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P R O G R E S S R E P O R T - Illuminating Engineering Society

P R O G R E S S R E P O R T - Illuminating Engineering Society

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. . . . . . . . . . . . . . . . . . . . . . . . . . . . R O . U . N . D T . A . B . L E. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . R O . U . N . D . T A . B . L E. . . . . . . . . . . . . . . . . . . . . . . . . . . .<br />

NEED AN EXIT STRATEGY? A ROUNDTABLE<br />

PANEL DESCRIBES THE TWISTS AND TURNS<br />

OF PROJECT CLOSE-OUT<br />

In his essay entitled “Bringing Humanities to<br />

Lighting,” in last month’s LD+A, Howard Brandston<br />

listed 10 criteria for good lighting design, Number 10<br />

being that “the design has, where applicable, withstood<br />

the test of a rigorous post-occupancy evaluation by the<br />

client and his personnel.”<br />

Brandston, admittedly, was describing a best-case scenario.<br />

In reality, “most people doing lighting layouts never<br />

visit the job site to see the completed project,” he says,<br />

and post-occupancy evaluations of lighting “are very rare.”<br />

So the question remains, how does the typical project<br />

end? The short answer: it depends. Generally, the lighting<br />

designer’s work continues into the construction phase,<br />

but from there things get murky. Factors ranging from<br />

geography, the relationship between the designer and<br />

contractor, the financial resources of the client, and the<br />

type of client and installation all play a part in project<br />

close-out.<br />

Discussing these issues is a panel featuring Jim Baney,<br />

a principal with Schuler Shook, Chicago, IL; Jill Cody, an<br />

associate with Hammel, Green and Abrahamson,<br />

Milwaukee, WI; Mary Claire Frazier, a principal with<br />

Candela Architectural Lighting Consultants, Seattle, WA;<br />

and Jeff Gerwing, an associate with the SmithGroup,<br />

Detroit, MI.<br />

Here’s what they had to say about the end game.<br />

How does a project typically end for your firm?<br />

Gerwing: For the final result of the project to match<br />

my expectations, my role as a lighting designer cannot<br />

end in the design phase. I don’t think that the hands-off<br />

approach that many designers take provides the client<br />

with the full level of value they deserve. A high quality<br />

lighting design is only achieved through solid concept,<br />

technical excellence and attention to detail. Unfortunately,<br />

it is this last issue—attention to detail—that is not<br />

entirely under our control; even the most carefully coordinated<br />

and documented designs can be foiled by<br />

“value engineering,” faulty construction, or poor construction<br />

quality due to tight schedules. For this reason,<br />

it’s critical to be involved in construction administration<br />

past the design phase...creating the punch list that is<br />

given to the owner listing items to be corrected by the<br />

contractor. After those items have been corrected, the<br />

project is then ready for any final aiming and focusing<br />

to achieve the design intent. Those tasks typically close<br />

out the project.<br />

Baney: As much as possible, we include construction<br />

phase services in our scope of work. Our final tasks usually<br />

include fixture aiming and focusing, and control<br />

system programming. On all projects, our specifications<br />

require that copies of as-built fixture and control drawings<br />

be left with the owner. Also, for control systems,<br />

we specify that operation manuals be provided along<br />

with a training session for the owner’s staff.<br />

Optional services include the preparation of fixture<br />

maintenance manuals, relamping schedules and aiming<br />

diagrams to allow the owner to better maintain the<br />

lighting system. Unfortunately, very few owners are<br />

willing to pay for these services.<br />

Baney Cody Frazier Gerwing<br />

Over<br />

Out<br />

&<br />

78 www.iesna.org October 2005 LD+A 79

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