Background Report - Arizona Town Hall

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NINETY-EIGHTH ARIZONA TOWN HALL May 1-4, 2011 Capitalizing on Arizona’s Arts & Culture Background Report Prepared By Arizona State University Michael Crow, President College of Public Programs Debra Friedman, University Vice-President and Dean Herberger Institute for Design and the Arts Editor Betsy Fahlman Authors Deborah Edge Abele Philip D. Allsopp James K. Ballinger Roberto Bedoya Robert C. Booker Robert Breunig Will Bruder W. James Burns Mandy Buscas Letitia Chambers Shelley Cohn Jaime Dempsey Lennée Eller Greg Esser Joseph Ewan Rebecca Fish Ewan Betsy Fahlman M. B. Finnerty Carrie Gustavson Valerie Vadala Homer Gordon Knox Kimber Lanning Edward Lebow Neal A. Lester Katharine Martinez Cindy Ornstein Julie Richard Tim Rodgers Ann Seiferle-Valencia Laura Stone Brenda Thomson Dallen Timothy Richard Toon Lynn Tuttle John A. Ware Cathy Weiss Wendy Weston Manuelito Wheeler Thomas H. Wilson Scott Baxter Cristina Cárdenas D. Bryon Darby Robert Booker Arlan Colton Kim Demarchi Darryl Dobras Bruce Dusenberry Betsy Fahlman Catherine (“Rusty”) Foley Debra Friedman Artists and Poets Janet Echelman Carole Jarvis Mark Klett Committee Members Susan Goldsmith James Holway Anna Jolivet Jay Kittle Robert Matia Elizabeth McNamee Walter Morlock John Peck Matthew Moore Alberto Rios Byron Wolfe Tiffiney Yazzie Elliot Pollack Warren L. Prostrollo Scott Rhodes Julie Richard Fred Rosenfield David Snider Devan Wastchak Cathy Weiss 020 | Background Report
Acknowledgements No one works in a vacuum and I would like to acknowledge the assistance of those who have generously provided advice and guidance as I developed Capitalizing on Arizona’s Arts and Culture. First and foremost, I am deeply grateful to Debra Friedman, University Vice President and Dean of the College of Public Programs, and to Adriene Jenik, Director of the School of Art, for giving me the opportunity to engage the life of a public art historian for the academic year 2010-2011. This journey deep into the arts community of Arizona has been inspiring. It has been a pleasure to work with Tara L. Jackson, president of the Arizona Town Hall, and I have very much appreciated her energy, pro-active attitude, commitment to civic engagement, and above all, sense of humor. I also would like to thank the Town Hall Research Committee whose members have made valuable suggestions. To all my authors, who themselves comprise a cultural map of the state of Arizona, I recognize the labor of love that is at the core of your essays, and thank you for spending so much time on this project. To my artists and poet, I appreciate being able to include the works of art and poems that have so greatly enriched the texture of this background report. I would also like to thank Sam Campana, Dianne Cripe, Nancy Dallett, Simon Dove, Linda Essig, Catherine “Rusty” Foley, Grady Gammage, Jr., Patricia Gober, Catherine Harkins, Lila Harnett, Matt Lehrman, Ann Marshall, Kimberly Marshall, Jennifer McClerran, Jim McPherson, Myra Millinger, Marcus Monenerkit, Darren Petrucci, Joan Prior, Louise Roman, Gregory Sale, Johnny Saldaña, Julie Sasse, Dan Shilling, Brenda Sperduti, Nancy Welch, and Judy Zuber. I am grateful for the help of my Research Assistant, Jacqueline Chao, a Ph.D. student in Art History, who chased down a wide range of seemingly unrelated information in order to find answers to my queries. Capitalizing on Arizona’s Arts and Culture has been handsomely designed by Mookesh Patel, a faculty member in the Program of Visual Communication Design in the School of Architecture + Landscape Architecture in the Herberger Institute for Design and the Arts. I deeply appreciate his cheerful willingness to take on this task. He has been skilfully assisted by Emily Lunt, a Visual Communication Design major. Betsy Fahlman 98th Arizona Town Hall Background Report Editor Professor of Art History School of Art, Herberger Institute for Design and the Arts Arizona State University Background Report | 21
Page 1 and 2: Capitalizing on Arizona’s Arts an
Page 3 and 4: One East Camelback Rd., Suite 530,
Page 5 and 6: Table of Contents List of Works of
Page 7 and 8: List of Works of Art 1.. Janet Eche
Page 9 and 10: Capitalizing on Arizona’s Arts &
Page 11 and 12: Fahlman, Betsy: Professor of Art Hi
Page 13 and 14: Report of the NINETY-EIGHTH ARIZONA
Page 15 and 16: Communities that are more remote or
Page 17 and 18: actively promote and support arts a
Page 19 and 20: National and state foundations, as
Page 21 and 22: Arizona’s culture is one of rugge
Page 23 and 24: Both groups tend to provide philant
Page 25 and 26: space and training for employees of
Page 27: y cuts to enact true fiscal reform
Page 31 and 32: Chapter 1 Art Galore for the Capita
Page 33 and 34: 3 C
Page 35 and 36: Arizona Highways The Cultur
Page 37 and 38: Table 1.1 Arts-Related Business and
Page 39 and 40: Graph 1.1 UNCTAD Classification of
Page 41 and 42: Who’s That Good-Looking Pie Chart
Page 43 and 44: Foundational Elements of the Americ
Page 45 and 46: 5 Huffington Post
Page 47 and 48: provides fair access to arts resour
Page 49 and 50: 10 Arts Support at the State Le
Page 51 and 52: ArtShare Endowment Program The S
Page 53 and 54: Vibrant Culture, Thriving Economy
Page 55 and 56: 2 D. Bryon Darby, Seventy Flights i
Page 57 and 58: Arts and Culture: Arizona’s Signi
Page 59 and 60: Chapter 3 | 051
Page 61 and 62: Creative Connections: Arts, Ideas a
Page 63 and 64: 3 Cristina Cárdenas, Mujeres/Women
Page 65 and 66: Chapter 4 Talking, Listening, and C
Page 67 and 68: Humanities Helping to Identify Comm
Page 69 and 70: Embracing America,
Page 71 and 72: Humanities Guiding Arizona’s Futu
Page 73 and 74: Dr. Lester chairs the Board of Dire
Page 75 and 76: Chapter 5 Arizona Arts Education Ma
Page 77 and 78: circumstances, students needing rem
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Graph 5.2 Schools With at Least One
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Graph 5.5 % of Students Without
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Budget Allocation: External Resou
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Use of Artist Residencies: Graph
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4 Mark Klett and Byron Wolfe, Detai
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Chapter 6 Tourism and Cultural Heri
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7 types of cultural attracti
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Industrial Archeology Wa
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created via economic multipliers. T
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Chapter 7 Placemaking and Social Ca
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3 4 Underpinning these simple
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5 Figure 7.2 Figure 7.3 Sunday Aft
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in cars. as well as new p
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1 Richard Florida, Who’s Your Cit
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All Things Shining: Reading the Wes
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Arts and Architecture
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What is the value of interconnectio
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The Museum Heart (Scottsdale Museum
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Interim Plan for Historic Preservat
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Chapter 9 | 109
Page 119 and 120:
1 2
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Chapter 10 Something From Nothing:
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Breaking the Rules
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Development Services Department Off
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Figure 10.2 C
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Chapter 11 To Preserve, Adapt, Rest
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AA Facilities Location Adaptive His
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Funding Overview: Three Decades
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Non-Profit Organizations Within Cit
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Partnerships With Public Schools
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organizations have been included.
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Chapter 12 Arizona’s Public Libra
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Chapter 12 | 135
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Chapter 12 | 137
Page 147 and 148:
Chapter 13 The Genius of Parks Rebe
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Maricopa County Regional Park Syste
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South Mountain 10
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Sonoran Preserve Master Plan.
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Additional Resources Land Forum 10
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5 Tiffiney Yazzie, Untitled, 2009 A
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Chapter 14 The State of the Arts in
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Strengths Ch
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Funding Issues Role of
Page 165 and 166:
Chapter 14 | 157
Page 167 and 168:
History of Latino/a Arts in Arizona
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Arizona’s Contemporary Latino/a A
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See, State of Latino Arizona
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private funding from one individual
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56,000 visitors a year, nearly 75%
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Dr. Charles C. Di Peso said that th
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Institution’s Affiliation Program
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Public Art and Infrastructure
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going into raw growth, too few into
Page 185 and 186:
Public Art: Investment and Return
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Phoenix New Times Daily Press A
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3 4 time less boring and tedio
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Light Rail as a Work of Art 6
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Chapter 18 | 185
Page 195 and 196:
Lennée Eller is Program Manager at
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The Performing Arts Presenter
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Table 19.1 Millions of attendances
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Technology and the Performing Arts
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Collaboration and the Arizona Prese
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Chapter 20 To Keep Them Coming: Aud
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Table 20.2: Type of Cultural Event
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Let new media transform your enviro
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Chapter 21 Arizona Artists and Thei
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Barriers to Strengthening Arizona
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Finding Voice (Tucson) 5 G
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The Actions of Stewardship
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artists cities community
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6. Scott T. Baxter, Sam Udall at th
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Chapter 22 New Voices, New Visions
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as “superfluous” rather than
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palpable. The city’s Arizona Muse
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Letitia Chambers is the President a
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1 Janet Echelman, Her Secret is Pat
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Chapter 23 Arizona’s Future: The
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to do better The Impact of th
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The Canary in the Coal Mine: Unders
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Engaging Students, Supporting Schoo
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Building an Artistic Future for Ari
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parentsgrandparents arts have a pla
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Electronic Resources Americans for
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National Assembly of State Arts Age
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agencies, and the visual arts. As p
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Cristina Cárdenas was born in Guad
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Matthew Moore is a fourth generatio
Page 255:
ARIZONA TOWN HALL PUBLICATIONS Town
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