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Handwork and Handicrafts - Waldorf Research Institute

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62<br />

made it necessary, he would occasionally recommend for Steiner schools in other towns<br />

different colors from those in the Stuttgart school.<br />

He also gave quite definite indications concerning the “artistic arrangement” of the<br />

rooms. But he put it forward as an ideal that the artistic arrangement should really arise<br />

out of the anthroposophical pedagogy itself. For h<strong>and</strong>work <strong>and</strong> craft rooms he made the<br />

following suggestions:<br />

For h<strong>and</strong>work rooms, interiors should be used which give special emphasis<br />

to the soul-element. The craft room should be decorated with artistically<br />

executed motifs from everyday life <strong>and</strong> from the crafts, so that one has on the<br />

walls something that receives with a certain sympathy all that is done in these<br />

rooms. This would apply to spinning too. 8<br />

Steiner insisted repeatedly upon the educational value of color. The following<br />

remarks about painting illustrate the point particularly clearly. Steiner showed how, if<br />

he works artistically, the teacher can use color in an extremely beneficial way, namely by<br />

“individualizing from child to child within the world of color.” In his Oxford lecture cycle he<br />

showed how children can be educated through painting. He spoke of a child in whom<br />

what we give him cannot escape into the rest of his organism … If I have<br />

such a child, I shall use colors <strong>and</strong> paint with him quite differently from<br />

another ... whose ideas, far from sticking in his head, escape through his head<br />

as through a sieve; in him everything goes into the body, <strong>and</strong> the child grasps<br />

nothing because his head is really like a sieve. 9<br />

Steiner went on to describe in detail the painting exercises that should be used with these<br />

children.<br />

In the field of medicine Steiner showed various doctors of the Anthroposophical<br />

Society new ways of applying color for healing. He indicated to parents <strong>and</strong> teachers that<br />

certain colors can have a beneficial <strong>and</strong> healing effect upon overactive children, <strong>and</strong> others<br />

upon those who have the opposite tendency.<br />

A few more examples may be given. A nervous, that is to say, excitable child,<br />

should be treated differently as regards environment from one who is quiet<br />

<strong>and</strong> lethargic. Everything should come into consideration, from the color of<br />

the room <strong>and</strong> of the various objects that are generally around the child, to the<br />

color of the clothes in which he is dressed. One will often do the wrong thing<br />

if one does not take guidance from spiritual knowledge. For in many cases the<br />

materialistic idea will hit on the exact reverse of what is right. An excitable<br />

child should be surrounded <strong>and</strong> dressed in red or reddish-yellow colors,<br />

whereas for a lethargic child one should have recourse to blue or bluish-green<br />

shades of color. For the important thing is the complementary color which is<br />

created within the child. In the case of red, it is green, <strong>and</strong> in the case of blue,<br />

orange-yellow, as may easily be seen by looking for a time at a red or blue<br />

surface.

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