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J. C. Powys' Autobiography: A Reader's Companion - Site POWYS

J. C. Powys' Autobiography: A Reader's Companion - Site POWYS

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4 <strong>Autobiography</strong><br />

A<br />

“a deep and liquid rest, forgetful of all ill” (372) —<br />

From Shelley’s “Adonais” (l.63), also quoted in<br />

Rodmoor (456), A Glastonbury Romance (300), In<br />

Defence of Sensuality (159), Mortal Strife (58),<br />

Elusive America (43, 141), and Diary 1929 (117).<br />

“A fine, clean, upstanding youth” (516) —<br />

Perhaps a parody of A.E. Housman (“What, still<br />

alone at twenty-two / A clean, upstanding chap<br />

like you?”), written by Hugh Kingsmill<br />

(1889–1949).<br />

“a glimmering square” (369) — ”The casement<br />

slowly grows a glimmering square” from<br />

Tennyson’s lyric “Tears, Idle Tears” (l.14),<br />

originally a song from The Princess (IV, l.34).<br />

“a good man and one who did good things”<br />

(648) — Inaccurate version of the final line of<br />

Thomas Hardy’s The Woodlanders, spoken by<br />

Marty (sic) South.<br />

“a great mystery” (39) — Possibly an echo of<br />

Ephesians 5:32.<br />

à outrance (175) — Translated (from the French)<br />

in the text.<br />

“A parrot to an eagle came ...” (313) — From “The<br />

Parrot and the Eagle” (Poems [55]).<br />

“a savour of poisonous brass and metal sick” (470;<br />

cf. 380) — From Keats’s Hyperion (I 189), also<br />

quoted in After My Fashion (178) and<br />

Psychoanalysis and Morality (15).<br />

... a story, that is to say, the struggle of a soul ...<br />

(46) — Jeremy Hooker (John Cowper Powys [6])<br />

notes that this is an accurate account of<br />

<strong>Autobiography</strong> itself.<br />

“a stream of tendency” (295) — See “stream of<br />

tendency.”<br />

“A woman’s face ... treasure” (347) — From<br />

Shakespeare’s Sonnet 20, ll.1–2, 13–14.<br />

Abraham (469) — The Hebrew patriarch who led<br />

his people out of Ur of the Chaldees to the “Holy<br />

Land.” See Genesis 12.<br />

abysm of time (291) — From Shakespeare’s The<br />

Tempest (I ii 50), also quoted in Morwyn (200),<br />

Suspended Judgments (56), The Complex Vision<br />

(38), In Defence of Sensuality (22, 59), The Art of<br />

Growing Old (109); cf. The Meaning of Culture<br />

(29), Obstinate Cymric (162).<br />

“accept” the cosmos (374) — One of Walt<br />

Whitman’s basic attitudes; see Song of Myself 23<br />

(l.7). Also alluded to in In Defence of Sensuality<br />

(126).<br />

Achilles (106) — The leading Greek warrior in<br />

Homer’s Iliad, known for his speed and energy<br />

on the battlefield. See also “Podas okus” and<br />

“Zanthus and Balius.” So, “Achillean” (153).<br />

“acquiring merit” (431) — A standard religious<br />

term. Pilgrims acquire merit by going on<br />

pilgrimages. In the East, people still acquire merit<br />

by giving alms to priests.<br />

Acreman House (98) — The “new” residence for<br />

Sherborne Preparatory School in 1885, still in use,<br />

west of the town centre.<br />

ad infinitum and ad nauseam (443) — “Endlessly”<br />

and “to a disgusting extent” (Latin).<br />

Addisonian Spectators (118) — The famous<br />

periodical, The Spectator, first appeared in 1711. It<br />

was written primarily by Joseph Addison<br />

(1672–1719) and Richard Steele (1672–1729) and<br />

was most famous, perhaps, for the character of<br />

Sir Roger de Coverley. See “Spectator” for<br />

subsequent references.<br />

Aegripan (261) — Presumably indicating a Bacchic<br />

follower, the word does not occur in the standard<br />

English or Classical dictionaries.<br />

Aeschylus (9) — Greek tragic dramatist of the<br />

sixth century BC, best known for his surviving<br />

trilogy, the Oresteia.<br />

African negroes (455) — This is an early<br />

manifestation of JCP’s belief, prominent in Porius<br />

and discussed in Obstinate Cymric (8–9), that the<br />

Welsh were non-Aryan descendants of<br />

inhabitants from Atlantis originating (like the<br />

Druids) in North Africa.<br />

“after the Great <strong>Companion</strong>s” (542) — From<br />

Whitman’s “Song of the Open Road” (12., l.1),<br />

also quoted in The Pleasures of Literature (441),<br />

where the phrase is interpreted as “the souls of<br />

all the dead.”<br />

Agag (401) — The King of the Amalekites spared<br />

by Saul but slain by Samuel; see 1 Samuel 15. For<br />

“deliberately,” see v.32, also quoted in Owen<br />

Glendower (327).<br />

Agape (339–40) — Christian love as discussed by<br />

St. Paul in 1 Corinthians 13 (“the famous list of<br />

attributes”). In the King James (Authorized)<br />

Version of the Bible (“our proper old version”) it<br />

is translated as “charity,” though later translations<br />

tend to substitute “love.” For JCP’s further<br />

discussions of agape, see The Pleasures of<br />

Literature (216, 219, 232–3), Dostoievsky (156–8),<br />

and Letters to Miller (39–40).<br />

Agawamuk (135) — A river close to JCP’s home,<br />

Phudd Bottom, in Hillsdale, New York State.<br />

“age cannot wither him nor custom stale”<br />

(261) — Adapted from Shakespeare’s Antony and<br />

Cleopatra (II ii 241), also quoted in the 1955<br />

introduction to A Glastonbury Romance. Cf.<br />

Wood and Stone (21).<br />

aged relative (18, 42) — JCP’s paternal<br />

grandmother, Amelia (Emily) Powys (1830–1902).<br />

The phrase is apparently used to avoid revealing<br />

her as a woman, following the original principle

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