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J. C. Powys' Autobiography: A Reader's Companion - Site POWYS

J. C. Powys' Autobiography: A Reader's Companion - Site POWYS

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50 <strong>Autobiography</strong><br />

Redcliff (273), Redcliff Bay (15, 139) — There is a<br />

Redcliff Point on the coast to the northeast of<br />

Weymouth.<br />

redeemed ... sorrows (130) — Adapted from<br />

Shakespeare’s King Lear (V iii 266), also quoted in<br />

After My Fashion (272), Weymouth Sands (321),<br />

The Complex Vision (95), In Defence of Sensuality<br />

(123), and The Pleasures of Literature (163).<br />

Regan and Goneril ... that look (218) — Regan<br />

and Goneril are the two disloyal daughters in<br />

Shakespeare’s King Lear, both in love with<br />

Edmund. The reference here is to IV v 25–6.<br />

Regent (254) — The future King George IV, King<br />

of England from 1820 to 1830, who served as<br />

regent, 1811–1820, during the mental instability of<br />

his father, who reigned from 1760 until 1820. He is<br />

now best known for his association, as here, with<br />

Brighton Pavilion.<br />

Reigate (342) — A town south of London, in<br />

Surrey.<br />

Rembrandt (301; cf. 302) — Rembrandt von Rijn<br />

(1606–1669), Dutch painter well known for his<br />

portraits and his use of shadow.<br />

“reservoirs of magnetism” (525) — Not identified.<br />

“Resolve to live ... in the Beautiful” (501) — From<br />

Goethe, also quoted in The Meaning of Culture<br />

(251), The Pleasures of Literature (263), Mortal<br />

Strife (167), and Letters to Ichiro Hara (139).<br />

Return of the Native, The (64, 99, 309) — A novel<br />

by Hardy (1878).<br />

Reynolds, Sir Joshua (251) — British portrait<br />

painter (1723–1792), first President of the Royal<br />

Academy. The reference is perhaps to the figure<br />

of Joseph in Reynolds’s painting The Holy Family<br />

(1789) in the Tate Gallery collection. NB:<br />

“Reynold’s” is, of course, an error.<br />

Rhoades, James (131) — Latin teacher and poet<br />

(1841–1923). His translations of Vergil were<br />

eventually published in the “World’s Classics”<br />

series. Littleton (70) writes more positively of him<br />

than JCP, ending with the statement: “I was<br />

grateful to him.”<br />

Rhodes (301) — Cecil Rhodes (1853–1902), British<br />

businessman and administrator who expanded<br />

British power in Africa. Rhodesia (now<br />

Zimbabwe) was named after him.<br />

Rhys, Sir John (284) — Welsh scholar (1840–1915),<br />

whose Studies in the Arthurian Legend (1891) was<br />

much used by JCP when writing A Glastonbury<br />

Romance, Maiden Castle, and Porius. See also<br />

under “bundling.”<br />

“rich and strange” (306; cf. 67) — From<br />

Shakespeare’s The Tempest (I ii 401), also quoted<br />

in Visions and Revisions (xxi), In Defence of<br />

Sensuality (17, 165), Elusive America (45), and cf.<br />

Rabelais (15).<br />

Richardson, Dorothy (524) — English novelist<br />

(1873–1957), known for her Pilgrimage cycle. JCP<br />

admired her work, and published a pamphlet<br />

about her, Dorothy M. Richardson (1931).<br />

Richmond Villa (133, 393) — Llewelyn’s residence<br />

while teaching at Sherborne Preparatory School.<br />

Rider and Company (181) — William Rider & Son,<br />

the London publishing company in which Ralph<br />

Shirley (q.v.) had a controlling interest and which<br />

brought out JCP’s early poetry. Noted for its<br />

occult list.<br />

“rigged in the eclipse and built with curses dark”<br />

(474) — From Milton’s “Lycidas” (l.101). JCP<br />

reverses the words “rigged” and “built.”<br />

Riley, [J.] Whitcomb (605) — American poet (1849-<br />

1916), author of “Little Orphan Annie,” best<br />

known for The Old Swimmin’ Hole and ‘Leven<br />

More Poems (1883).<br />

“rise again” (401) — Alluding to a passage from<br />

the Nicene Creed in the Anglican Communion<br />

service.<br />

“rising of the gorge” (11) — A traditional phrase,<br />

but perhaps echoing “my gorge rises at it” in<br />

Shakespeare’s Hamlet (V i 207).<br />

“rising to immortality and intense happiness”<br />

(642, 643, 649) — Not identified; perhaps a JCP<br />

invention, but cf. Letters to Ross (38–9).<br />

Robertson’s History of the Church (283; cf.<br />

152) — The History of the Christian Church by<br />

James Craigie Robertson, published between<br />

1854 and 1873. Littleton records JCP’s borrowing<br />

these volumes from the Sherborne School Library<br />

in 1890–1891 (The Joy of It [67–8]). NB:<br />

“Robinson’s” (152) is an error.<br />

Robinson, Edwin Arlington (451, 471) — American<br />

poet (1869–1935), best known for his somewhat<br />

lugubrious poems about New England people. He<br />

also wrote long poems on Arthurian themes.<br />

Ronald Mathias (81) believes that JCP only met<br />

Robinson once, on the occasion described here.<br />

rocks and stones and trees (26, 633) — The order<br />

suggests a likely echo of Wordsworth’s “A<br />

Slumber Did My Spirit Seal” (l.8), also alluded to<br />

in The Inmates (214), Porius (278), In Defence of<br />

Sensuality (7, 221–2, 282), and Letters to Ichiro<br />

Hara (138).<br />

“rod and staff” (204) — Psalm 23:4.<br />

Roderic Mawr (141) — Roderick (sic) or Rhodri<br />

Mawr, King of Gwynedd and Powys from whom<br />

Owen Glendower claimed descent. JCP also<br />

wrote of his father’s pride in this ancestor in The<br />

Dorset Year (262) and Letters to Glynn Hughes<br />

(59). JCP’s first privately published story, “The<br />

Hamadryad and the Demon,” reprinted in Powys<br />

Newsletter 2 (Colgate University), 1971, was<br />

signed “Roderick Mawr.”<br />

Roderigo (91) — A gullible and foolish character<br />

in Shakespeare’s Othello.

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