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J. C. Powys' Autobiography: A Reader's Companion - Site POWYS

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46 <strong>Autobiography</strong><br />

exists (2003) in the garden of JCP’s house in<br />

Corwen.<br />

Peters, Rollo (595) — Charles Rollo Peters, an<br />

actor and “old friend of Marian Powys” (Letters to<br />

Miller [44]), mentioned in Letters to Llewelyn (I<br />

232, II 81), Llewelyn’s The Verdict of Bridlegoose<br />

(42), and from time to time in Jack and Frances (I).<br />

Petronius (476) — First-century writer, companion<br />

of Nero (q.v.), to whom is attributed the satirical<br />

romance known as the Satyricon.<br />

Petrushka (166, 198; cf.136) — A “half-doll halfhuman<br />

grotesque,” a character in a ballet by<br />

Stravinsky, and a name JCP applied to<br />

himself—hence the title of the selections from his<br />

diaries, Petrushka and the Dancer (see especially<br />

xxvi).<br />

Phædruses (166) — Phædrus was one of Socrates'<br />

disciples and the name-character in one of Plato’s<br />

Socratic dialogues.<br />

Pharaoh (324) — For Pharaoh and his “hard<br />

heart,” see Exodus 8: 19, 32.<br />

Pharisee (454) — A member of a group of<br />

influential Jews from the second century BC; in<br />

the first century AD looked upon by the writers of<br />

the Gospels, perhaps unfairly, as legalists and<br />

hypocrites (see Matthew 23). JCP seems to<br />

emphasize their preoccupation with personal<br />

ritual. The “Great Magician” was, of course, Jesus.<br />

So “Pharisaic” (454, 465) and “Pharisaism” (455).<br />

See also “I too ...”<br />

Phelips, Mr. W. R. (115) — Owner of Montacute<br />

House, who appointed the vicars of Montacute.<br />

See also under “Brympton House.”<br />

Phillips, Rachel (569) — A woman buried in “the<br />

tiny Second Cemetery of the Spanish and<br />

Portuguese Synagogue” on West 11 th Street<br />

(Gostick [36]), near JCP’s flat in Patchin Place,<br />

about whom he fantasized. Mentioned on several<br />

occasions in his diaries.<br />

“Philosophy of Representation” (361) — JCP is<br />

here referring to the philosophy he assigned to<br />

Richard Gaul in Weymouth Sands (99, 158).<br />

Phorkyads (626) — According to Robert Graves<br />

(228), these were the daughters of Phorcus, elder<br />

sisters of the Gorgons. They had one eye and one<br />

tooth between them, and in order to break their<br />

power Perseus, in his quest to slay Medusa, had<br />

to gain control of both.<br />

“physiognomic eye” (171) — A phrase from<br />

Spengler (q.v.), also quoted in The Art of Growing<br />

Old (76) and Rabelais (47, 286).<br />

Piazza del Spagna (295) — The location of the<br />

famous Spanish Steps in Rome.<br />

Piel, Paul (568–9) — Though I have consulted<br />

numerous reference books listing American<br />

sculptors, I have found no further information<br />

concerning Paul Piel.<br />

Pierrots (136) — White-faced male characters in<br />

French pantomime.<br />

Pilate (223, 428, 645–6) — Pontius Pilate, prefect of<br />

Judea at the time of the crucifixion of Jesus. For<br />

his washing of his hands (223, 645–6), see<br />

Matthew 27:24; for the question “What is Truth?”<br />

(428), see John 18:38, and compare the wellknown<br />

opening of Francis Bacon’s essay “On<br />

Truth”: “‘What is truth?’ said jesting Pilate, and<br />

did not stay for an answer.”<br />

pilgarlick (44) — A bald-headed old man. A<br />

favourite dialect word with JCP, who uses it, for<br />

instance, in A Glastonbury Romance (546, 585)<br />

and in Weymouth Sands (328). He probably<br />

derived it from Motteux’s completion of<br />

Urquhart’s translation of Rabelais (Book 5, ch.7).<br />

NB: It is usually spelt without the final “k.”<br />

pillar-boxes (429) — A British term for mail-boxes.<br />

Pincian Hill (296) — Another of the famous seven<br />

hills of Rome.<br />

“pinfold ... confined and pestered” (60) — From<br />

Milton’s Comus (l.7), also quoted in The Art of<br />

Happiness ([1935] 205).<br />

Pintoricchio (404) — In fact, Bernadine<br />

Pinturicchio (1454–1513), an Italian painter.<br />

Pirus Japonica (30) — (More usually “Pyrus”)<br />

Japanese Quince. For the last hundred years it<br />

has been the chief spring ornament of English<br />

gardens. Its blossoms, which vary in colour from<br />

creamy white to rich red, are produced during<br />

the winter and early spring months.<br />

Pistol (586) — The cowardly braggart in<br />

Shakespeare’s 2 Henry IV and Henry V.<br />

Plato (120, 135, 222, 286, 485, 626) — Greek<br />

philosopher (c.427–c.347 BC), who wrote<br />

dialogues containing the teachings of Socrates.<br />

So, “Platonic” (127, 173, 205, 237, 270, 472, 481, 505)<br />

and “Platonist” (470, 563).<br />

Plaudite et vale! (122) — See “Have I not played<br />

...”<br />

Plays of Massinger (123) — A collection of plays<br />

by Philip Massinger (1583–1640), best known for A<br />

New Way to Pay Old Debts (1625–1626).<br />

“Please make Mary Crow happy” (536) — But he<br />

doesn’t actually say “Please”! See A Glastonbury<br />

Romance (90) Llewelyn was unimpressed with<br />

this defence; see Letters of Llewelyn Powys (189).<br />

“Pleasure ... itself” (57) — See “the pleasure ...”<br />

Plotinus (285) — Greek philosopher (203–70),<br />

leader of the Neoplatonic school, best known for<br />

his Enneads.<br />

Pluto (227) — The Greek god of Hades, who<br />

carried off Proserpina (q.v.) to be his queen.

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