, is launching<br />
a film distribution partnership dedicated<br />
to acquiring and marketing the best horror<br />
and thriller titles from the festival and<br />
international markets. The Collective has<br />
acquired the rights to several films out of<br />
horror and genre heavy festivals such as<br />
the Toronto International Film Festival, the<br />
Berlin International Film Festival, Slamdance,<br />
Sitges Film Festival and Fantastic<br />
Fest, and plans to release the films across<br />
multiple platforms. AMC will show a new<br />
title in the series each month, at least twice<br />
a week, across 32 key markets, including<br />
a special Friday midnight show, beginning<br />
in May. After their theatrical exhibition at<br />
AMC, films from the series will be available<br />
to fans of the genre in DVD, VOD, online<br />
and television. “There’s a huge market for<br />
niche horror films—both independent and<br />
foreign—that isn’t being met in the current<br />
environment,” said Gary Binkow, a partner<br />
at the Collective. “Together, we will build<br />
up a series around what those fans really<br />
want. And it only makes sense to have the<br />
trusted tastemakers of the genre from the<br />
world’s number one entertainment source<br />
for horror, Bloody Disgusting, pick the titles<br />
that they think deserve to be seen by a<br />
wider audience.”<br />
Open Road Films, the distribution company<br />
founded by AMC and Regal, has announced<br />
that their partnership will acquire and release<br />
between eight to ten films a year, with a focus<br />
on wide-release movies. Tom Ortenberg,<br />
the former president of theatrical films for Lionsgate,<br />
has signed on to serve as CEO and<br />
says Open Road will have a strong presence<br />
at film festivals. “As major studio releases<br />
have declined in recent years, Open Road<br />
Films will fill an important gap that exists in<br />
the market today for consumers, movie producers<br />
and theatrical exhibitors,” said Gerry<br />
Lopez, chief executive officer and president<br />
of AMC. “We are committed to providing<br />
a wide array of movies—year round-—that<br />
appeal to all of our diverse groups of guests.<br />
Open Road Films will provide a broader<br />
availability of movies to consumers.” Added<br />
Regal CEO Amy E. Miles, “Regal and AMC<br />
are in a unique position to provide Open<br />
Road Films with strategic access to theatrical<br />
exhibition, enabling more great stories to<br />
reach the big screen.” Advance word is that<br />
this new content will not be exclusive to Regal<br />
and AMC. Explained Miles, “Open Road<br />
Films will distribute these movies to theaters<br />
across the United States, playing them well<br />
beyond Regal and AMC’s screens.” As for<br />
international distribution, the answer is uncertain.<br />
6 BOXOFFICE PRO APRIL <strong>2011</strong>