Background Report - Arizona Town Hall

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The Series The Shift Single Ticket Sales 192 | Chapter 19
Technology and the Performing Arts communication. Table 19.2 100% Number and percentage of U.S. adults who watched or listened to a recorded or broadcast performance at least one in the past 12 months: 2008 80% 60% 40% 40.1 33.4 31.9 20% 0% 17.8 Classical Music 14.9 Latin Music 14.2 8.0 18.0 7.9 17.8 Jazz Dance Musical Plays 6.8 15.2 Non- Musical Plays 4.9 10.9 Opera Percent of Adults Number of Adults (millions Credit: 2008 Survey of Public Participation in the Arts Chapter 19 | 193
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Capitalizing on Arizona’s Arts an
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One East Camelback Rd., Suite 530,
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Table of Contents List of Works of
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List of Works of Art 1.. Janet Eche
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Capitalizing on Arizona’s Arts &
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Fahlman, Betsy: Professor of Art Hi
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Report of the NINETY-EIGHTH ARIZONA
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Communities that are more remote or
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actively promote and support arts a
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National and state foundations, as
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Arizona’s culture is one of rugge
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Both groups tend to provide philant
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space and training for employees of
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y cuts to enact true fiscal reform
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Acknowledgements No one works in a
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Chapter 1 Art Galore for the Capita
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3 C
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Arizona Highways The Cultur
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Table 1.1 Arts-Related Business and
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Graph 1.1 UNCTAD Classification of
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Who’s That Good-Looking Pie Chart
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Foundational Elements of the Americ
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5 Huffington Post
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provides fair access to arts resour
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10 Arts Support at the State Le
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ArtShare Endowment Program The S
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Vibrant Culture, Thriving Economy
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2 D. Bryon Darby, Seventy Flights i
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Arts and Culture: Arizona’s Signi
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Chapter 3 | 051
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Creative Connections: Arts, Ideas a
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3 Cristina Cárdenas, Mujeres/Women
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Chapter 4 Talking, Listening, and C
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Humanities Helping to Identify Comm
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Embracing America,
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Humanities Guiding Arizona’s Futu
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Dr. Lester chairs the Board of Dire
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Chapter 5 Arizona Arts Education Ma
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circumstances, students needing rem
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Graph 5.2 Schools With at Least One
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Graph 5.5 % of Students Without
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Budget Allocation: External Resou
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Use of Artist Residencies: Graph
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4 Mark Klett and Byron Wolfe, Detai
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Chapter 6 Tourism and Cultural Heri
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7 types of cultural attracti
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Industrial Archeology Wa
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created via economic multipliers. T
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Chapter 7 Placemaking and Social Ca
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3 4 Underpinning these simple
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5 Figure 7.2 Figure 7.3 Sunday Aft
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in cars. as well as new p
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1 Richard Florida, Who’s Your Cit
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All Things Shining: Reading the Wes
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Arts and Architecture
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What is the value of interconnectio
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The Museum Heart (Scottsdale Museum
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Interim Plan for Historic Preservat
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Chapter 9 | 109
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1 2
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Chapter 10 Something From Nothing:
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Breaking the Rules
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Development Services Department Off
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Figure 10.2 C
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Chapter 11 To Preserve, Adapt, Rest
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AA Facilities Location Adaptive His
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Funding Overview: Three Decades
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Non-Profit Organizations Within Cit
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Partnerships With Public Schools
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organizations have been included.
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Chapter 12 Arizona’s Public Libra
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Chapter 12 | 135
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Chapter 12 | 137
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Chapter 13 The Genius of Parks Rebe
Page 149 and 150: Maricopa County Regional Park Syste
Page 151 and 152: South Mountain 10
Page 153 and 154: Sonoran Preserve Master Plan.
Page 155 and 156: Additional Resources Land Forum 10
Page 157 and 158: 5 Tiffiney Yazzie, Untitled, 2009 A
Page 159 and 160: Chapter 14 The State of the Arts in
Page 161 and 162: Strengths Ch
Page 163 and 164: Funding Issues Role of
Page 165 and 166: Chapter 14 | 157
Page 167 and 168: History of Latino/a Arts in Arizona
Page 169 and 170: Arizona’s Contemporary Latino/a A
Page 171 and 172: See, State of Latino Arizona
Page 173 and 174: private funding from one individual
Page 175 and 176: 56,000 visitors a year, nearly 75%
Page 177 and 178: Dr. Charles C. Di Peso said that th
Page 179 and 180: Institution’s Affiliation Program
Page 181 and 182: Public Art and Infrastructure
Page 183 and 184: going into raw growth, too few into
Page 185 and 186: Public Art: Investment and Return
Page 187 and 188: Phoenix New Times Daily Press A
Page 189 and 190: 3 4 time less boring and tedio
Page 191 and 192: Light Rail as a Work of Art 6
Page 193 and 194: Chapter 18 | 185
Page 195 and 196: Lennée Eller is Program Manager at
Page 197 and 198: The Performing Arts Presenter
Page 199: Table 19.1 Millions of attendances
Page 203 and 204: Collaboration and the Arizona Prese
Page 205 and 206: Chapter 20 To Keep Them Coming: Aud
Page 207 and 208: Table 20.2: Type of Cultural Event
Page 209 and 210: Let new media transform your enviro
Page 211 and 212: Chapter 21 Arizona Artists and Thei
Page 213 and 214: Barriers to Strengthening Arizona
Page 215 and 216: Finding Voice (Tucson) 5 G
Page 217 and 218: The Actions of Stewardship
Page 219 and 220: artists cities community
Page 221 and 222: 6. Scott T. Baxter, Sam Udall at th
Page 223 and 224: Chapter 22 New Voices, New Visions
Page 225 and 226: as “superfluous” rather than
Page 227 and 228: palpable. The city’s Arizona Muse
Page 229 and 230: Letitia Chambers is the President a
Page 231 and 232: 1 Janet Echelman, Her Secret is Pat
Page 233 and 234: Chapter 23 Arizona’s Future: The
Page 235 and 236: to do better The Impact of th
Page 237 and 238: The Canary in the Coal Mine: Unders
Page 239 and 240: Engaging Students, Supporting Schoo
Page 241 and 242: Building an Artistic Future for Ari
Page 243 and 244: parentsgrandparents arts have a pla
Page 245 and 246: Electronic Resources Americans for
Page 247 and 248: National Assembly of State Arts Age
Page 249 and 250: agencies, and the visual arts. As p
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Cristina Cárdenas was born in Guad
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Matthew Moore is a fourth generatio
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ARIZONA TOWN HALL PUBLICATIONS Town
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