Handwork and Handicrafts - Waldorf Research Institute
Handwork and Handicrafts - Waldorf Research Institute
Handwork and Handicrafts - Waldorf Research Institute
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43<br />
CHAPTER IX<br />
Bookbinding <strong>and</strong> Folders<br />
Steiner led his students with unparalleled patience. He did this with love, but also<br />
with severity. He was a sharp critic <strong>and</strong> was quite able to express his displeasure when he saw<br />
that his advice had been followed either incompletely or not at all—or when the essential<br />
point of his sketches had not been grasped but had merely been imitated. On a visit to the<br />
Stuttgart <strong>Waldorf</strong> School in 1924, he was very annoyed to see two folders (Plate 1, figs. 8 <strong>and</strong><br />
9) on which the decorative design led across from left to right not only at the top but at the<br />
bottom too. He pointed to it <strong>and</strong> reprim<strong>and</strong>ed:<br />
What are these curves doing down here? One cannot open these folders<br />
because the decoration requires one to leave them shut. It is just bearable on<br />
this one (fig. 9), where the colors are faint, but on the embroidered one<br />
(fig. 8), the curve below is quite impossible.<br />
When the reply was given that they had tried to follow the indications given in his sketches,<br />
he answered angrily: “Have you ever seen anything like that in my sketches? If a copy is<br />
wanted, it should at least be done accurately <strong>and</strong> well” (Plate 1, figs. 10, 11 <strong>and</strong> 12; Plates 5,<br />
6 <strong>and</strong> 7).<br />
Steiner had spoken in several places about the designing of book covers some years<br />
before 1924. In the “Lectures to Teachers,” Dornach, Christmas 1921, he said the following,<br />
which is taken from the notes of Albert Steffen:<br />
Cushions whose embroidery is felt against the face when one puts one’s head<br />
on them, h<strong>and</strong>bags giving no indication of which is the front <strong>and</strong> which is<br />
the back, books bound in such a way that the cover does not tell one that it is<br />
supposed to be opened, all these are sins in the world of appearance, which is<br />
the domain of art.<br />
The following remark appears in shorth<strong>and</strong> notes of the same lecture: “Nowadays one seldom<br />
sees a book designed in such a way that one can see that the leaves are meant to be cut. Books<br />
usually bear some design which actually requires one to leave them shut, not to open them at<br />
all.”<br />
Decorations on the covers of books <strong>and</strong> folders should show quite clearly which is<br />
the top <strong>and</strong> the bottom, the front <strong>and</strong> back. Regarding the format of books <strong>and</strong> folders,<br />
Steiner said that an upright oblong should be used for anything written or printed, whilst a<br />
lengthwise oblong should be used for drawings or pictures. He said that the insides of folders,<br />
<strong>and</strong> of other things too, should always be lighter than the outsides. In Dornach he further