Handwork and Handicrafts - Waldorf Research Institute
Handwork and Handicrafts - Waldorf Research Institute
Handwork and Handicrafts - Waldorf Research Institute
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48<br />
Figure 23: “Anthroposophie, Oesterreichischer Bote von Menschengeist zu Menschengeist,”<br />
published by the Bund fur Freies Geistesleben in Austria. The journal appeared twice<br />
monthly from November 1922. The design was drawn by Dr. Steiner.<br />
Figure 24: The same design as that drawn by Dr. Steiner shown in fig. 20. It was given by<br />
him in 1920 for the “Verein des Goetheanum,” together with the lettering in it, which<br />
was copied as faithfully as possible for printing. Since then the design has been used at the<br />
Goetheanum in Dornach.<br />
Figure 25: This design was drawn by Dr. Steiner in 1921 or 1922 for Bulwer Lytton’s novel<br />
Zanoni, The Coming Race.<br />
Figure 26: This was drawn by Dr. Steiner. Nothing more is known about this design than<br />
that it was probably originally intended for writing paper. The motif, the same as in fig. 33, is<br />
drawn in the first case for upright format, <strong>and</strong> in the second for transverse format.<br />
Figure 27: Dr. Steiner drew this design before 1924 for the book Theosophie, <strong>and</strong> Frau Pyle-<br />
Waller then executed it for printing.<br />
Figure 28: A later use of the design shown in fig. 25. Note that the word “Vril,” belonging to<br />
the composition in fig. 25, is here omitted.<br />
Figure 29: This design was drawn by Dr. Steiner for the secretary’s office at the Goetheanum.<br />
The motif is the same as in fig. 31, where the form is adapted to a transverse format.<br />
Figure 30: A later use of the design shown in fig. 27.<br />
Figure 31: A design for members’ cards, for use within the Anthroposophical Society. Dr.<br />
Steiner probably drew it in 1923, as the cards were first used early in 1924. The cards are for<br />
transverse format. The print is old gold on a light blue ground of even tone. The motif is the<br />
same as in fig. 29, where it is drawn for upright format.<br />
Figure 32: An attendance card for the “Second International Congress of the<br />
Anthroposophical Movement for the Resolution of the Problem East versus West,” Vienna,<br />
June 1922. Dr. Steiner drew the design. The print is blue-violet (West) <strong>and</strong> red (East) on a<br />
pink ground.<br />
Figure 33: Dr. Steiner’s design for membership cards of the Anthroposophical Society, drawn<br />
probably in 1923, as they came into use early in 1924. The cards are transverse format. The<br />
print is olive green on a strong pink ground. The motif is the same as in fig. 26.