Ornstein, Cindy: Director, Arts & Culture, City of Mesa; Executive Director, Mesa Arts Center, Mesa <strong>Background</strong> <strong>Report</strong> Author Osborne, Joanne: Councilmember, City of Goodyear Paine, Debbie: Executive Director, Arts and Business Council of Greater Phoenix, Phoenix Papworth, Jennifer: Student, Rio Salado Community College, Goodyear Payne, Toby: President, Technically Integrated Inc., Cave Creek Peck, Barbara: Consultant, Barbara Peck Public Relations, Tucson Pfannenstiel, Rick: Principal, Pfocus, LLC, Phoenix Pimentel, Marshall: Student, Glendale Community College, Glendale Pollack, Frieda: Communication Specialist, Rodel Charitable Foundation of <strong>Arizona</strong>, Chandler Ridgeway, Merrilyn: Retired; Fmr. Member, <strong>Arizona</strong> Humanities Commission; Community Volunteer, Casa Grande Rodgers, Joey: Co-Founder/Artisitic Director, Dancing in the Streets AZ, Tucson Root, Nancy G.: Retired, Community Volunteer, Litchfield Park Rowley, Jim: Vice President, Circulation, <strong>Arizona</strong> Daily Star, Tucson Saxberg, Sheila: Vice President & Trustee, Tucson Museum of Art, Oro Valley Schay, Dan: Executive Director, Phoenix Theatre, Phoenix Schutz, Ken: Executive Director, Desert Botanical Garden, Phoenix Schweiss, Patrick: Executive Director, Sedona International Film Festival, Sedona Scott, Cita: Artist, Tucson Sidhwa, Mohur: Political Activist, Integrated Personal Solutions, Tucson Siemborski, Paul: Associate Principal, Westlake Reed Leskosky, Phoenix Silver, Diane L.: Artist; Attorney, Law Office of Diane L. Silver, Phoenix Simplot, Tom: Councilmember (District 4), City of Phoenix Sisley, Sue: Physician; Suzanne A. Sisley, M.D., P.C.; C.E.O., Ensuring Tomorrow Productions, Phoenix Smith, Helen: Interim Vice President of Academic Affairs, South Mountain Community College, Phoenix Soto, Michael: Outreach Manager, Public Allies <strong>Arizona</strong>/ <strong>Arizona</strong> Citizens for the Arts, Phoenix Spark, Ron: Physician (Pathologist); Associate Clinical Professor, College of Medicine, University of <strong>Arizona</strong>, Tucson Sprague, William (Tim): Managing Member/Owner, Habitat Metro, LLC, Phoenix Stratford, Herb R.: Arts & Culture Guy, KVOA.com, Tucson Sutherland, Pamela K.: Economic Development Consultant/Lawyer, Downtown Tucson Partnership, Tucson Trasoff, Nina J.: President, Trasoff & Associates, Tucson Travis, Chad: Student, University of <strong>Arizona</strong>, Tucson Uhan, Nickolas: Assistant Vice President-Business/Commercial Banker, M&I Bank, Phoenix Van Hook, T.: Community Development Director, <strong>Town</strong> of Marana Vela, Homero: Public Works Director, Navajo County, Holbrook Villegas, Betty: Housing Program Manager, Pima County, Tucson Waters, Lou: <strong>Town</strong> Council Member, Oro Valley Weil, Joan: Chairman of the Board, Sonaran Desert Center for the Arts, Scottsdale Weiss, Cathy: Executive Director, Del E.Webb Center for the Performing Arts, Wickenburg <strong>Background</strong> <strong>Report</strong> Author Werthman, Sandy: Partner, SolarWing, Phoenix West, Neil: Retired Physician, Community Volunteer, Tucson Williamson, Jeff M.: President, The <strong>Arizona</strong> Zoological Society, Phoenix 004 | Participants of the 98th <strong>Arizona</strong> <strong>Town</strong> <strong>Hall</strong>
<strong>Report</strong> of the NINETY-EIGHTH ARIZONA TOWN HALL Capitalizing on <strong>Arizona</strong>’s Arts & Culture Tucson, <strong>Arizona</strong> May 1-4, 2011 Introduction Arts and culture have been a meaningful part of <strong>Arizona</strong> since long before statehood, from the rich heritage of the Native American and Spanish cultures that shaped the <strong>Arizona</strong> experience into territorial days, and the lore of the “Old West,” for which <strong>Arizona</strong> still is known worldwide, through establishment of some of the earliest libraries, historical societies, public art, museums, performing and visual arts associations early in the twentieth century, to the hundreds of organizations of all types located statewide today. Arts and culture are a part of the <strong>Arizona</strong> experience in almost every community (rural and urban) are a source of employment for many, a source of leisure-time pleasure for many more, a draw for tourism and represent a significant economic state engine. Arts and culture are essential to quality of life. But what is meant by the term “arts and culture?” For purposes of their discussions, the <strong>Town</strong> <strong>Hall</strong> reached for a broad definition designed to include as many constituencies as possible. These include the traditional performing, literary and visuals arts, such as symphony, jazz and popular music, musicals, ballet, modern dance, opera, theatre, art museums, galleries, and new media and electronic art forms. They also include architecture and the built environment, history and historic preservation, represented by examples such as historical museums, archeological sites, and historic buildings, districts and heritage sites. They also include humanities programs as well as programs and places that preserve, honor and interpret our history. Arts and culture include festivals and events that celebrate the lore of the Old West and promote the heritage of <strong>Arizona</strong>’s varied and diverse ethnic groups. Science, discovery and nature are part of <strong>Arizona</strong>’s arts and culture through science museums, children’s museums, natural history museums, botanical gardens and zoos. The backdrop for many arts and culture experiences is our climate and geography. The Grand Canyon, the Sonoran Desert, the Colorado Plateau, the various other desert and wilderness areas, and clear skies and mild weather are part of an experience that makes <strong>Arizona</strong> a special place. Recognizing that sports and sporting events compete with many arts and culture activities for leisure time and dollars, <strong>Town</strong> <strong>Hall</strong> felt that they often have differing support systems. For this reason, they were excluded from this definition. The intent was to include all other aspects of <strong>Arizona</strong> life that reasonably would be viewed as falling under the term “arts and culture.” Beginning with this broad definition and an understanding of the prominent place of arts and culture in <strong>Arizona</strong> history, and its economy, a diverse cross-section of <strong>Arizona</strong> residents from various communities and walks of life, all genuinely interested in meeting head on the challenges we face for the future, met as the 98th <strong>Arizona</strong> <strong>Town</strong> <strong>Hall</strong> for three days of facilitated discussions to seek a consensus on how best to capitalize on <strong>Arizona</strong>’s Arts and Culture. This report captures the consensus that emerged from those discussions. Although not every <strong>Town</strong> <strong>Hall</strong> participant agrees with every conclusion and recommendation herein, this report reflects the overall consensus achieved by the 98th <strong>Arizona</strong> <strong>Town</strong> <strong>Hall</strong>. <strong>Report</strong> of Findings and Recommendations | 5
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3 Cristina Cárdenas, Mujeres/Women
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Chapter 4 Talking, Listening, and C
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Humanities Helping to Identify Comm
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Embracing America,
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Humanities Guiding Arizona’s Futu
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Dr. Lester chairs the Board of Dire
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Chapter 5 Arizona Arts Education Ma
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circumstances, students needing rem
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Graph 5.2 Schools With at Least One
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Graph 5.5 % of Students Without
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Budget Allocation: External Resou
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Use of Artist Residencies: Graph
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4 Mark Klett and Byron Wolfe, Detai
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Chapter 6 Tourism and Cultural Heri
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7 types of cultural attracti
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Industrial Archeology Wa
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created via economic multipliers. T
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Chapter 7 Placemaking and Social Ca
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3 4 Underpinning these simple
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5 Figure 7.2 Figure 7.3 Sunday Aft
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in cars. as well as new p
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1 Richard Florida, Who’s Your Cit
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All Things Shining: Reading the Wes
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Arts and Architecture
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What is the value of interconnectio
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The Museum Heart (Scottsdale Museum
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Interim Plan for Historic Preservat
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Chapter 10 Something From Nothing:
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Breaking the Rules
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Development Services Department Off
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Figure 10.2 C
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Chapter 11 To Preserve, Adapt, Rest
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AA Facilities Location Adaptive His
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Funding Overview: Three Decades
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Non-Profit Organizations Within Cit
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Partnerships With Public Schools
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organizations have been included.
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Chapter 12 Arizona’s Public Libra
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Chapter 12 | 137
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Chapter 13 The Genius of Parks Rebe
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Maricopa County Regional Park Syste
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South Mountain 10
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Sonoran Preserve Master Plan.
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Additional Resources Land Forum 10
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Chapter 14 The State of the Arts in
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Strengths Ch
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Funding Issues Role of
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History of Latino/a Arts in Arizona
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Arizona’s Contemporary Latino/a A
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See, State of Latino Arizona
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private funding from one individual
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56,000 visitors a year, nearly 75%
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Dr. Charles C. Di Peso said that th
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Institution’s Affiliation Program
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Public Art and Infrastructure
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going into raw growth, too few into
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Public Art: Investment and Return
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Phoenix New Times Daily Press A
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3 4 time less boring and tedio
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Light Rail as a Work of Art 6
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Chapter 18 | 185
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Lennée Eller is Program Manager at
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The Performing Arts Presenter
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Table 19.1 Millions of attendances
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Technology and the Performing Arts
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Collaboration and the Arizona Prese
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Chapter 20 To Keep Them Coming: Aud
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Table 20.2: Type of Cultural Event
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Let new media transform your enviro
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Chapter 21 Arizona Artists and Thei
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Barriers to Strengthening Arizona
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Finding Voice (Tucson) 5 G
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The Actions of Stewardship
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artists cities community
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6. Scott T. Baxter, Sam Udall at th
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Chapter 22 New Voices, New Visions
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as “superfluous” rather than
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palpable. The city’s Arizona Muse
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Letitia Chambers is the President a
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1 Janet Echelman, Her Secret is Pat
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Chapter 23 Arizona’s Future: The
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to do better The Impact of th
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The Canary in the Coal Mine: Unders
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Engaging Students, Supporting Schoo
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Building an Artistic Future for Ari
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parentsgrandparents arts have a pla
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Electronic Resources Americans for
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National Assembly of State Arts Age
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agencies, and the visual arts. As p
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Cristina Cárdenas was born in Guad
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Matthew Moore is a fourth generatio
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